New Releases:

BLUE MAGGIE—THE NEAREST WAY—No Label, No Number (compact disc)
A GUITAR LESSON WITH DAVID BROMBERG—Stefan Grossman’s Guitar Workshop GW992 (DVD)
BUCK MOUNTAIN BAND—CHICKEN IN THE SNOWBANK—Bent Trees 208 (compact disc)
DAILEY & VINCENT—BROTHERS FROM DIFFERENT MOTHERS—Rounder Records 1166106172 (compact disc)
DEHLIA LOW—TELLICO—Caught By A Train Publishing, No Number (compact disc)
DOERFELS—WHAT I’M LOOKING FOR—Patuxent Music CD187 (compact disc)
LARRY FORD BLUEGRASS BAND—THE POWER OF GOD—Red Shale Records 0109 (compact disc)
JEREMY GARRETT—I AM A STRANGER—Sugar Hill SUGCD4054 (compact disc)
ANGELICA GRIM—LOOK FOR ME—Patuxent Music CD180 (compact disc)
HOT SEATS—RETREAT TO CAMP CANDY TEMPTATION ISLAND—No Label, No Number (compact disc)
SARAH JAROSZ—SONG UP IN HER HEAD—Sugar Hill SUGCD4049 (compact disc)
BLAINE JOHNSON—BARN BURNIN’ BLUEGRASS—No Label, No Number (compact disc)
DOYLE LAWSON & QUICKSILVER—LONELY STREET—Rounder Records 1166106352 (compact disc)
J.E. MAINER—19351939 THE EARLY YEARS—JSP Records JSP77118 (compact disc)
JOE MULLINS & THE RADIO RAMBLERS—RAMBLER’S CALL—No Label, No Number (compact disc)
DIANE McKOY—READY OR NOT HERE I COME—Deep South Productions, No Number (compact disc)
NEWFOUND ROAD—SAME OLD PLACE—Rounder Records, 1166106092 (compact disc)
ALECIA NUGENT—HILLBILLY GODDESS—Rounder Records 1166106122 (compact disc)
PATHWAY—SOMEWHERE TONIGHT—Mountain Roads Recordings MRR1005 (compact disc)
RED STICK RAMBLERS—MY SUITCASE IS ALWAYS PACKED—Sugar Hill SUGCD4053 (compact disc)
THE STONEMANS—PATSY, DONNA & RONI—Patuxent Music CD183 (compact disc)
SUMMER CHURCH—REUNION—Walkin’ On Water Records WALK012 (compact disc)
FRANK WAKEFIELD—OWNSELF BLUES—Patuxent Music CD182 (compact disc)
THE ESSENTIAL CLARENCE WHITE:BLUEGRASS GUITAR LEADS—BY ROLAND WHITE & DIANE BOUSKA—No Label, No Number(book)

Additional Releases:

By Les McIntyre

THE BANKESTER FAMILY—SOMEWHERE IN BETWEEN—Covenant Hills Records CHR02. This latest CD from the Bankester Family is primarily a gospel collection featuring material from Becky Buller (“Carolina Rain” and “Master’s Garden”), Ron Block (“He’s Holding Onto Me” and “Shield Of Faith”) and Wil Maring (“Bottomlands” and “Reminds Me Of Missouri”). The outstanding element throughout is the Bankesters’ precise harmonies which shine on “Gospel Plow,” “Is Not This The Land Of Beulah?,” and the a cappella “Long Time Traveler.” This is a striking collection of bluegrass music that showcases the group’s vast musical talents. (Phil Bankester, 62 Apple Ln., Carbondale, IL 62901, www.bankesterfamily.com.)

SAPLING GROVE—TIMELESS—Heartland Recordings HR-CD-550. “Timeless” is the latest release from Sapling Grove. The group includes Randy Singleton (banjo, resonator guitar, and vocals), Gary Moore (mandolin, guitar, and vocals), Sam Witcher (guitar and vocals), and Ray Dearstone (bass and vocals). The project is dedicated to the late Bobby Lester who was the band’s fiddler. Included among the dozen selections are performances of “Poet With Wings,” “Friend Of The Devil,” combined with band originals “Just Wait And See” and “Fiddlin’ Man.” Sapling Grove has created an effective compilation of bluegrass music that should create future opportunities for the band. (Heartland Recordings, 337 Dearstone Pvt. Dr., Bristol, TN 37620, www.saplinggrove.us.)

ELKVILLE STRING BAND WITH WAYNE HENDERSON—OVER THE MOUNTAIN—Mountain Roads Recordings MRR-ES-001. Attempting to fit the music of the Elkville String Band into a single category is difficult in that it contains many musical genres including bluegrass, old-time, and classic country. Their latest release features several traditional numbers along with original material. The proceedings begin with the patriotic “There’s A Star Spangled Banner Waving Somewhere” and concludes 14 performances later with the gospel classic “Shall We Gather At The River.” In between are renditions of “Cindy,” “Otto Wood” and “Jesse James.” Also featured are original instrumentals including ”The Elkville Shuffle” and “Cat Call Waltz.” The presence of guitarist Wayne Henderson adds further credence to the production. “Over The Mountain” is a delightful musical experience and hopefully there will be other recording projects from the Elkville String Band. (Mountain Roads Recordings, 3192 Hwy. 421, Bristol, TN 37620, www.mountainroadsrecordings.com.)

LIMITED EDITION—GO STRAIGHT, STAY RIGHT—Cabin House Recordings CHRS-900. Limited Edition is a bluegrass trio consisting of Dan Garrett (banjo, guitar, and vocals), Dave Garrett (mandolin, guitar, bass, and vocals), and Jim Meadors (bass guitar). This all-gospel production is similar in scope to their previous effort (BU, March ’06) in that it consists mostly of material written by Dan Garrett. Also included among the 14 selections are favorites such as Vince Gill’s “Go Rest High,” Ronnie Bowman’s “Three Rusty Nails,” and “Wayfaring Stranger.” “Go Straight, Stay Right” is bluegrass gospel music at it’s finest and a significant milestone for Limited Edition. (Dan Garrett, 1994 Sheridan Ave., Warren, OH 44483, www.dovecds.com.)

AMY LADD & FRIENDS—FATHERS & FAMILIES—No Label, MBG 5547. As the title suggests, this gospel offering from Amy Ladd & Friends is dedicated to the bandmember’s fathers and families. The 11 selections focus on standards—“He Restoreth My Soul,” “Old Country Church,” “Fishers Of Men,” and others. Of special note, is the band’s version of “How Far Is Heaven,” a recreation of a 1955 Kitty Wells recording. Amy Ladd & Friends is an inspiring collection of bluegrass gospel that should be welcomed by those who loyally follow their music. (Amy Ladd, 6316 Tammy Ln., Mechanicsville, VA 23111, www.amyladdandfriends.com.)

TONY THOMAS, CHARLIE McCARROLL, AND JACK SANDIFER—SAWBRIAR RIDGE SESSIONS—No Label, No Number. Here is an unpretentious collection of field recordings that transports the listener back to another era. This trio consists of Tony Thomas (banjo, guitar, and vocals), Jack Sandifer (guitar), and Charlie McCarroll (fiddle). The recordings were made at Jack Sandifer’s house under primitive conditions. The twenty selections include traditional pieces like “Cackling Hen,” “Johnson City Rag,” “CannonBall Blues,” and others. In between the performances, the musicians informally discuss each song and its origin. The guys offer a homespun collection of old-time music that will certainly find a ready audience with their friends. (Tony Thomas, 527 Foley Hill Rd., Clinton, TN 37716, www.tonycthomas.com.)

DOWNTOWN RAMBLERS—No Label, DTROO1. The Downtown Ramblers are a five-piece bluegrass band from Gothenburg, Sweden, who describes its music as “urban bluegrass.” The 11 selections are original band compositions including “Silver And Gold,” “I’ll Keep You Warm,” and “If I Miss You” and are nicely interpreted by lead vocalist Emelie Junsten. This is an excellent musical collection with the potential of attracting an international audience. (Oskar Reuter, Foreningsgatan 32, 411 27 Goteborg, Sweden, www.downtownramblers.com.)

DONALD BEASLEY & THE NEW COUNTRY GRASS—CLIMBIN’ UP THE ROUGH SIDE OF THE MOUNTAIN—No Label, No Number. Here is a predictable collection of bluegrass gospel music that presents some interesting moments. The 11 selections are favorites such as “I Saw The Light,” “Let The Church Roll On,” “Medals For Mothers,” among others. Although there are no real surprises here, Donald Beasley and the New Country Grass have created bluegrass-gospel music that should be welcomed by their fans and followers. (Donald Beasley, P.O. Box 112, Tobbacoville, NC 27050, myspace.com/donaldbeasleyandthenewcountrygrass.)

THE RETREAD BLUEGRASS BAND—NO DETOURS!—No Label, No Number. The Retread Bluegrass Band has been active on the bluegrass scene near Cincinnati, Ohio, for several years. Their latest recording is an average compilation of standards such as “Down Where The River Bends,” “Love Please Come Home,” “Big Spike Hammer,” and the Vernon Derrick instrumental “Arab Bounce.” While “No Detours!” is principally a regional production, it’s a venture the Retread Bluegrass Band can look upon with pride. (David Seagram, 6472 Pepperell Ln., Cincinnati, OH 45236, myspace.com/retreadbluegrass.)

ON THE EDGE

THE BREAKMEN—WHEN YOU LEAVE TOWN—No Label, BR21603. Stylistically, the Breakmen have been compared to bands like Old Crow Medicine Show, and with their second release, the group has become a significant force in the world of Americana music. The group consists of Archie Patemen (banjo, guitar, and vocals), Ben Rogalsky (banjo, guitar, harmonica, percussion, and vocals), Lee Watson (guitar, mandolin, and vocals) and Matt Lawson (bass and vocals). The album was produced by Ivan Rosenberg who is featured on clawhammer banjo, resonator guitar, and pedal steel guitar. The 12 selections are mostly compositions from bandmembers including the title song, “Cold Nights,” “Hospital Moon,” and “Leaving California.” “When You Leave Town” is dynamic acoustic music blending elements of bluegrass, jazz, and country music from a group whose potential is virtually unlimited. (The Breakmen, 2155 Pandora St., Vancouver, BC, Canada V5L 1N3, www.thebreakmen.com.)

KITCHENEERS—No Label, No Number. The Kitcheneers are a five-piece acoustic group from Winnipeg, Manitoba, Canada. This 13-song collection was dedicated to the late Utah Phillips, and his “Orphan Train” is one of the featured selections along with originals like “Never You Mind,” “Cold Cold Ground,” and the instrumental “Sherbrook Shuffle.” Also included are versions of “Old Man At The Mill” and “Little Maggie.” While the music of the Kitcheneers can be unsettling at times, it should find an audience with those who appreciate contemporary acoustic music performed with gusto. (Earl Tustin, 426 Elmhurst Rd., Winnipeg, MB, Canada R3R OT9, myspace.com/kitcheneers.)

STRUNG—BAND OF GYPSIES—Slab Town Records STR09-01. Here is a captivating collection of contemporary acoustic music from a quartet of Canadian musicians including Doug Cox, Tony McManus, April Verch, and Cody Waters. Eleven titles are penned by Cox (including “It Takes A Few Years” and “Easy Place To Be”) and Verch (“A Riverboat’s Gone”). Several of the instrumentals exude a distinctive Celtic flavor while “Fish Pond Holler” is reminiscent of swaying palm trees and sandy beaches of Hawaii. The most recognizable piece is their rendition of the Graham Parsons/Chris Hillman classic “Sin City.” “Strung” is contemporary acoustic music with subtle bluegrass overtones that should appeal to those seeking something out of the ordinary. (Doug Cox, Box 338, Cumberland, BC VOR 150 Canada, www.dougcox.org.)

BOOK

THE SUNNY SIDE OF APPALACHIA, BLUEGRASS FROM THE GRASSROOTS—BY B.L. DOTSON-LEWIS. Infinity Publishing 0741448459. Paperback, $15.95, 190 pp. (Infinity Publishing Company, 1094 New DeHaven St., Ste. 100, West Conshohocken, PA 19428, www.infinitypublishing.com.)

This book is the third in a series about Appalachia and its culture. The contents deal with bluegrass music and particularly the Music in the Mountains Bluegrass Festival that took place in Summersville, W.Va., in June of 2007. Included are photographs and interviews with Bobby Osborne, Everett Lilly, Jesse McReynolds, Melvin Goins, and others. There is also a segment concerning the music of Bill Monroe along with an interview with Edgar and Eunice Kitchen, the founders of the festival. “Bluegrass From The Grassroots” is an appropriate souvenir for anyone who has attended the Music in the Mountains Bluegrass Festival.

NEW RELEASES
(Received April 25-May 24)

BEARFOOT—DOORS AND WINDOWS—Compass Records 7 4504 2 (compact disc)
THE BLUE CANYON BOYS—HOUSE FULL OF SORROW—No Label, BCBCB003 (compact disc)
DALE ANN BRADLEY—DON’T TURN YOUR BACK—Compass Records 7 4511 2 (compact disc)
MARK BRINE—LIVE IN A FIELD OF BLUEGRASS—No Label, OAT847 (compact disc)
JOHNNY BUTTEN & NEWGRASS UNDERGROUND—LATE IN THE DAY—No Label, No Number (compact disc)
DAVID DAVIS AND THE WARRIOR RIVER BOYS—TWO DIMES AND A NICKEL—Rebel Records REBCD1827 (compact disc)
FACES MADE FOR RADIO—THE ACOUSTIC CONSPIRACY—Saron Acoustic Recording, No Number (compact disc)
MATT FLINNER TRIO—MUSIC DU JOUR—Compass Records, 7 4503 2 (compact disc)
GIBSON BROTHERS—RING THE BELL—Compass Records 7 4506 2 (compact disc)
MELVIN GOINS & WINDY MOUNTAIN—DANCIN’ IN THE DIRT—Blue Circle Records BCR018 (compact disc)
HAMILTON COUNTY—BROKEDOWNBREAKDOWN—No Label, No Number (compact disc)
ANDY HAMILTON & EAST KENTUCKY GRASS—FLYIN’ HIGH OVER YOU—No Label, No Number (compact disc)
LONESOME HIGHWAY—THE HIGHWAY CALLED—No Label, No Number (compact disc)
LOST & FOUND—LOVE, LOST AND FOUND—Rebel Records REBCD1829 (compact disc)
MEL BAY PRESENTS: BANJO FOR THE YOUNG BEGINNER—BY ALAN MUNDE—Mel Bay MB 21068BCD (book/compact disc)
MEL BAY PRESENTS: BLUEGRASS ON HAMMERED DULCIMER—BY JEANNE PAGE—Mel Bay MB 20807 (book)
MEL BAY PRESENTS: FIRST JAMS DOBRO—BY LEE “DREW” ANDREWS—Mel Bay MB 21514BCD (book/compact disc)
MEL BAY PRESENTS: SCHOOL OF COUNTRY GUITAR—BY JOE CARR—Mel Bay MB 21506BCD (book/compact disc)
MEL BAY PRESENTS: WESTERN LEAD GUITAR STYLES—BY JOE CARR—Mel Bay MB 98953BCD (book/compact disc)
RUSSELL MOORE & IIIRD TYME OUT—Rural Rhythm Records RHY1045 (compact disc)
CONOR MULROY—SALINGER—No Label, No Number (compact disc)
CLIFF PERRY & LAUREL BLISS—SPIRIT OF LOVE—Telegraph Music 2323 (compact disc)
RACOON CREEK—BACK TO THE BLUE RIDGE—No Label, No Number (compact disc)
BARRY SCOTT & SECOND WIND—IN GOD’S TIME—Rebel Records REBCD1826 (compact disc)
SPRING CREEK—WAY UP ON A MOUNTAIN—Rebel Records REBCD1832 (compact disc)
THE STANLEYTONES—WOMEN MADE ME ACT LIKE A FOOL—No Label, No Number (compact disc)
WAYNE TAYLOR AND APPALOOSA—No Label, No Number (compact disc)
VARIOUS ARTISTS—APPALACHIA: MUSIC FROM HOME—Lonesome Records CD094 (compact disc)
VARIOUS ARTISTS—FLATPICKING BLUEGRASS—FGM Records FGM128 (compact disc)
TOMMY WEBB—HEARTLAND—Rural Rhythm Records RHY1043 (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

JIM WATSON—THIS WORLD WOULD BE ALL SUNSHINE—Barker Records 726. Some readers may be familiar with Jim Watson from his days with the Red Clay Ramblers. This latest solo effort finds him in good voice on 16 selections taken from Charlie Poole (“Sweet Sunny South” and “Write A Letter To My Mother”), the Carter Family (“A Distant Land To Roam”), the Stanley Brothers (“A Vision Of Mother”), Jimmie Rodgers (“Somewhere Down Below The Dixon Line”), among others. A particular highlight is the Johnson Family Singers’ “The Death Of Ellenton,” which is an early protest song about the nuclear age. Jim is supported by Gary and Tony Williamson and former bandmate Mike Craver. “This World Would Be All Sunshine” is a first-class production showcasing Jim Watson’s musical talents. (Barker Records, 132 Justice St., Chapel Hill, NC 27516.)

THE LaWARRE FAMILY—No Label, No Number. The LaWarres are a family trio consisting of Summer (vocals), Josh (guitar and lead vocals), and Bill (mandolin and vocals). The 14 selections are an assortment of established pieces such as “I Wish You Knew,” “Old Home Place,” and “I Wonder Where You Are Tonight.” Also included are several instrumentals including “Golden Slippers,”“Big Mon” and “Wheel Hoss.” The LaWarre Family has created an enticing collection that should resonate with anyone who appreciates dynamic vocals along with plenty of hot picking. (William LaWarre, 20 Garden Pl., Cincinnati, OH 45208, myspace.com/thelawarrefamily.)

WHITETOP MOUNTAIN BAND—LOAFER’S DREAM—Mountain Roads Recordings MRR-WM-001. Albert Hash formed the Whitetop Mountain Band in the ’40s. Current bandmembers include Thornton Spencer (fiddle), his wife Emily (clawhammer banjo, guitar, and vocals), daughter Martha (guitar, fiddle, banjo, and vocals), Jackson Cunningham (mandolin and vocals), and Debbie Bramer (bass). This album is bluegrass with an old-time edge and includes “ Train 45,” “If That’s The Way You Feel” and Judy Pagter’s “Where The Mountain Laurel Blooms.” “Loafer’s Dream” is an enticing collection of authentic music from the Whitetop Mountain Band. (Mountain Roads Recordings, 3192 Hwy. 421, Bristol, TN 37620, www.mountainroadsrecordings.com.)

KATHY BOYD & PHOENIX RISING—STORIES NEVER TOLD—No Label, No Number. “Stories Never Told,” from Kathy Boyd & Phoenix Rising, is similar in scope to their previous effort (BU, Oct. ’07). The 15 tracks are all originals and include “Uncle Whiskey,” “Risky Business,” and Bigfoot Jubilee.” While the vocals tend to be somewhat rough in spots, there is still plenty of entertaining music. (Kathy Boyd, P.O. Box 3747, Tualatin, OR 97062, www.phoenixrisingband.org.)

VINCENT CROSS & GOOD COMPANY—HOME AWAY FROM HOME—No Label, No Number. “Home Away From Home” is the recording debut for Vincent Cross (guitar, mandolin, and vocals) and his band Good Company. The dozen selections were penned by Vincent and carried off in a hard-driving bluegrass style. Some of the more interesting titles include “Sensitize, “ “Minus Love,” and “Out Of My Head.” For the first time out, “Home Away From Home” is a successful endeavor, and hopefully there will be other projects to follow. (Vincent Cross, 8008 35th Ave., Apt. #6R, Jackson Heights, NY 11372, myspace.com/vincentcrossx).

STATEMENT—WALK, TALK & TESTIFY—Mountain Fever Records MFR081228. Statement is a gospel bluegrass band from Floyd County, Virginia. This release includes a few originals (“Hammers In Heaven” and the title song) along favorites including “Traveling The Highway Home,” “All Prayed Up,” and “Amazing Grace.” The presence of Sammy Shelor who assisted in production adds polish to the project. “Walk, Talk & Testify” is inspirational gospel in its finest form. (Mountain Fever Records, 1187 Alum Ridge RD., Willis, VA 24380, www.mountainfever.com.)

DICK KIMMEL & ADAM GRANGER—LIVE AT THE RHEIN—Jeep Records 2-2-10-GO. This project from the duo of Dick Kimmel (mandolin, clawhammer banjo, guitar, and vocals) and Adam Granger (guitar and vocals) is a two-CD set recorded live at the Rhein River Arts Center in New Ulm, Minn. From the quality of the performances, it’s hard to believe that this is the first time these two musicians have recorded together. The lineup of material includes “All The Good Times,” “How Mountain Gals Can Love, “Cold Frosty Morn,” and others. There is also several original numbers along with plenty of jovial conversation in between each number. One particular moment involves a discussion about the origins of the instrumental “Flowers Of Edinburgh” and its relation to sewers. “Live At The Rhein” is a delightfully entertaining experience and future projects from Kimmel and Granger are certainly anticipated. (Granger Publications, P.O. Box 270115, Vadnais Heights, MN 55126, www.granger-music.com.)

REMINGTON RYDE—THE RYDE—Green Valley Records G163V1208. “The Ryde” consists mostly of originals from various bandmembers, including “Puddle Of Tears,” “Dog Gone Daddy,” and “Four Letter Word.” There is a nice interpretation of Ernie Sykes’ emotional classic “A Robin Built A Nest On Daddy’s Grave.” “The Ryde” is a pleasant offering of regional bluegrass that should be popular at Remington Ryde’s personal appearances. (Remington Ryde, 1231 E. Chocolate Ave., Hershey, PA 17033, www.remingtonryde.com.)

SUSAN NIKAS—HARD TIMES & BAD TIMES—Clay County CC007. Susan Nikas (guitar and vocals) brings here a collaboration with topnotch West Coast musician Dennis Caplinger (banjo, bass, resonator guitar, fiddle, and mandolin) along with several other musicians. Seven of the dozen tunes were penned by Susan. Also included are renditions of “Streets Of Laredo” and “Twilight Is Stealing.” Anyone familiar with Susan Nikas will certainly be anxious to give “Hard Times & Bad Times” a spin. (Susan Nikas, P.O. Box 604, San Dimas, CA 91773, e-mail: nikas.sue@gte.net.)

DELMER SEXTON AND THE RONE COUNTY BLUEGRASS BOYS—DELMER’S MANDOLIN—No Label, . Here is an interesting package of hard-driving bluegrass created by Delmer Sexton (mandolin and vocals) and the Rone County Bluegrass Boys. The ten selections Delmer delivers include “I’m A Stranger To You,” “The Path Of Life” and the instrumental “Rone County Breakdown.” Although the production here is minimal, it offers enough intrigue to want to hear more from this particular band. (Delmer Sexton, 778 E. Maple St., Scottsville, KY 42164.)

MIDDAY RAMBLERS—RUN MOUNTAIN…CHUCK A LITTLE HILL—Bluegill BG004. The Midday Ramblers are a highly entertaining Midwestern bluegrass band, apparent from their previous recordings (BU, Jan. ’02 and Feb. ’03). This release includes a generous portion of original material, traditional numbers, and some relatively obscure numbers. Highlights include “Old Reuben # 9,” “Give Me The Chance To Let You Down,” and “The Honky Tonks Are Calling Me Again.” This is a thoroughly entertaining assortment of contemporary bluegrass that manages to retain traditional values. (Midday Ramblers, 1621 Rhode Island St., Lawrence, KS 66044, www.themiddayramblers.com.)

TENBROOKS—THOROUGHBRED BLUEGRASS—Sonic Zen Records, No Number. Tenbrooks is Robbie Macdonald (banjo and vocals), David Putnam (guitar and vocals), Tom Bekeny (mandolin, fiddle, and vocals) and Jerry Logan (bass). The 14-songs here are familiar tunes such as “Helen” and “I’ll Drink No More Wine,” along with a few band originals “Hold Me,” “Cold Chill” and “The Kentucky Derby Song.” Throughout “Thoroughbred Bluegrass,” Tenbrooks clearly establishes why they’re one of the most dynamic bluegrass bands in California. (Robbie Macdonald, 401 Granelli Ave., Half Moon Bay, CA 94019, www.tenbrooks.net.)

NATIVE SON—SUNRISE—No Label, No Number. Here is a unique collection of original acoustic music with bluegrass overtones. All selections were composed and performed by Kenny Epps (guitar, mandolin, octave mandolin, and vocals). Epps proves to be a highly-effective songwriter especially of numbers like “Crazy Horse,” “Ride Traveller Ride” and “Pirouette Devotions.” If you enjoy contemporary acoustic music with an unusual twist, this just might fill the bill. (Kenny Epps, 16258 W. Patrick Henry Rd., Montpelier, VA 23192, myspace.com/nativesonacoustic.)

BOOK

THE SONG PEDDLER—BY KEITH DAVIS—Morris Publishing 2008908958. Paperback, 390 pp., $18.50. (Keith Davis, 110 Malvern Dr., Hendersonville, NC 28739.)
The Song Peddler is a novel that follows the antics and travels of an aspiring songwriter who is out to discover and create authentic country music. The story takes place primarily in East Tennessee and western North Carolina, and many towns and attractions in those areas are woven into the story. While bluegrass content is minimal, The Song Peddler might be of interest to those who enjoy reading fiction that carries a music theme.

COMPILATIONS AND REISSUES

MAC WISEMAN—BLUEGRASS HITS AND HEARTSONGS—Rebel REB-CD-7523. Fourteen songs taken from Mac’s two Vetco albums. Musicians include Billy Edwards, Tater Tate, John Palmer, Buddy Griffin, Jeff Terflinger, and Tommy Boyd. Songs include “Don’t Let Your Sweet Love Die,” “Mary Of The Wild Moor,” and “The Letter Edged In Black.” (Rebel Records, P.O. Box 7405, Charlottesville, VA 22906, www.rebelrecords.com.)

VARIOUS ARTISTS—DRIVE-TIME BLUEGRASS—Rebel REB-CD-8005. Eighteen songs from various Rebel artists including Ralph Stanley, Blue Highway, Red Allen, Dave Evans, and Del McCoury. Songs include “Reno Bound,” “Fox On The Run,” “Highway 52,” and “Nashville Jail.” (Rebel Records, P.O. Box 7405, Charlottesville, VA 22906, www.rebelrecords.com.)

INSTRUCTIONAL

THE MURPHY METHOD, VAMPING: BEGINNING BANJO BACKUP—TAUGHT BY MURPHY HENRY—Mel Bay MB22027DVD. Eleven separate lessons. Each lesson explains and demonstrates the four-finger backup vamp chords used in each song. Songs include “Foggy Mountain Breakdown,” “Fireball Mail,” “Old Joe Clark,” and “Salt Creek.” (Mel Bay Publications, #4 Industrial Dr., Pacific, MO, www.melbay.com.)

NEW RELEASES
(Received May 25-June 24)

20 EASY TUNES FOR THE BEGINNING FIDDLER—BY JIM WOOD—Homespun Videos DVDJWOTF29 (compact disc)
BILL AND MAGGIE ANDERSON—HIGH ON A MOUNTAIN—Vintage Acoustic Music VAM 07CD (compact disc)
BEYOND BASIC BLUEGRASS RHYTHM GUITAR—BY STEVE KAUFMAN—Homespun Video DVDKAUGT22 (DVD)
BLUESTONE—SOLITAIRE—No Label, No Number (compact disc)
DEWEY BROWN—HARD TIMES FOR A FIDDLER—Dew Bug Records DB339 (compact disc)
CARRIVICK SISTERS—JUPITER’S CORNER—No Label, No Number (compact disc)
SAMANTHA CASEY & THE BLUEGRASS JAM—IN MY FATHER’S FOOTSTEPS—No Label, No Number (compact disc)
CONSTANT CHANGE—HILLS OF HOME—Papa Leo Records PL090001 (compact disc)
TOMMY EDWARDS—HEARTBROKE AND LONESOME—Salisbury Street Recordings SSR1953 (compact disc)
FIDDLE FOR THE ABSOLUTE BEGINNER—BY JIM WOOD—Homespun Video DVDJWOBF21 (compact disc)
TATIANA HARGREAVES—STARTED OUT TO RAMBLE—Patuxent Music CD-186 (compact disc)
TIM HATHORN—LIVIN’ THE TRADITION—No Label, No Number (compact disc)
KENNY RAY HORTON—A CANARY’S SONG—Fader 4 Records, No Number (compact disc)
J.W. HUTCHINS—AN OLD GRAVEYARD—Timbertree Publishing S.O.T. Vol. 06 (compact disc)
IRON HORSE—SMALL TOWN CHRISTMAS—B Sharp Records CD001 (compact disc)
STEVE KAUFMAN TEACHES CROWD PLEASERS AND SHOW STOPPERS—Homespun Video DVDKAU5521 (compact disc)
KRENI—LUCKY MAN—No Label, No Number (compact disc)
KATE LEE WITH NO STRINGS ATTACHED—LIVE IN CONCERT—No Label, No Number (compact disc)
BOBBY MAYNARD—LIVIN’ LOVIN’ LAUGHIN’—Lamon Records, No Number (compact disc)
MEL BAY PRESENTS: PARKING LOT PICKER’S SONGBOOK—BY GERALD JONES & DIX BRUCE—Mel Bay MB 21662BCD (book/compact disc)
MEL BAY PRESENTS: THE MURPHY METHOD, EASY SONGS FOR BANJO—BY CASEY HENRY—Mel Bay MB 22030DVD (DVD)
ANNA MAE MITCHELL & RISING TIDE—DRIVING THROUGH A GHOST TOWN—Sundown Studio, No Number (compact disc)
MON RIVER RAMBLERS—27—No Label, No Number (compact disc)
LEROY MUMMA—IT’S ABOUT TIME—No Label, No Number (compact disc)
JESSE McREYNOLDS AND THE VIRGINIA BOYS AND AMANDA—FAMILY HARMONY—J&J Music, OD 49820 (compact disc)
O’s—WE ARE THE O’s—Idol Records IR 073 (compact disc)
PALMER DIVIDE—SHENANDOAH TRAIN—No Label, No Number (compact disc)
CHRIS PANDOLFI—LOOKING GLASS—Sugar Hill Records SUGCD4056 (compact disc)
MARTY RAYBON AND FULL CIRCLE—THIS THAT & THE OTHER—Synchoro Records SRR128591 (compact disc)
PHIL ROSENTHAL—A TREASURY OF BLUEGRASS AND COUNTRY SONGS—American Melody AMCD5125 (compact disc)
MAC TRAYNHAM & SHAY GARRIOCK—TURKEY IN THE MOUNTAIN—Southern Mountain Melodies SMM 2009 (compact disc)
TWO HIGH STRING BAND—HOT TEXAS BLUEGRASS BURRITO—No Label, THSB 200901 (compact disc)
RHONDA VINCENT—DESTINATION LIFE—Rounder Records 1166106232 (compact disc)
CHRISTIAN WILLIAMS—SONGS OF THE IRON MEN—No Label, No Number (compact disc)
DEDE WYLAND—KEEP THE LIGHT ON—Patuxent Music CD 189 (compact disc)

COMPILATIONS AND REISSUES

RESOPHONIC GUITAR FROM SCRATCH: QUICK LESSONS—BY JIM HEFFERNAN
Mel Bay Publications MB21990DVD
Two DVDs with over two hours of instruction. Booklet with tab can be downloaded. Professional arrangement of songs including “I’ll Be All Smiles Tonight,” “Cripple Creek,” and “Nine Pound Hammer.” (Mel Bay Publications, #4 Industrial Dr., Pacific, MO 63069, www.melbay.com.)

BLUEGRASS BANJO BACKUP: BASIC LEVEL—BY PETE WERNICK
Homespun DVD-WER-BU21

Two hours, tab enclosed. Especially for new pickers. Using footage shot at a bluegrass jam session, Pete explains simple strumming, vamping, rolls, up-the-neck positions, and fill-in licks. (Homespun Tapes, P.O. Box 340, Woodstock, NY 12498, www.homespun.com.)

ADDITIONAL RELEASES
By Les McIntyre

JERKS OF GRASS—COME ON HOME
FM Recordings FMR1001
New England’s Jerks Of Grass includes Melissa Bragdon (fiddle and vocals), Kris Day (guitar, bass, and vocals), Carter Logan (banjo, guitar, resonator guitar, and vocals), and Jason Phelps (guitar, mandolin, bass, and vocals). The band’s style leans heavily toward the contemporary side of bluegrass. The 14 selections include Béla Fleck’s “Stomping Grounds” and “Big Country” and Chris Thile’s “In The House Of Tom Bombadil.” Of special note is an energetic rendition of Flatt & Scruggs’s “Foggy Mountain Special.” Also featured are rousing versions of “Big Spike Hammer,” “Nellie Kane,” and an instrumental version of “Tennessee Waltz.” “Come On Home” is entertaining and, hopefully, there will be other similar projects coming from the Jerks Of Grass. (Powder Finger Promotions, 47 Mellen St., Framingham, MA 01702, www.jerksofgrass.com.)

ELDON DAVIS—MAKE ME A PALLET
Swan Ridge 152008.12
This latest outing from resonator guitarist Eldon Davis is similar to other releases from this Tennessean (BU, Jan. ’09). The ten selections are a mixture of instrumentals and vocals including “Greenlight On The Southern,” ”Snowbird,” and “House Of The Rising Sun.” Also featured is a pair of Eldon Davis originals, “Cherokee Swing” and “Willow Grove,” the latter of which is an adaptation of “Willow Creek Dam.” Anyone familiar with the music of Eldon Davis will surely appreciate “Make Me A Pallet.” (Swan Ridge, 713 Greenfield Dr., Livingston, TN 38570.)

RICH HAMILTON—CORNSTALK FIDDLE AND A SHOESTRING BOW
No Label, No Number
Although Rich Hamilton has been entertaining audiences for more that three decades with his special brand of old-time mountain music, “Cornstalk Fiddle And A Shoestring Bow” is surprisingly his first recording venture. The 12 songs feature Rich on fiddle, banjo, guitar, and vocals. Most of the cuts are traditional and include “Jenny Lynn,” “Chilly Winds,” and “Lonesome Valley.” There’s also a trio of tunes from Hamilton’s pen (“Moonshine Land,” ”A Trace Of Affection,” and “Here We Go Again.” Perhaps Robert Earl Davis of the Earl Brothers sums it up best when describing Rich’s talent: “Rich Hamilton has bona fide mountain music soul and the musical conviction to prove it! This is the kind of music I’ll be listening to when I go down the road…” (Fiddle Mill Music, P.O. Box 506, Jaffrey, NH 03452, www.fiddlinrich.com.)

CATS & THE FIDDLER—ROAD TO NASHVILLE
No Label, No Number
Cats & The Fiddler is a young trio of musicians consisting of Carmen Gibes (banjo and vocals), Shaun Richardson (mandolin, fiddle, guitar, and vocals), and James Richardson (bass and vocals). “Road To Nashville” is the group’s third recording and features original compositions along with established numbers. The dozen tracks include “Roses In The Snow,” “Long Lonesome Road,” and Rhonda Vincent’s “Ridin’ The Red Line.” Although its members are just in their early teens, Cats & The Fiddler has already achieved a remarkable skill level and should definitely look forward to a promising career in music. (Cats & The Fiddler, 1306 Evergreen, Milford, MI 48380, www.catsandthefiddler.com.)

SOME ASSEMBLY REQUIRED—TOOLS OF THE TRADE
No Label, SAR 1234
Some Assembly Required is a quartet from Richmond, Va., with a unique approach to bluegrass music. This 11-song project is a blending of familiar numbers such as “Red Clay Halo” and “Wrong Road Again” along with original pieces composed by bandmember Leo Szydlowski. The band’s performances are flawless, as demonstrated on “Just Like Candy,” Hank Williams’ “There’ll Be No Teardrops Tonight,” and Gordon Lightfoot’s “Go My Way.” One particular highlight is Lynn Stephens’ emotional version of “Footprints.” “Tools Of The Trade” is contemporary bluegrass performed with style from a group that displays a truly creative spirit. (Leo Szydlowski, 9621 Kendelwick Dr., Richmond, VA 23236, www.assemblyrequiredbluegrass.com.)

THE LAWSONS—SHOUT IT FROM THE HIGHEST HILL
Kindred Records KR84793
The Lawsons are a family-oriented band from eastern Kentucky. On this latest gospel collection, they are joined by several prominent guest vocalists including Larry Cordle, Marty Raybon, Charlie Sizemore, and David Parmley. The album’s highlight is when Ralph Stanley takes the lead vocals on “Old Country Church.” Other noted performances include “Were You There,” “We Shall Meet,” and Melva Lawson’s “What Will You Do.” The Lawsons have created an inspiring collection of bluegrass gospel music that should be a popular commodity at the group’s many personal appearances. (Kindred Records, 65 Scott Hill Rd., Irvine, KY 40336, www.kindredrecords.com.)

SWEET POTATO PIE—NOTHING’S THE SAME
No Label, No Number
Sweet Potato Pie is a relatively new band on the bluegrass scene including Sonya Stead (guitar and vocals), Missy Pyne (mandolin and vocals), Ashley Davis (fiddle), Crystal Richardson (banjo and vocals), and Kevin Richardson (bass). The band has the potential to evolve into a significant voice in bluegrass music. The most promising aspect of the band’s style is their precise vocal harmonies throughout the entire production. Eight of the thirteen selections are bandmember originals including “Bluegrass Girl,” “Runaway Train,” “Carolina Kisses,” and “Help My Unbelief.” Also featured are fine arrangements of “The Sweetest Gift,” “Daddy’s Hands,” and Jim & Jesse’s “Pardon Me.” Sweet Potato Pie has created an impressive array of music that should enhance their reputation. (Sonya Stead, 100 Miss Georgia Ct., Cary, NC 27511, www.sweet-potato-pie.com.)

CROSSPOINT STRING BAND—IN THE HOLLOW
No Label, No Number
This latest outing from the Crosspoint String Band is a rather average gospel project consisting of standards such as “Family Bible,” “By The Mark” and “Home Sweet Home.” Also featured are three songs written by bandmember Glenn Kosiorek. While the performances tend to be unpredictable at times, there’s still plenty that should satisfy fans of the Crosspoint String Band. (Glenn Kosiorek, 310 Cottonwood Dr., Shelbyville, TN 37160, www.crosspointstringband.org.)

FIDDLIN’ RED HERRON
Gusto Records GT7-0963-2
Red Herron was a prominent fiddler who appeared and recorded with a number of country and bluegrass artists throughout the 1940s and ’50s. The eight selections featured on this disc from Gusto Records were originally recorded for King Records and include several of Herron’s signature pieces such as “Listen To The Mockingbird,” “Soldier’s Joy,” “Sally Goodin,” and “Back Up And Push.” The arrangements are akin to country music of that period more than to bluegrass music. Still, anyone who remembers Fiddlin’ Red Herron from the golden years of country music should certainly find a few moments of nostalgia in these classic recordings. (Gusto Records, Inc., 1900 Elm Hill Pike, Nashville, TN 37210, www.bluegrassusa.com.)

ON THE EDGE

THE ACOUSTIC MUSIC OF BOB ROPIAK—JERICHO ROAD
No Label, No Number
This latest project from this Wisconsin artist is a gospel-oriented production with original compositions such as “Carry Me Away,” “Holy Ghost Xpress,” and “Fishers Of Men.” The performances are a tinge of folk music with bluegrass overtones. While Ropiak has an okay voice, his delivery is often automatic and devoid of emotion. Also, the titles on the CD jacket are in a different order than what plays on the disc. Still, “Jericho Road” is homespun entertainment that should find favor with those familiar with the music of Bob Ropiak. (Bob Ropiak, 846 Ashley Ave., Port Washington, WI 53074.)

LAKE OF STEW—AIN’T TIRED OF LOVIN’
Woodhog Recording Co. WHRC101. If there is any such genre as punk bluegrass, the music of Lake Of Stew fit’s like a glove. This latest recording from the eclectic Canadian band includes 11 originals with titles such as “I Am Violent,” “Motels Of America,” “Free Medicine,” and others. The performances often reach a frantic crescendo that descend into musical chaos. The music of Lake Of Stew is indeed unique. (Woodhog Recording Co., 212 St. Viateur O., Montreal, QB, H2T 2L5, Canada, www.lakeofstew.ca.)

VAN EATON & FRIENDS—BLOOD ON THE GROUND
No Label, ETM001
Van Eaton is a musician from Knoxville, Tenn., who has gathered a host of musicians including Robbie and Ronnie McCoury, Jason Carter, Leroy Troy, and others to create a collection of 13 songs, most of which were written by Eaton. He proves to be a prolific songwriter with “Sweet Misery,” “The Promised Land,” and the title song. Although pedal steel guitar is featured on several tracks, the music is contemporary acoustic with hints of bluegrass. If you’re searching for a departure from standard bluegrass, “Blood On The Ground” should fill the bill nicely. (Van Eaton, 5917 Holston View Ln., Knoxville, TN 37914, e-mail: caryvaneaton@comcast.net.)

(Received June 25-July 24)

KELLIE ALLEN AND PETE PETERSON—I’LL NEVER FORSAKE YOU
Lutra Records LUTCD9001 (compact disc)

BARCELONA BLUEGRASS BAND—LLUIS GOMEZ & JOHN PAUL CUMELLAS
Monde Green Records KWCD234 (compact disc)

DEADWOOD REVIVAL—SAT 730
No Label, No Number (compact disc)

HOWARD “HOWDY” FORRESTER: THE MGM RECORDINGS
Spring Fed Records SFR105 (compact disc)

GRASSAHOL—JOY SHINE
Wall Holler Records, No Number (compact disc)

STEVE LUTKE—APPALACHIAN UPRISING
Ampersand Records CD008 (compact disc)

BRANDON RICKMAN—YOUNG MAN, OLD SOUL
Rural Rhythm RHY1046 (compact disc)

ROCKRIDGE BROTHERS—ROCKRIDGE HOLLERIN’
Red Rocking Recordings TRRB 004 (compact disc)

GLEN SIMPSON—PLAYIN’ IN THE HILLS
Tomato Gravy Records TG007 (compact disc)

SMOOTH KENTUCKY—A FEW MORE MILES
No Label, No Number (compact disc)

BRYAN SUTTON AND FRIENDS—ALMOST LIVE
Sugar Hill SUGCD4040 (compact disc)

TAR RIVER BOYS—BLUEGRASS AND MORE
No Label, No Number (compact disc)

VARIOUS ARTISTS—NORTH TO ONTARIO 2009
No Label, No Number (compact disc)

BRAD WOOD & FRIENDS—FOR A REASON
Cotton Top Records CTR52507 (compact disc)

COMPILATIONS AND REISSUES

THE LEWIS FAMILY—THE GOLDEN GOSPEL BEST OF THE LEWIS FAMILY
Gusto GT-2099-2
Ten cuts from vintage Lewis Family recordings. Songs include “One More River To Cross,” “Nearer Home,” and “Picture On The Wall.”
(Gusto-King Records, 1900 Elm Hill Pike, Nashville, TN 37210, www.gustorecords.com.)

THE LEWIS FAMILY—SONGS OF WALLACE LEWIS
Gusto GT7-2100-2
Ten songs written by Wallace Lewis, and originally recorded for Starday Records by the Lewis Family. Songs include “No Dark Shadows,” “There’s Joy Ahead,” and “I’ve Got A Home.”
(Gusto-King Records, 1900 Elm Hill Pike, Nashville, TN 37210, www.gustorecords.com.)

VARIOUS ARTISTS—BLUEGRASS BANDS AND HELPING HANDS, VOLUME ONE:
HEAVEN KNOWS WHERE WE’LL GO FROM HERE
No Label, No Number
Seventeen songs from various bands who donated their music and time to help North Georgia families devasted by job loss. Bands include the Stairwell Sisters, Steel String Session, the Barker Brothers, and Noah Collins. Songs include “Let Go Like Rain,” “Amazing Grace,” “Who’s To Blame,” and “Green Persimmon Trees.” (DOC-UP Ministries, P.O. Box 627, Dalton, GA 30722, www.bluegrassbandshelpinghands.com.)

ADDITIONAL RELEASES
By Les McIntyre

BLUE MAGGIE—THE NEAREST WAY
No Label, No Number
This latest collection from W.Va.’s Blue Maggie is a follow-up to their previous release (BU, Oct. ‘08). The lineup consists of 12 selections (plus a bonus track), all originals from bandmembers Richard (bass and vocals) and Cheryl Patrick (mandolin and vocals). The titles include “Bluegrass Lullaby,” “Walking In Stones,” and “Cigarettes And Black Coffee.” While the vocals tend to be rough in spots, there is still plenty of traditional-style original material for anyone who appreciates the music of Blue Maggie. (Blue Maggie Studios, 704 6th St., Charleston, WV 25302, www.bluemaggiebluegrass.com.)

DIANE McKOY—READY OR NOT HERE I COME
Deep South Productions
No Number
Some readers may be acquainted with Diane McKoy as a founding member of the New York City gospel group, the Singing Conquerors (BU, Aug. ’02). Her vocal talents have drawn praises from such luminaries as Dr. Ralph Stanley. “Ready Or Not Here I Come” is Diane’s debut solo project and features ten expertly performed gospel selections, including a pair of James Malicote compositions “God’s Garden” and “Saints Are Going Home.” Also featured is a relatively obscure Hank Williams gospel number, “I’m Going Home,” along with “Old Brush Arbor Days.” Diane is assisted by a host of outstanding guest pickers including fiddler Kenny Kosek and resonator guitarist Ben Freed. Anyone familiar with Diane’s music will know what to expect in “Ready Or Not Here I Come.” For anyone else, it would be a wonderful introduction to the talents of a truly remarkable lady. (Deep South Prod., P.O. Box 764, Manchaca, TX 78652, www.deepsouthaustin.com.)

BLAINE JOHNSON—BARN BURNIN’ BLUEGRASS
No Label, No Number
Blaine Johnson is a young banjo picker from West Virginia who has mastered the instrument with an incredible degree of dexterity. This all-instrumental release includes ten recognizable bluegrass standards such as “Earl’s Breakdown,” “Salt Creek,” and “Lonesome Road Blues.” All performed with an incredible degree of proficiency. Two particular highlights are his bouncy arrangements of “Dear Old Dixie” and “Foggy Mountain Special,” with the latter being a banjo duet with Brandon Green.”  “Barn Burnin’ Bluegrass” certainly lives up to its title and establishes Blaine Johnson as a promising musician in the world of bluegrass music. (Blaine Johnson, P.O. Box 732, Beaver, WV 25813, myspace.com/blainebanjoboy.)

LARRY FORD BLUEGRASS BAND—THE POWER OF GOD
Red Shale Records 0109
This current outing from the Larry Ford Bluegrass Band is an all-gospel package.Found here are original pieces along with gospel favorites such as “The Old Crossroad,” “Give Me Your Hand,” and the Don Reno classic “Family Altar.” Larry shares the lead vocals with bandmembers Mike Bostic and Larry Nance. “The Power Of God” is a nice collection of regional bluegrass gospel music that should prove to be appealing for anyone familiar with the Larry Ford Bluegrass Band. (Red Shale Records, 315 Second St., Leedey, OK 73654.)

DEHLIA LOW—TELLICO
No Label, No Number
This latest project is probably the most important release to date from North Carolina’s Dehlia Low. Although the band is an all-acoustic aggregation, their musical style extends beyond the boundaries of bluegrass. With the exception of Norman Blake’s “Lord Won’t You Help Me,” the other 11 tracks are band originals, such as “River Is Rising,” “Bide My Time,” and “Buffalo To Washington.” Fiddler Anya Hinkle’s vocal prowess is a key ingredient to the sound of Dehlia Low and shines through on “Take Me Back” and “Santa Ana Winds.” “Tellico” is a first-class production. Dehlia Low is rapidly becoming a musical force to watch for. (Dehlia Low, 322 Riverview Dr., Asheville, NC 28806, www.dehlialow.com.)

SUMMER CHURCH—REUNION
Walkin On Water Records, WALK-012
“Reunion” is the fourth recording from the California band Summer Church. This all-gospel project includes 13 tracks, most of which are originals, along with favorites such as “Leaning On The Everlasting Arms,” “In The Sweet Bye And Bye,” and “When The Roll Is Called Up Yonder.” Also featured are several instrumentals: “Noah,” ”Learning To Fly,” and an interesting interpretation of “The Old Rugged Cross” played in a minor key. “Reunion” is a fine production of wonderful gospel tunes, with a strong presence of originality that eloquently showcases the talents of Summer Church. (Walkin’ On Water Records, P.O. Box 761, Bryn Mawr, CA 92318, www.wowrec.com.)

THE DOERFELS—WHAT I’M LOOKING FOR
Patuxent Music CD-187
“What I’m Looking For” is the Doerfel Family’s debut release for Tom Mindte’s Patuxent label. Their musical style can best be described as contemporary bluegrass with a healthy respect for traditional values. Five of the thirteen selections were composed by various bandmembers, including “The Chocolate Song” and “The Last Time.” Other highlights include the Tom Mindte instrumental “Bipolar,” “Walking After Midnight,” and “We’ll Meet Again Sweetheart.” The contents of “What I’m Looking For” clearly establishes the Doerfels as a band on the move with a major voice in bluegrass music. (Patuxent Music, P.O. Box 572, Rockville, MD 20848,  www.pxrec.com.)

BUCK MOUNTAIN BAND—CHICKEN IN THE SNOWBANK
Bent Trees 208
The latest outing from the Buck Mountain Band is similar to their previous release (BU, July ’07). This old-time band is built around the fiddling of Bob Taylor. Twenty selections are a blending of instrumentals and vocals including “Last Days In Georgia,” “Wild Horses At Stony Point,” “Nobody’s Darling,” and others. Of special note is the ballad “Widow’s Lament” written by bandmember Larry McPeake. “Chicken In The Snowbank” is a wonderful collection of old-time music—another masterpiece from the Buck Mountain Band. (Buck Mountain Band, 371 Rippin Run Rd., Ruckersville, VA 22968, www.buckmountainband.com.)

ON THE EDGE

THE HOT SEATS—RETREAT TO CAMP CANDY TEMPTATION ISLAND
No Label, No Number
The music of the Hot Seats incorporates a diversity of genres including bluegrass, country, jazz, old-time, and a bit of punk, all performed at breakneck speed. The dozen titles include several public domain pieces such as “Blues In The Bottle,” “Pretty Polly,” and “Bully Of The Town.” The remaining tunes consist of band originals with quirky titles such as “Old Trash Can,” “Sell Your Babies,” “Price Of Gas Blues,” and “Sleepover Party,” the latter of which includes bandmembers pretending to make a prank phone call. While “Retreat To Camp Candy Temptation Island” may not garner much attention with the mainstream bluegrass audience, it might appeal to those not afraid to explore the more unusual side of the music world. (Hot Seats, 209 W. 15th St., Richmond, VA 23224, www.thehotseats.net.)

BOOKS

BANJO FOR THE YOUNG BEGINNER
BY ALAN MUNDE
Mel Bay 21068BCD.
(Mel Bay Publications, Inc., #4 Industrial Dr., Pacific, MO 63069, www.melbay.com.)
For anyone who has a yearning to pick up and learn to play the five-string banjo bluegrass-style, this Mel Bay publication would be the ideal tool to begin with. Written by noted banjo picker Alan Munde, this forty-page instruction booklet leads the student through the basics of the five-string banjo, beginning with how to choose an instrument, hand positions, tuning, the banjo roll, and various picking techniques. Tablature is included with lessons on such tunes as “Wildwood Flower” and “”Bluegrass Melody.” There is a companion CD containing samples of all the lessons. Banjo For The Young Beginner is specifically designed for aspiring pickers and highly recommended for those seeking to master the five-string banjo bluegrass-style.

FIRST JAMES: DOBRO
BY LEE “DREW” ANDREWS
Mel Bay MB21514BCD.
(Mel Bay Publications, Inc., #4 Industrial Dr., Pacific, MO 63069, www.melbay.com.)
This particular title from Mel Bay is one in a series of instruction booklets designed to give beginning musicians a selection of basic tunes. Compiled by Lee “Drew” Andrews, First Jams: Dobro contains twenty songs with tablature specifically arranged for the resonator guitar. As with most Mel Bay publications, there is an accompanying CD containing samples of the songs in the booklet. “First Jams: Dobro” is designed for musicians who already have some basic skills on the resonator guitar, and is a recommended for honing those skills.

(Received July 25-August 24)

ACOUSTIC BLUE
THIS IS NOW
No Label, No Number (compact disc)

AMANDA & SCOTT ANDERSON
ANOTHER DAY
Mato 1314 (compact disc)

CYPRESS CREEK OF TENNESSEE
YOU CAN’T TAKE IT WITH YOU
No Label, No Number (compact disc)

DIRT ROAD SWEETHEART
I HEARD THE BLUEBIRDS SING
No Label, BPR1111 (compact disc)

TOM GODLESKI & BUNCOMBE TURNPIKE
DITCH DIGGIN’ BLUES
No Label, No Number (compact disc)

HAGAR’S MOUNTAIN BOYS
FOREVER YOURS
No Label, No Number (compact disc)

JACKIE HILL AND THE BLUE SHADES OF GRASS
IF THAT AIN’T BLUEGRASS
No Label, No Number (compact disc)

HONEY DON’T
2DollarReccas TDR005 (compact disc)

THE LIEDSTRAND FAMILY
IN HARMONY
Mt. Wow CD 001 (compact disc)

JOEL MABUS
NO WORRIES NOW…
Fossil Records, 2009 (compact disc)

NEW LOST CITY RAMBLERS IN: ALWAYS BEEN A RAMBLER
A FILM BY YASHA AGINSKY
Arhoolie Foundation AFDVD 204 (DVD)

RED MOUNTAIN
THROW THE OLD COW OVER THE FENCE
Whoop It Up! 104 (compact disc)

LOU REID & CAROLINA
MY OWN SET OF RULES
Rural Rhythm RHY1051 (compact disc)

SAWMILL ROAD 2
FIRE ON THE KETTLE
SMR Records SMR 102 (compact disc)

RICKY SKAGGS—SOLO
SONGS MY DAD LOVED
Skaggs Family 0989010092 (compact disc)

SKINNY & THE BOOTLEGGERS
GOT MOONSHINE!
No Label, No Number (compact disc)

SONGS FROM THE ROAD BAND
AS THE CROW FLIES
Lucks Dumpy Toad Records 1002 (compact disc)

SOUTHERN RAIL
ON THE ROAD FROM APPOMATTOX
Railway Records SRCD0609 (compact disc)

DAVID VIA
ALL NIGHT LONG
DigOMatic Records, No Number (compact disc)

WAITIN ON A TRAIN
Apple Snitch Records CD001 (compact disc)

WHEELER
Mountain Roads Recordings MRR1006 (compact disc)

BEN WINSHIP & DAVID THOMPSON
FISHING MUSIC II
Snake River Records SRR123 (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

FACES MADE FOR RADIO
THE ACOUSTIC CONSPIRACY
Saron SAR9003

Faces Made For Radio has enjoyed a successful career with previous recordings to their credit (BU, Jan. and Sept. ’02). Similar to previous projects, this album is heavy with original material with a few standards tossed in for good measure. Despite personnel changes, the band has maintained a high standard that’s reflected throughout the dozen performances. Gary Fossaceca and Brad Williams are the group’s main composers, contributing the selections “Talkin’ Trash,” “Sixty-Six Days,” and “The New Psychobilly Cadillac.” Also included are renditions of “The Roving Gambler,” “Sugar Baby,” and the Bailes Brothers’ “Travelin’ The Highway Home.” “Acoustic Conspiracy” is another delightful collection of bluegrass music. (Saron Acoustic Recording, 7326 SR 19, Unit 2003, Mount Gilead, OH 43338.)

THE BLUE CANYON BOYS
HOUSE FULL OF SORROW
No Label BCBCD-003

The Blue Canyon Boys is a band on the rise as evidenced by its first-place contest finish at the Telluride Bluegrass Festival. “House Full Of Sorrow” is their third release (BU, July ’06 and July ’07) with of 14 selections, almost half of which are originals. The performances reflect a high level of perfection with dynamic instrumentation and exhilarating vocal harmonies. Among the selections are ”Lyin’, Cheatin’, Cryin’,” “Hello, Who’s Calling?,” and “You Better Get To Heaven.” From Every aspect, “House Full Of Sorrow” is the Blue Canyon Boys most successful recording to date, placing them on the fast track for more challenging ventures. (Blue Canyon Boys, P.O. Box 850, Eastlake, CO 80614, www.bluecanyonboys.com.)

JOHNNY BUTTEN & NEWGRASS UNDERGROUND
LATE IN THE DAY
No Label, No Number.

Bluegrass musician Johnny Butten has apparently spent the last few years performing in Europe and recently relocated to the United States. This release features eight selections ably performed by Johnny and his band, the Newgrass Underground, including a jazzed-up rendition of “Heavy Traffic Ahead” and Tim O’Brien’s “Late In The Day.” The disc concludes with Johnny’s 16-year-old daughter Hannah Butten’s interpretation of the Alison Krauss classic “Oh Atlanta.” This CD is a nice offering of mainstream bluegrass that should pique interest in the music of Johnny Butten and the Newgrass Underground. (Johnny Butten, 23428 90th Ave N., Hawley, MN 56549, www.johnnybutten.com.)

THE STANLEYTONES
WOMEN MAKE ME ACT LIKE A FOOL
No Label, No Number.

The Stanleytones currently consists of Jim Bertolin (banjo, guitar, resonator guitar, and vocals), James T. Davis (guitar and vocals), Joel Denman (fiddle and vocals), Darrell Cox (mandolin and vocals), and Luke Eisenhauer (bass and vocals).  This 13-song disc is a mix of original material along with old stalwarts such as “Angeline The Baker,” “Will You Miss Me,” and “In Despair.” Jim Bertolin is the band’s prime songwriter and contributes several numbers including the title song, “The Arkansas Hogscraper” and a new version of “I Don’t Drink Whiskey.” “Women Make Me Act Like A Fool” is regional bluegrass at its finest, with the potential to reach out to other audiences. (Stanleytones, 1308 Spruce Ave., Longmont, CO 80501, www.stanleytonesbluegrass.com.)

MARK BRINE
LIVE IN A FIELD OF BLUEGRASS
Wild Oats Records OAT-847

While Mark Brine may not be a household name, he apparently has a loyal following. This set of performances were recorded live at various venues/shows including the Woodsongs Old-time Radio Hour, in Washington, D.C., with Bob Perilla and Big Hillbilly Bluegrass, at the TCAN Performance Center, and at a songwriter’s workshop at the GreyFox Bluegrass Festival. Performances include “The Briley Boys” and Jimmie Rodgers’s “California Blues.” Also included are Mark’s own ”Dear Jesse,” “Factory Boy,” and the whimsical “Fred (The Yodeling Pig).” “Live In A Field Of Bluegrass” is a delightful overview of Mark Brine’s repertoire. (Wild Oats Records, P.O. Box 210982, Nashville, TN 37221, www.wildoatsrecords.com.)

ANDY HAMILTON & EAST KENTUCKY GRASS
FLYIN’ HIGH OVER YOU
No Label, No Number.

This latest release from Andy Hamilton and East Kentucky Grass is a 16-track collection of common bluegrass selections performed with finesse and dexterity. Featured are successful renditions of “Hold What You Got,” “Who Will Sing For Me,” “Lee Highway Blues,” and others. While the absence of composer credits and detailed liner notes detracts from the overall quality of the production, there is still a plethora of mainstream bluegrass that should please the band’s followers. (Andy Hamilton, 8388 Swanger Rd., Shiloh, OH 44878.)

CLIFF PERRY AND LAUREL BLISS
SPIRIT OF LOVE
Telegraph Music 2323.

The duo of Cliff Perry (guitar and vocals) and Laurel Bliss (resonator guitar and vocals) has a large following that extends beyond their Pacific Northwest home. “Spirit Of Love” is their second release and includes 13 selections drawn from sources such as the Carter Family (“Oh Take Me Back”), Will S. Hayes (“You’ve Been A Friend To Me”), the Bailey Brothers (“Take Me Back To Happy Valley”), and the Louvin Brothers (“Whispering Now”). Also included are renditions of “Goin’ Across The Sea” and “We Shall Meet Someday.” Anyone who appreciates old-time duets in the style of bygone groups like the Blue Sky Boys and Ray and Ina Patterson, “Spirit of Love” is musical collection waiting to be explored. (Laurel Bliss, 1715 Wilson Ave., Bellingham, WA 98225, e-mail: laurelblissmusic@gmail.com.)

KATE LEE WITH NO STRINGS ATTACHED
LIVE IN CONCERT
No Label, No Number.

This latest release from fiddler/vocalist Kate Lee along with her band, No Strings Attached, is similar in content to her other recent projects (BU, April and Nov. ’08). Recorded at radio station WXXI before a live audience, Kate and her band perform ten numbers, several of which were featured on other projects (“Are We There Yet,” “Beige,” and “Fields Of Gold”). In between numbers, Kate is interviewed about the band and her music. Noted performances include “Steel Rails” and the instrumentals “Beaumont Rag” and “Angelina’s Detour.” “Live In Concert” effectively showcases the talents of Kate Lee and No Strings Attached in a live venue. (Kate Lee, P.O. Box 8221, Webster, NY 14580, www.kateleemusic.com.)

BOOKS

ON THE EDGE
MEL BAY PRESENTS BLUEGRASS ON HAMMERED DULCIMER
BY JEANNE PAGE
MB 20807. (Mel Bay Publications, Inc., #4 Industrial Dr., Pacific, MO 63069, www.melbay.com.)

Here is a somewhat different instructional program that unites bluegrass music with the hammered dulcimer. Compiled by musician Jeanne Page, Bluegrass On The Hammered Dulcimer is the latest in a series of instructional programs arranged for the hammered dulcimer. This 55-page book includes arrangements of 55 bluegrass favorites including “Big Mon,” “Bluegrass Stomp,” “Jerusalem Ridge,” “Cherokee Shuffle,” and others. Any aficionado of the hammered dulcimer will find much to savor in this collection of tunes that can significantly add to their basic repertoire.

WESTERN SWING LEAD GUITAR STYLES
BY JOE CARR
MB 98953BCD.

MEL BAY’S SCHOOL OF COUNTRY GUITAR
BY JOE CARR
MB 21506BCD. (Mel Bay Publications, Inc., #4 Industrial Drive, Pacific, MO 63069, www.melbay.com.)

These two Mel Bay instruction programs compiled by guitarist Joe Carr have an indirect relationship with bluegrass. Western Swing Lead Guitar Styles is specifically designed to assist students in honing their skills on the guitar, western swing style. This 48-page booklet presents an illustration of chord formula and progressions along with samples of sample solos and riffs. School Of Country Guitar is for aspiring guitarists whose interests lean more toward contemporary country music. The program of instruction presents a series of lessons for guitarists with intermediate skills. Included are versions of songs like “Under The Double Eagle,” “Cripple Creek,” “Devil’s Dream,” and others. Each booklet also includes a compact disc with examples of the lessons. While these two instruction programs are primarily designed for the electric guitar, they do contain elements that can be adapted to other genres, including bluegrass.

COMPILATIONS AND REISSUES

DOUG COX
WITHOUT WORDS
Black Hen Music BH CD-0056.

Thirteen numbers featuring the resonator and slide guitar of Canadian roots musician Doug Cox. Other musicians include Tony Trischka and John Reischman. Songs include “Birdland,” “Caravan,” and “Red Haired Raga.” (Black Hen Music, P.O. Box 95105, Kingsgate RPO, Vancouver, BC, V5T 4T8, Canada, www.blackhenmusic.com.)

HARRY LIEDSTRAND, CARY LUNG, DAVID GREEN
TRADITIONAL FIDDLE TUNES
Philo Records HL CD 001.

Sixteen old-time fiddle tunes played with fiddle, mandolin, and guitar. Originally recorded in 1973 for Philo, but never released. Tunes include “Rattlesnake Bit The Baby,” “Stealing Apples,” and “Jaybird.” (Harry Liedstrand, P.O. Box 2277, Walnut Creek, CA 94595, www.mtwow.com.)

(Received August 25-September 24)

CASEY JOE ABAIR & HUNTER ROBERTSON
IF YOU WANT TO SLEEP, GO TO BED
YodelAyHee, 074 (compact disc)

BARBWIRE BLUEGRASS
YOU AIN’T SEEN NOTHING YET
C & L Entertainment C&LE219 (compact disc)

BLUE & LONESOME
SOME OLD DAY
No Label, No Number (compact disc)

BLUE MOON COWGIRLS
I LOVE YOU HONEY
Azalea City ACCD903 (compact disc)

JOHN COWAN
LIVE AT TELLURIDE: 8,745 FEET
E1 Music KOCCD4766 (compact disc)

HONI DEATON & DREAM
THE OTHER SIDE
C & L Entertainment C&LE218 (compact disc)

EAST SIDE DAVE & THE MOUNTAIN FOLK BAND
MUSIC FROM THE MOUNTAIN FOLK HOMEPLACE
No Label, No Number (compact disc)

EMMITTNERSHI BAND
NEW COUNTRY BLUES
SCI Fidelity SCIF1122 (compact disc)

GOLD HEART
MY SISTERS AND ME
Rural Rhythm Records RHY1047 (compact disc)

GRASSTOWNE
THE OTHER SIDE OF TOWNE
Pinecastle Records PRC 1170 (compact disc)

DAVID HOLT & JOSH GOFORTH
CUTTING LOOSE
High Windy HW1262 (compact disc)

JEFF & VIDA
SELMA CHALK
Rosebank Records, No Number (compact disc)

KIM JOHNSON
KEEPERS
Buffalo Skinner CD 3081 (compact disc)

CLAIRE LYNCH
WHATCHA GONNA DO
Rounder Records 1166106062 (compact disc)

MAKE UP YOUR OWN BANJO SOLOS
PETE WERNICK
Homespun DVD WER502 (DVD)

DAN MENZONE
FROSTBITE
LC Productions, No Number (compact disc)

BUDDY MERRIAM
BACK ROADS MANDOLIN
Lily Pad Records No. 534 (compact disc)

MONROE CROSSING
HEARTACHE & STONE
No Label, MC0809 (compact disc)

PAUL REECE & FRIENDS
WATERBOUND
No Label, No Number (compact disc)

HERSCHEL SIZEMORE
BNATURAL
Amandoleena Records, No Number (compact disc)

STEEP CANYON RANGERS
DEEP IN THE SHADE
Rebel Records REBCD1834 (compact disc)

ADAM STEFFEY
ONE MORE FOR THE ROAD
Sugar Hill Records SUGCD4057 (compact disc)

JUSSI SYREN & THE GROUNDBREAKERS
FROM VYBORG TO L.A.
Goofin Records GRCD 6156 (compact disc)

JOHN VIERS & FRIENDS
I’D RATHER HAVE JESUS
No Label, No Number (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

ANNA MAE MITCHELL & RISING TIDE
DRIVING THROUGH A GHOST TOWN
Sundown Records No Number

“Driving Through A Ghost Town” is the debut disc for Anna Mae Mitchell and Rising Tide. The 12 tracks feature band originals interspersed with established pieces like “Bury Me Beneath The Willow” and “The Roving Gambler.” The title song concerns the dilemmas currently facing the American auto industry. Other noted entries include “Whispering Waters,” “Upon The Mound,” and the instrumental “Lovely Molly.” “Driving Through A Ghost Town” is a first-class collection of traditional bluegrass with a robust measure of creativity. Hopefully this is the first of many recording projects from Anna Mae Mitchell and Rising Tide. (Anna Mae Mitchell & Rising Tide, P.O. Box 132, Winterport, ME 04496, www.ammrisingtide.com)

TOMMY EDWARDS
HEARTBROKE AND LONESOME
Salisbury Street Recordings SSR 1953

This latest recording from North Carolina’s Tommy Edwards is a self-produced release featuring 14 selections performed by Tommy and a host of guest pickers including Bobby Hicks (fiddle), Stan Brown (banjo), Alice Zincone (vocals), among others. The selections are all originals composed by Tommy including the title song, “Same Old Smokey Barroom,” the instrumental ”Monroeville,” and “The Devil Wore A Sundress.” While “Heartbroke And Lonesome” is primarily of regional interest, the impressive cast of musicians and the quality of the performances should bring interest to other audiences. (Salisbury Street Recordings, P.O. Box 364, Pittsboro, NC 27312, e-mail: cedwards032@nc.rr.com)

BILL AND MAGGIE ANDERSON
HIGH ON A MOUNTAIN
Vintage Acoustic Music VAM 07

This latest collection from Bill (guitar and vocals) and Maggie Anderson (resonator guitar and vocals) is similar to their previous efforts (BU, Feb. ’07, July ’08). The 14 selections are familiar favorites like “Remember Me,” “Won’t You Come And Sing For Me?,” and “High On A Mountain.” Two of the more notable performances are Chris Stuart’s “I Remember Memphis” and Lisa Aschman’s “God’s Refrigerator.” For homespun vocals supported by dynamic instrumentation, it would be almost be impossible to top the music of Bill and Maggie Anderson. (Bill and Maggie Anderson, 2715 Millstone Rd., Woodlawn, VA 24381, www.vintageacoustic.cc)

J.W. HUTCHINS
AN OLD GRAVEYARD
S.O.T. Vol. 06.

“An Old Graveyard” is the sixth in a series, featuring material written and performed by J.W. Hutchins. Again, he has amassed a cast of dynamic pickers that are fully supportive throughout the 12 selections. Hutchins has already proven to be an effective composer on previous releases, and this latest is further confirmation. His songs speak of events and people residing in the Appalachian region. “That Long Gone Caboose” is about the passing of a railroad tradition while, “The Clinch River Drought’ concerns a major weather event of several years ago. Other titles include “A Coal Miner’s Last Request,” “Love And Grow Bluegrass,” and “It Ain’t Like That Anymore.” J.W. Hutchins has once again struck paydirt, and this collection should find an audience with anyone who appreciates bluegrass music with a healthy dose of originality. (J.W. Hutchins, 646 Rock City Rd., Kingsport, TN 37664, e-mail: hutchins@chartertn.net)

SAMANTHA CASEY & THE BLUEGRASS JAM
IN MY FATHER’S FOOTSTEPS
No Label, SAM002

Since her last project (BU, April ’08), Samantha Casey has made a giant step in her music development. For this recording, she is once again joined by her dad Daniel (banjo and vocals) along with the other members of her band, the Bluegrass Jam. The dozen tracks are a blend of original pieces and established numbers such as “Rose Of My Heart,” “Alabama Jubilee,” “Daniel Prayed,” and others. Of special interest, is the Bill Monroe instrumental, “My Father’s Footsteps,” which Bill recorded for a Butch Robins project a couple of years before his passing. Samantha Casey and the Bluegrass Jam have created a fine offering of bluegrass music, another milestone in a young music career that shows unlimited potential. (Samantha Casey, 2360 Hwy. 70 W., Goldsboro, NC 27530, www.thebluegrassjam.com)

BLUESTONE
SOLITAIRE
No Label, No Number

Bluestone is a six-member bluegrass band fronted by banjo picker Tom Neal. “Solitaire” is the group’s second project, and features a lineup of material that differs significantly from your typical regional album. It includes a mixture of band originals and several lesser-known country numbers such as “Lost Love Blues,” “I Wish I Had A Nickel,” “Troubles” (Don Gibson), and the 1960s pop classic “Colours.” Tommy Neal contributes the instrumental “Lincoln Highway.” “Solitaire” is mainstream bluegrass complete with a twist or originality that should prove popular with followers of Bluestone. (Tommy Neal, 4211 S. Hunter Rd., Hempstead, MD 21094, www.bluestonebluegrass.com)

TIM HATHORN
LIVIN’ THE TRADITION
No Label, No Number

Here is a nice instrumental collection from resonator guitarist Tim Hathorn. Featured are 11 country and bluegrass standards ranging from “Maiden’s Prayer,” “Faded Love,” and “I’ll Be All Smiles Tonight” to “Foggy Mountain Rock” and “Fireball.” The presence of fiddler Tim Crouch adds to the project. While “Livin’ The Tradition” contains no real surprises, it is a production that Tim Hathorn can certainly look back on with pride. (Tim Hathorn, P.O. Box, 15741, Hattiesburg, MS 39404.)

TATIANA HARGREAVES
STARTED OUT TO RAMBLE
Patuxent Music CD186

Tatiana Hargreaves is an accomplished old-time fiddler and vocalist who has created an impressive array of traditional music with a touch of creativity. Produced by fellow musician Bruce Molsky (fiddle, banjo, and guitar), the 15 songs feature several other guest pickers including Sarah Jarosz (mandolin, banjo, and vocals) and Mark Schatz (bass). The performances include “Pretty Saro,” “Walk Along John To Kansas,” “Shaking Down The Acorns,” and Tatiana’s own “The Daemons Lament” merged with the traditional “Sugar Babe.” “Started Out To Ramble” is an authentic collection of old-time music that will certainly win over many new followers to the music of Tatiana Hargreaves. (Patuxent Music, P.O. Box 572, Rockville, MD 20848, www.pxrec.com)

CHRISTIAN WILLIAMS
SONGS OF THE IRON MEN
No Label, No Number

Although practically forgotten today, before the gasoline engine, steam engine tractors were a common site on prairie farms. Back in the 1950s, several poems were composed and published in a steam-powered enthusiast magazine. Musician Christian Williams has now taken many of these poems and set them to music, thus creating a nostalgic tribute to the steam-powered tractor. Williams plays all the instruments including banjo, autoharp, washboard, bass, and others. Selections include “Dreaming Of Steam,” “Smoke On The Prairie,” and “Death Of A Steam Man.” “Songs Of The Iron Men” is a memorial to and a glimpse into a bygone chapter in American history. (Ogden Publications 1503 SW 42nd St., Topeka, KS 66609, www.ogdenpubs.com)

KRENI
LUCKY MAN
No Label, No Number

Kreni is a bluegrass quintet from The Czech Republic. Their latest release includes 13 performances, several of which are performed in their native language. With the exception of John Hartford’s “Gentle On My Mind” and Tibby Edwards’ “But I Do,” the remaining tracks are band originals including the title song, “Our Life Is Not A Lovesong” and the instrumental “Podzimni Pisen.” As an added feature, there is a bonus track closing out the proceedings. While the vocals are occasionally garbled, there is still a treasure trove of contemporary bluegrass that should find favor with fans of Kreni. (Ondrej Kozak, Porubska 969, 73541 Petrvald, The Czech Republic, www.bkreni.sweb.cz)

ON THE EDGE

THE O’S
WE ARE THE O’S
Idol Records IR 073

The music of the O’s is eclectic, new acoustic music with a bluegrass twist. This Texas-based duo is Taylor Young (guitar, kickdrum, xylophone, among others) and John Pedigo (banjo, harmonica, and vocals). For their debut recording, the O’s have selected 11 of their own songs, often performed at breakneck speed. Titles include “Fast As I Can,” “Don’t Waste Your Day,” and “We’ve Had Everything.” While the O’s music has limited bluegrass content, their disc should find a ready audience with thier fans. (Idol Records, P.O. Box 720043, Dallas, TX 75372, www.idolrecords.com)

THE CARRIVICK SISTERS
JUPITER’S CORNER
No Label, No Number

The Carrivick Sisters, Charlotte (guitar, mandolin, banjo and vocals) and Laura (fiddle, resonator guitar, cello, guitar, and vocals) are a folk duo from Devon, England. This 12-song release includes mostly original material including “Song For The Year,” “Darling Corey,” and “All The Times That I’m Not There.” Also featured is a pair of tunes concerning maritime disasters, “The William And Emma” and “The Herzogin Cecile.” “Jupiter’s Corner” is an intriguing production that highlights the Carrivick Sisters musical skills. (Carrivick Sisters, 1 Little Hill, Salcombe, Devon TQ8, 8LZ, England, www.thecarrivicksisters.com)

NEW RELEASES
(Received September 25-October24)

ACOUSTICURE: BLUEGRASS VAN
Gryllus Records GCD 073 (compact disc)

BACKUP TECHNIQUES ON THE FIVESTRING BANJO: BLUEGRASS BANJO METHOD BOOK THREE
JACK HATFIELD
Hatfield Music 9781892531070 (book)

SAM BUSH
CIRCLES AROUND ME
Sugar Hill Records
SUGCD4055 (compact disc)

JERRY BUTLER AND JOHN WADE
HAULIN’ GRASS
Blue Circle Records BCR019 (compact disc)

CHICAGO FOLK IMAGES OF THE SIXTIES MUSIC SCENE: THE PHOTOGRAPHS OF RAEBURN FLERLAGE
EDITED BY RONALD D. COHEN & BOB RIESMAN
ECWPress  9781550228731 (book)

STEVE MARTIN
THE CROW: NEW SONGS FOR THE FIVESTRING BANJO
BY STEVE MARTIN, TRANSCRIBED BY TONY TRISCHKA
Homespun 9781597732772 (book)

DETOUR
THE ROAD THAT LIES AHEAD
Bluegrass Ahead 0901 (compact disc)

JAKE DEWHIRST
SHADES OF GREY
No Label, No Number (compact disc)

DIXIE BEELINERS
SUSANVILLE
Pinecastle Records PRC #1171 (compact disc)

FOGGY MOUNTAIN HILTON
SHOW ME THE WAY TO GO HOME
Patuxent Records CD199 (compact disc)

CULLEN GALYEAN
BORN INTO BLUEGRASS, THE SONGS OF CULLEN GALYEAN
Mountain Roads Recordings MMR1007 (compact disc)

GRANDPA BANANA
I’LL DO ANYTHING FOR YOU
Grandpa Raccoon Records GR9683 (compact disc)

HANDPICKED BLUEGRASS
SWEET VIRGINIA
Bluegrass Lake Recordings BLR 2 (compact disc)

HANDS IN HARMONY: TRADITIONAL CRAFTS AND MUSIC IN APPALACHIA
BY TIM BARNWELL
Norton 978039306853 (book)

I HEAR A VOICE CALLING: A BLUEGRASS MEMOIR
BY GENE LOWINGER
Univ. of Illinois Press 9780252076633 (book)

CHRIS JONES & THE NIGHT DRIVERS
CLOUD OF DUST
GSM 102 (compact disc)

KING OF THE QUEEN CITY: THE STORY OF KING RECORDS
BY JON HARTLEY FOX
Univ. of Illinois Press 9780252034688 (book)

JIM LAUDERDALE
COULD WE GET ANY CLOSER
Sky Crunch Records, No Number (compact disc)

IAN MAIRS
GREEN EYED WOMEN
Hound Dog Records cd hdr 201 (compact disc)

MAN OF CONSTANT SORROW: MY LIFE AND TIMES
BY DR. RALPH STANLEY w/EDDIE DEAN
Gotham Books 9781592404254 (book)

MEL BAY PRESENTS: A GUIDE TO NONJAZZ IMPROVISATION, BANJO EDITION
BY DICK WEISSMAN & DAN FOX
Mel Bay MB20832BCD (book)

MEL BAY PRESENTS: A GUIDE TO NONJAZZ IMPROVISATION, GUITAR EDITION
BY DICK WEISSMAN & DAN FOX
Mel Bay MB20827BCD (book)

RUNAWAY FREIGHT
HILLBILLY BAILOUT
SwitchTrack Records CAT#8100 (compact disc)

KEITH SEWELL
THE WAY OF A WANDERER
Rubber Dog Records, No Number (compact disc)

SPRINGFIELD
CROSS OVER
Vocation Records SPG03 (compact disc)

TENNESSEE STUD
WHAT IF…
No Label, No Number (compact disc)

THE FIDDLE HANDBOOK
BY CHRIS HAIGH
Backbeat Books 9780879309787 (book)

CARL TOWNS & THE REMNANT
SONGS FROM MY CHILDHOOD, VOLUME ONE
DivinEx DE01CT010508 (compact disc)

TRIPLE L BAND
CROWN HIM KING
No Label, No Number (compact disc)

JIM VanCLEVE
BECOME A MORE COMPLETE FIDDLER
AcuTab Video DVD

VARIOUS ARTISTS
FRANCE BLUEGRASS (VOL.2)
No Label, No Number (compact disc)

STEVE WOOD AND THE JOHNSON CREEK DRIFTERS
A SHORT LIFE & ITS TROUBLES
No Label, NZ 051 (compact disc)

JAKE WORKMAN
ROCKY MOUNTAIN HIDEAWAY
No Label, No Number (compact disc)

BILL YATES & FRIENDS
COUNTRY GENTLEMEN TRIBUTE II
No Label, No Number (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

BOBBY MAYNARD
LIVIN’ LOVIN’ LAUGHIN
Lamon Records, No Number.

Bobby Maynard is a well-established musician based in Huntington, W.Va. Although he is proficient on several instruments, the five-string banjo appears to be his favorite. This 13-song package is a well-constructed blending of established numbers such as “Cora Is Gone” and “Don’t Go Out Tonight” along with several of Bobby’s own creations. “Fifty Years” commemorates his parent’s golden wedding anniversary, while anyone who has ever struggled with an expanding waist line can certainly identify with the humor of “Weight (Wait) Problem.” Other noted performances include “The Last Time That Miner Went Down” inspired by the Saco Mine disaster and the instrumental “Nit PickNick.” “Livin’, Lovin’, Laughin’” runs the gamut of human emotions and a must-have for anyone familiar with the music of Bobby Maynard. (Lamon Records, P.O. Box 1907, Mt. Juliet, TN 37121, www.lamonrecords.com.)

GRASSAHOL
SHINE
Wall Holler Records, No Number.

Grassahol is a five-piece band consisting of Carl Yaffey (banjo), Chas Williams (fiddle), Heidi White (bass), Scott Brooks (mandolin), and Buren Carter (guitar). Their music pays homage to traditional values, while incorporating a sizeable dose of originality. With the exception of Hazel Dickens’ “West Virginia, My Home,” the other 12 selections were penned by bandmembers Chas, Heidi, Scott, and Carl. Titles included are “Disappearing Railroad Blues,” “When Our House Burns Down,” “A Thousand Years,” and the instrumental “Three Wheelin’.” “Joy Shine” is original contemporary bluegrass at its finest and certain to draw attention to Grassahol. (Wall Holler Records, 435 Walhalla Rd., Columbus OH 43202, www.grassahol.com.)

THE ORIGINAL ROCKRIDGE BROTHERS
ROCKRIDGE HOLLERIN
Red Rocking Recordings TRRB 004

Here is a rather unique group, an old-time string band from Sweden. In reality, the Rockridge Brothers are Pontus Juth (bass), Peter Frovik (guitar), Kristian Herner (banjo), and Ralf Fredblad (fiddle). The 17 selections are mostly well-established traditional classics like “Rocky Island,” “Darlin’ Corey,” “Cumberland Gap,” and others, all performed with gusto and enthusiasm. Other performances include “Lazy John,” “Chilly Winds,” and “Big Eyed Rabbit.” “Rockridge Hollerin’” is foot-tapping old-time string band music that has captured the essence of just what old-time music is all about. (Pontus Juth, Rosenlundsgatan, 30B 118 53 Stockholm, Sweden, www.rockridgebrothers.com.)

VARIOUS ARTISTS
NORTH TO ONTARIO 2009
No Label, No Number.

This is the fourth release in the “North To Ontario” series and again features a series of excellent recordings performed by various Canadian bluegrass groups. The 18 selections feature Lazy John (“Hard At The Bottom”), Pam Brooks & Lonesome Wind (“Month Of Sundays”), Canucky Bluegrass Boys (“Standin’ Up”), Prairie Siding (“1950 Studebaker”), Scotia Junction (“There Used To Be A Train”), and others. Closing out the disc is country artist Bill Devries performing an emotional arrangement of the Fred Rose classic, “Blue Eyes Crying In The Rain.” Sadly, Mr. Devries passed away shortly after this recording was made and the CD is dedicated to his memory. “North To Ontario, 2009” is another fine addition to a series that has introduced many wonderful Canadian bluegrass groups to a much wider audience. Hopefully, these releases will remain an annual event. (Athlone Studios, RR 3, Everett, ON, Canada L0M 1J0, e-mail: ggouthro@gendon.com.)

KELLIE ALLEN & PETE PETERSON
I’LL NEVER FORSAKE YOU
Lutra Records LUT-CD-9001

Kellie Allen (guitar and vocals) and Pete Peterson (guitar, banjo, and vocals) are a popular duo in the Pacific Northwest. They also perform regularly with groups like Orpheus Supertones (BU, July ’06) and Waking Up Tillie (BU, Nov. ’05). This 17-song package features material from a multitude of sources including the Monroe Brothers (“Forgotten Soldier Boy”), George Jones (“Flame In My Heart”), Charlie Poole (“There’ll Come A Time”), and others. “I’ll Never Forsake You” is a thoroughly entertaining endeavor that should please anyone searching for sincere harmony singing that pays homage to traditional values. (Lutra Records Oxford, PA 19363, myspace.com/kellieandpete)

GLEN SIMPSON
PLAYIN’ IN THE HILLS
Tomato Gravy Records TG007

Glen Simpson is an accomplished musician based in eastern Kentucky. “Playin’ In The Hills” is his seventh recording project and consists primarily of original compositions that reflect his deep Appalachian roots. Glen’s style can best be described as mountain style with subtle bluegrass overtones. Through the magic of overdubbing, he performs the majority of the instrumental and vocal parts. The 14 selections are a mixture of traditional pieces and original numbers including “Blackberry Pickin’ Time,” “Sourwood Mountain,” “Dinner Table,” and the whimsical “Onion Breath.” Also featured is a unique rendition of “Handsome Molly” performed in a minor key. “Playin’ In The Hills” is a pleasant offering of traditional mountain music sure to find favor with anyone familiar with the music of Glen Simpson. (Tomato Gravy Music, 1654 Mudlick Rd, Hardy, KY 41531, www.glen-simpson.com)

DEADWOOD REVIVAL
SAT 730
No Label or Number

Deadwood Revival started out several years ago as the duo of Kim Trenerry (guitar and vocals) and Jason Mogi (banjo, guitar, and vocals). Later bassist, Ches Ferguson, and fiddler Julie Campbell were added to the mix. The result is an eclectic brand of music that defies classification in that it blends elements of bluegrass, old-time, jazz, and even elements of punk rock. These tracks were recorded at several live appearances around their home base, Port Angeles, Wash. The 14 selections combine familiar pieces like “Red Rocking Chair,” “Cotton Eyed Joe,” and Johnny Cash’s “Big River,” along with the band’s own numbers, “Ain’t The Buyin’ Kind,” “That’s Alright,” and the 11-minute instrumental medley “Mattie’s Jam”/”Shake The Barnhouse Down.” The music of Deadwood Revival is probably best experienced at one of their live performances, although this disc would certainly serve as an acceptable alternative. (Carol Pope, P.O. Box 3161, Port Angeles, WA 98362, www.deadwoodrevival.com.)

BRAD WOOD & FRIENDS
FOR A REASON
Cotton Top Records CTR-52507

This latest release from Brad Wood (guitar, mandolin, bass, and lead vocals) is an all-gospel project with established numbers such as “Rank Stranger,” “God Sent An Angel,” and “How Beautiful Heaven Must Be,” along with Brad’s own compositions “Big River Of Life,” “Grandpa’s Song,” and “Beyond The Pearly Gate.” Besides providing all the lead vocals, he also plays a number of instruments throughout the proceedings. Also assisting in the productions are several guest pickers including Terry Baucom (banjo) and Darrel Webb (harmony vocals). “For A Reason” is a well-conceived gospel project that should find a ready audience with those who demand sincerity in their music. (Brad Wood, 621 Drywall Rd., State Road, NC 28676, myspace.com/bradwoodbluegrass.)

ON THE EDGE

PHIL ROSENTHAL
A TREASURY OF BLUEGRASS AND COUNTRY SONGS
American Melody AM-CD-5125

Many readers will remember Phil Rosenthal as a member of Apple Country and the Seldom Scene. In this latest recording, he is joined by a host of musicians including Stacy Phillips (resonator guitar), along with several family members including son Daniel (trumpet and vocals). The 17 selections are ballads and parlor songs such as “Camptown Races,” ”Golden Slippers,” “Arkansas Traveller,” and others. Also featured are several of Phil’s own compositions including “Muddy Water” and the instrumental “Three Mandolins.” The performances are all good with a laid-back attitude. “A Treasury Of Bluegrass And Country Songs” is enjoyable and highlights the multiple talents of Phil Rosenthal. (American Melody, P.O. Box 270, Guilford, CT 06437, www.americanmelody.com.)

COMPILATIONS AND REISSUES

DARREN BEACHLEY
SAD SONGS & SUNDAY MORNINGS
MasterShield Records, no number

Compiled from two earlier solo projects (“Remembrances” and “I Love You To The Moon And Back”). Musicians include Mike Auldridge, Mike Munford, and Rickie Simpkins. Songs include “Journey’s End,” “Daddy’s Chair,” and “Coal Miner’s Dream.” (MasterShield Records, 6683 Vista Heights Rd., Bridgewater, VA 22812, www.mastershieldrecords.com.)

RALPH STANLEY AND THE CLINCH MOUNTAIN BOYS FEATURING CHARLIE SIZEMORE
CAN’T YOU HEAR THE MOUNTAINS CALLING
Rounder 11661-0614-2

Originally released as a cassette in 1986, then as a CD on Copper Creek in 1995. Both titled “16 Years.” Recorded circa 1981. Musicians include Curly Ray Cline, Jack Cooke, and Junior Blankenship. Liner notes by Marian Leighton Levy and Charlie Sizemore. (Charlie’s are exceptional and personal.) Songs include “Won’t You Be Mine,” “In Despair,” and “This Weary Heart You Stole Away.” (Rounder Records, One Rounder Way, Burlington, MA 01803, www.rounder.com.)

VARIOUS ARTISTS
GRASSROOTS TO BLUEGRASS COLLECTION
No Label, No Number.

Ten-volume VHS or DVD series of live stories and music. Conversations facilitated by Mac Wiseman. Artists include the Osborne Brothers, John Hartford, Jeanette Carter, Patsy Stoneman, and Mike Seeger. Ten hours of over sixty songs. (Gabriel Communications, 916 Harpeth Valley Pl., Nashville, TN 37221, www.cfrvideos.com.)

INSTRUCTIONAL

SOLDIER’S JOY AND OTHER BANJO FAVORITES
Mel Bay MB22031DVD

Taught by Murphy Henry. Two-hour banjo DVD. Teaches five songs including “Liberty,” “Farewell Blues,” and “Old Spinning Wheel.” All songs taught by ear. (Mel Bay Publications, #4 Industrial Dr., Pacific, MO 63069, www.melbay.com).

STEVE KAUFMAN TEACHES CROWD PLEASERS AND SHOW STOPPERS: STEVE’S FAVORITE FLATPICKING GUITAR INSTRUMENTALS
Homespun DVDKAUSS21.

One DVD, 90 min., 27-page booklet on disc, $29.95. (Homespun, P.O. Box 340, Woodstock, NY 12498, www.homespun.com.)

Steve Kaufman is one of the better teachers at enabling us to at least try to play bluegrass flatpicking guitar. This DVD might give you the impression that it’s only for advanced players, but there are some good fundamental lessons on crosspicking and tone production here that makes it accessible and essential for players of all levels.

Tunes taught are “Interstate Rag,” “First Century Reel,” “Maid Behind The Bar,” “Sligo Girl,” “House Of The Rising Sun,” “Beaumont Rag,” “Black Mountain Rag,” “Festival Waltz,” “Calgary Polka,” and “Last Thing On My Mind.” Only a few of those are commonly played, so it would add variety to your repertoire to tackle something like “Maid Behind The Bar” from the Celtic tradition.

Kaufman divides the DVD into sections of teaching each tune and a performance so you can get an idea of the up-to-tempo playing. His style is clean, communicative, and interesting, and his teaching style is personable and relaxed. If you want some challenging tunes to tackle over the winter, or just want to study how a master flatpicker handles various styles, this is a great DVD to have.
Homespun DVDs are always well recorded with superb sound, lighting, and dual camera angles for right and left hands, and this includes a 27-page PDF booklet of tab for all the songs on the DVD. Recommended.CVS

NEW RELEASES
(Received October 25-November 24)

ALLEGHENY BLUE
GREENBRIER RIVER
No Label MBG5550 (compact disc)

JOHN COWAN
COMFORT & JOY
E1 Music KOCCD4759 (compact disc)

ERIC ELLIS
EVERY NIGHT BEFORE BREAKFAST
Blue Banjo Records 001 (compact disc)

HENHOUSE PROWLERS
A DARK RUMOR
No Label, No Number (compact disc)

BOBBY HORTON
HOMESPUN: SONGS OF STEPHEN FOSTER
No Label, No Number (compact disc)

LOCUST MOUNTAIN BOYS
LONG DUSTY ROAD
No Label, No Number (compact disc)

MANHATTAN VALLEY RAMBLERS
BALLADS AND BARNBURNERS
Crusty Scone Records CSR100 (compact disc)

LYDIA, EMILY, CLAUDE MARTIN
TEN THOUSAND MILES
Patuxent Records CD198 (compact disc)

NONE OF THE ABOVE
TURN THE PAGE
After 5 Records AFR10102009 (compact disc)

PEACH MOUNTAIN BOYS
35 YEARS
No Label, No Number (compact disc)

PEACH MOUNTAIN BOYS
SOUNDS FROM PEACH MOUNTAIN
No Label, No Number (compact disc)

PHILLIP STEINMETZ & HIS SUNNY TENNESSEANS
LIVE FROM DIXIELAND MUSIC PARK
No Label, No Number (compact disc)

VARIOUS ARTISTS
MANDOMORPHOSIS 2010
No Label, No Number (compact disc)

VARIOUS ARTISTS
BLUEGRASS EXPRESS: HOSTS JIM & JESSE, FEATURING BILL MONROE & THE BLUE GRASS BOYS, LESTER FLATT & THE NASHVILLE GRASS
J&J Music, No Number (DVD)

VARIOUS ARTISTS
GASTONIA GALLOP: COTTON MILL SONGS & HILLBILLY BLUES
Old Hat Records CD1007 (compact disc)

CHRIS WARNER
GOIN’ TO THE DANCE
Patuxent Records CD200 (compact disc)

MISSY WERNER
DRIFTING AND DREAMING
No Label, No Number (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

DIRT ROAD SWEETHEART
I HEARD THE BLUEBIRDS SING
No Label, BPR1111.

Dirt Road Sweetheart is the father and daughter duo of Alan (banjo and vocals) and Nora Jane Struthers (guitar and vocals). For their latest recording project, they have chosen 14 selections that include the familiar melodies “Dream Of The Miner’s Child,” “Little White Church,” “Sunny Side Of Life,” and others. Also included are several originals: “Junk For The Taking,” “My Home Town,” and “Cabin In The Sky.” The most distinctive aspect of the album is the simple but elegant harmony vocals that especially shine on the title song and Gillian Welch’s “Wichita.” Anyone who appreciates down home vocal stylings should find something to enjoy in the music of Dirt Road Sweetheart. (Alan Struthers, P.O. Box 200, Allenwood, NJ 08720, www.dirtroadsweetheart.com.)

JACKIE HALL AND THE BLUESHADES OF GRASS
IF THAT AIN’T BLUEGRASS
No Label, No Number.

Here is a collection of average bluegrass performed by a four-member band from Tallahassee, Fla. Most of the ten selections are standard fare: “Sing Me Back Home,” “You Are My Flower,” and “Little Cabin Home On The Hill.”  While the performances are not without their rough edges (for example, “Farmer’s Son Altar Call”), they fall within the general limits of acceptability. The overall production, however, is lacking. There is minimal information about the group or its members. In addition, the composer credits for several well-known copyrighted numbers are listed as “unknown.” Had greater attention been given to the overall production, the final results would have been far more satisfying. (Jackie Hall, 7025 Tidwell Hill Way, Tallahassee, FL 32310.)

CYPRESS CREEK OF TENNESSEE
YOU CAN’T TAKE IT WITH YOU!
Gumball Records, No Number.

This group goes by the name Cypress Creek of Tennessee to distinguish them from other bands with similar names. Their latest recording is an all-gospel collection of ten somewhat familiar titles such as “Suppertime,” “Are You Washed In The Blood,” and “Set Your Fields On Fire.” There is also a pair of originals penned by bandmember Roy Jenkins, “You Can’t Take It With You” and “When Sunday Rolls Around.” While the performances are played with skill and dedication, there is not enough substance that would attract widespread interest in this particular recording. However, it should prove popular with those who are familiar with Cypress Creek of Tennessee. (Harry McLellan, 1095 Clara Dr., Eads, TN 38028, e-mail: mclellanh@bellsouth.net.)

ACOUSTIC BLUE—THIS IS NOW—Bishop Hill Records BHR 2009. Acoustic Blue is a band from Pittsfield, Mass., consisting of Corey Zink (mandolin and vocals), Mike VanAlstyne (banjo, resonator guitar, and vocals), T. Shaun Batho (guitar), and Bear Acker (bass). Their latest project features 15 numbers including several originals (“Golden Leaves,” “Carved Into A Stone” and “Memory Of A Woman”). Also included are effective renditions of “Bill Monroe For Breakfast,” “Angel Band,” “I’d Rather Be Alone,” “1952 Vincent Black Lightning,” and others. The album ends with the group’s version of the Grascals favorite “Don’t Tell Mama,” with guest Smokey Greene performing the recitation. “This Is Now” is contemporary bluegrass at its best and certain to attract new audiences to the music of Acoustic Blue. (Acoustic Blue, 227 Barker Rd., Pittsfield, MA 01201, www.acousticblueonline.com.)

RED MOUNTAIN
THROW THE OLD COW OVER THE FENCE
Whoop It Up! 104.

This is the first recording from Alabama’s Red Mountain old-time string band to come along in several years (BU, June ’02). Now with a shortened name, the group is still cranking out their own unique brand of traditional music. The generous 21 selections come from various sources from the Alabama/Mississippi/Tennessee area including the Delmore Brothers (“Back To Birmingham”), the Stripling Brothers (“California Blues” and “The Big Footed Man In The Sandy Lot”), Sam McCracken (“Old Man And Woman Quarrelling”), among others. The title song comes from Dr. Humphrey Bate and his Possum Hunters, who were early members of the Grand Ole Opry. “Throw The Old Cow Over The Fence” is dynamic old-time string band entertainment at its finest and another success for Red Mountain. (Red Mountain, 1452 Milner Crescent, Birmingham, AL 35205,  www.bamalong.com.)

ON THE EDGE

HONEY DON’T
2Dolla Reccas
TDR-005

Honey Don’t is an eclectic group from Colorado. Their style blends elements of bluegrass, old-time, jazz, country, and rockabilly into a truly unique sound. The majority of the 13 tracks were written by bandmember Bill Powers who has an interesting way with words. The proceedings kick off with the rousing “Big Buck In The Road” and conclude with “For The Sake Of Love.” In between are such gems as “Talk To Me Tennessee,” ”Who Took The Jukebox,” and a rendition of “The Cuckoo.”  The music of Honey Don’t is not for the faint-hearted, but should be of interest to those not afraid to explore diverse music. (Honey Don’t, P.O. Box 536, Paonia, CO 81428, www.honeydont.net.)

SKINNY & THE BOOTLEGGERS
GOT MOONSHINE?
No Label, No Number

Skinny & the Bootleggers is an Iowa-based trio of Kirk “Skinny” Webb, Terry Ray, and Phillip Lamb. “Got Moonshine?” is their latest recording, and that illegal brew seems to be a consistent theme that runs throughout the 13 selections. With the exception of “Shady Grove,” the remaining tracks are all Webb compositions including “Beat That Devil Down,” “Moonshine In The Morning,” “The Bootlegger’s Waltz,” and “Feel Like Crawlin’ In A Hole.” While Skinny & the Bootleggers are primarily a regional group, “Got Moonshine?” clearly demonstrates a potential for reaching out to wider audiences. (Terry Ray, P.O. Box 246, Red Oak, IA 51566, www.skinnyandthebootleggers.com.)

THE LIEDSTRAND FAMILY
IN HARMONY
Mt. Wow CD 001

This is a family group organized around the fiddling of Harry Liedstrand. Some readers may be familiar with Harry as a co-founder of the Mt. Diablo String Band (BU, Dec. ’08). In this 17-piece collection, there is a host of material from various sources in a style best described as old-time string band music with Celtic overtones. Featured are numbers such as “Arti’s Jig,” “Happy Hayseeds’ Two-Step,” “I Will Arise,” and others. Anyone familiar with the music of the Liedstrand Family should find much to like in their latest musical extravaganza. (Harry Liedstrand, 20 Meek Pl., Lafayette, CA 94549, www.mtwow.com.)

DVD

HOW TO MAKE UP YOUR OWN BANJO SOLOS: WHAT TO PLAY WHEN IT’S YOUR TURN TO “TAKE IT”
TAUGHT BY PETER WERNICK
Homespun DVDWERS021.
Two hrs., no tab, $29.95.
(Homespun Tapes, P.O. Box 430, Woodstock, NY 12498, www.homespun.com.)

Pete Wernick presents a nice addition to his lineup of instructional DVDs with this gently graduated two hour exposition on creating your own banjo solos. The assumption is that the viewer knows the basics of elementary bluegrass rolls and chord positions and is ready to work on taking breaks. Pete starts out very gently with “placeholder solos” (using basic rolls and chord positions and changing chords as the tune dictates), then moves to “filler content” solos involving varied left-hand techniques including slides, hammers, and different fretting positions.

The next and final level is working out melody based solos, the subject of the last eighty minutes of the presentation. There is extensive discussion of how to identify the melody (check out the Adam’s apple technique), how to hit the melody notes, and then fill in around them in appropriate and interesting ways. The video uses split-screen technology to show closeups of fretting and picking hands as appropriate. Sound and video are very well done, and Pete presents the material in a very easytofollow manner. Songs include “Handsome Molly,” “Wabash Cannonball,” “Will The Circle Be Unbroken,” and “Man Of Constant Sorrow.”
Breaking down the process of learning placeholder breaks, followed by filler content, and finally melody breaks is a nice progressive way to lead the student from the initial to relatively-advanced levels of creating solos. I especially like the emphasis on finding the melody, which often is a stumbling block for new players. For banjo players who have been hesitant to enter the jamming world for fear of the soloing aspect, this DVD should be a great resource in making this all important step. AW

NEW RELEASES
(Received November 25-December 24)

JESSIE BAKER
YESSIR!
Patuxent Music CD196 (compact disc)

NATHAN BLAKE LYNN
WHO SAID THE WORLD’S FAIR
PH Balanced Recordings, No Number (compact disc)

JIMMY COX & FRIENDS
BACK HOME MEMORIES
No Label, No Number (compact disc)

NATHAN DAY
THE BLUEGRASS ALBUM
No Label, No Number (compact disc)

HIGH COUNTRY
PERFECT COMPANIONS
Squirty Records SR013 (compact disc)

LOUISIANA FIDDLERS
BY RON YULE
University Press of Mississippi 9781604732955 (book)

JIMMY MARTIN, JR.
IT TAKES ONE TO KNOW ONE
No Label, No Number (compact disc)

McCORMICK BROTHERS
SOMEWHERE IN  TIME
Stonewall Records SWM 20080001 (compact disc)

SUGGINS BROTHERS
NUMBER 7
No Label, No Number (compact disc)

WATKINS FAMILY
HEAVEN’S WORTH WAITING FOR
No Label, No Number (compact disc)

WONDER
No Label, No Number (compact disc)

ZOOGRASS
HOT DAY AT THE ZOO
No Label, No Number (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

CASEY JOE ABAIR & HUNTER ROBERTSON
IF YOU WANT TO GO TO SLEEP, GO TO BED
Yodel-Ay-Hee 074.

Hunter Robertson (banjo and vocals) and Casey Joe Abair (fiddle and vocals) is a pair of old-time musicians currently residing in France. The curious title of this latest release was inspired by a favorite saying attributed to musician Charlie Lowe. The performances are mostly fiddle and banjo instrumentals augmented by an occasional vocal rendering. The lead vocals bear a raspy style similar to that of folk singer Dave Van Ronk. The 17 tunes are from a variety of sources including Wade Ward (“June Apple”), Elizabeth Cotton (“Run Slave Run”), Hobart Smith (“The Devil’s Dream”), Uncle Dave Macon (“Sail Away Ladies”), and many others. The tracks were recorded at the musicians’ homes rather than in a recording studio. This is most apparent on “Sugar Baby” when the sound of sirens can be heard in the background. “If You Want To Go To Sleep, Go To Bed” is a pleasant collection of old-time music that pays homage to traditional values—a welcomed addition to any music library. (Hunter Robertson, 25 rue des Terreaux, 25380, Charmoille, France, www.hunterrobertson.com. )

KIM JOHNSON
KEEPERS
Buffalo Skinner CD 3081.

Kim Johnson is an old-time banjo picker from West Virginia, and for her latest recording, she has gathered a number of fellow pickers to create 19 bland performances (along with a totally forgettable bonus track). The selections have a rough-hewn edge, especially on “What A Friend We Have In Jesus,” “Mouth Of Stinson,” “Boating Up Sandy,” (with Tracy Schwarz), and “Milk Cow Blues.” One particular performance is John Lilly’s rendition of the Hank Williams classic “May You Never Be Alone.” Those familiar with the music of Kim Johnson should find much to savor with the contents of “Keepers.” (Kim Johnson, P.O. Box 1607, Clendenin, WV 25045, www.myspace.com/banjowv.)

BLUE & LONESOME
SOME OLD DAY
No Label, No Number.

Blue & Lonesome is a California-based bluegrass band headed up by musician Ed Neff (mandolin, fiddle, and vocals). Other members include Mike Wilhoyte (guitar and vocals), Jeff King (bass and vocals), Larry Cohea (banjo and vocals), and Paul Shelasky (fiddle). “Some Old Day” is a 15-song project of pure bluegrass that attempts to recreate some of the classic works of the genre. The album gets off to a rousing start with the band’s rendition of the Johnnie and Jack standard, “Poison Love,” and concludes with “Roll On Buddy.” Noted highlights include the title song, “Summertime Is Past And Gone,” “Goodbye Old Pal,” “Rocky Road Blues,” and others. While “Some Old Day” offers no real surprises, the performances are flawless, a sterling example of mainstream bluegrass at its finest. (Ed Neff, 903 Grouse Ln., Petaluma, CA 94954, www.edneff.com.)

JUSSI SYREN & THE GROUNDBREAKERS
FROM VYBORG TO LA.
Goofin’ Records GRCD 6156.

Jussi Syren & the Groundbreakers are one of Finland’s premier bluegrass bands and have long been thrilling audiences throughout Europe. This latest venture is similar to previous releases in that the 11 songs are mostly originals with a few familiar pieces thrown in. These tracks are some of the band’s best recordings, featuring Jussi’s own “Call Of The Big Wind,” “From VyBorg To L.A.,” and the instrumental “Rumble On The Blue Ridge.” Other highlights include the Red Simpson/Buck Owens collaboration “Cadillac Lane,” along with “Mr. Bojangles” and “God’s Own Singer.” “From Vyborg to L.A.” is recommended listening from one of the most influential bluegrass bands currently on the international bluegrass music scene. (Goofin’ Records, Hämeentie 46, 00500 Helsinki, Finland, www.goofinrecords.com.)

PAUL REECE & FRIENDS
WATERBOUND
No Label, No Number.

Here is a strange album from Ohio-based Paul Reece (guitar and lead vocals). The friends are area musicians from the bands Faces Made For Radio and Copus Hill. “Waterbound” contains a total of 28 tracks. Tracks one through 14 are nicely done renditions of traditional material: “The Rising Sun Blues,” “Buffalo Gals,” “O’ Mary Don’t You Weep,” “Tom Dooley,” and others. Tracks 15 through 28 are just repetitions of the first 14 with the vocal parts stripped away and labeled “Instrumentals.” With the vocal tracks removed, these particular tracks detract from the overall effectiveness of the project. Without them, the album would have been far more satisfying. (Paul Reece, 537 Pershing Ave., Galion, OH 44833, e-mail, paulreece44@yahoo.com.)

BLUE MOON COWGIRLS
I LOVE YOU HONEY
Azalea City Recordings, ACCD0903.

The Blue Moon Cowgirls have been a long-time fixture on the music scene in and around Washington, D.C. The group consists of cowgirls Karen Collins (guitar, fiddle, and vocals), Lynn Healey (guitar and vocals), Ann Porcella (guitar and vocals), and cowboy Ira Gitlin (guitar and vocals). In this abbreviated seven-song collection, the performances are western-style with emphasis on the harmony vocals. Titles include Karen’s own “Goodbye Maria,” Hank Williams’ “Weary Blues From Waiting,” and “Born To Be With You.” The proceedings come to a conclusion with a rendering of the Roy Rogers/Dale Evans theme song, “Happy Trails To You.” “I Love You Honey” is a pleasant change of pace and certain to introduce new followers to the music of the Blue Moon Cowgirls. (Azalea City Recordings, P.O. Box 5441, Tacoma Park, MD 20913, www.azaleacityrecordings.com.)

JEFF & VIDA
SELMA CHALK
Rosebank Records, No Number.

Selma Chalk (also known as marl or marlstone) is an impurity found in the most fertile ground of the South. With that bit of trivia out of the way, “Selma Chalk” is also the title of this latest effort from the Jeff and Vida Band which consists of Vida Wakeman (guitar and vocals), Jeff Burke (mandolin and vocals), Jake Schepps (banjo), Justin Hoffenberg (fiddle), Gregg Schochet (archtop guitar and bouzouki), and Will Downes (bass). The 13-songs are all originals and include “Fire In The Water,” “Alabama Sky,” “Boxcar Blues,” “Heartache Train,” and others. Vida’s vocals are unique and give the production a special personality. “Selma Chalk” is contemporary bluegrass at its finest. I look forward to hearing more from the Jeff and Vida Band. (Jeff and Vida Band, P.O. Box 68273, Nashville, TN 37206, www.jeffandvida.com.)

JOHN VIERS & FRIENDS
I’D RATHER HAVE JESUS
No Label, No Number.

Here is an all-instrumental gospel collection created by Virginia musician John Viers (guitar and banjo). The 12 tracks are mostly standard material and include “Kneel At The Cross,” “I Feel Like Traveling On,” “Where The Soul Of Man Never Dies,” and others. The arrangements are basic bluegrass with occasional harmonica and saxophone solos. While the arrangements are generally good, it would have been nice to include an occasional vocal. Still, “I’d Rather Have Jesus,” is a nice piece of work that should prove inspiring to anyone familiar with the music of John Viers. (John Viers, 2637 Julia Simkins Rd., Hiwassee, VA 24347, e-mail: 5string@psknet.com.)

EAST SIDE DAVE & THE MOUNTAIN FOLK BAND
MUSIC FROM THE MOUNTAIN FOLK HOMEPLACE
Mountain Laurel ML-063009.05.

East Side Dave Kline has been an integral part of the bluegrass music scene in Pennsylvania for a number of years. In this latest self-produced collection, Dave and his Mountain Folk Band have created 12 exciting performances consisting mostly of original material written by Dave. Included are “Here’s To The Dogs,” “Kiss Me On The Mountain,” “Put The Yak In The River And Go,” and the instrumental “The Hawk Mountain Hoedown.” Also included are the familiar numbers “Lost Indian,” “Take Your Shoes Off Moses,” and “I’ll Fly Away.” The CD’s extensive liner notes describe the inspirations behind the songs and add further credibility to the overall production. “Music From The Mountain Folk Homeplace” is well-conceived and executed collection of bluegrass music that represents a significant milestone in the musical career of East Side Dave Kline. (Mountain Laurel Prod., P.O. Box 2266, Sinking Spring, PA 19608, www.mountainfolk.com)

COMPILATIONS AND REISSUES

BLUE HIGHWAY
SOME DAY: THE FIFTEENTH ANNIVERSARY COLLECTION
Rounder Records 11661-0633-2.

Thirteen songs, including three new cuts, drawn from previous Rounder albums and Rob Ickes’ solo album. New cuts are “Cold And Lowdown Lonesome Blues,” “Bleeding For A Little Piece Of Mind,” and “Some Day.” Others include “Wondrous Love” and “Elzic’s Farewell.” Notes by Kathy Mattea. (Rounder Records, One Rounder Way, Burlington, MA 01803, www.rounder.com.)

THE CARTER FAMILY FEATURING A.P. AND SARA
GONNA LIVE ON DOWN THE LINE
Old Homestead OHCD-4061.

This is not the Original Carter Family, rather A.P. and Sara with children, Janette and Joe, and recorded in the 1950s. Songs include “Crying Holy,” “Anchored In Love Divine,” “Elbow Room,” and “Jesus Hold My Hand.” (Old Homestead Records, P.O. Box 100, Brighton, MI 48116, www.oldhomesteadrecords.com.)

NEW RELEASES
(Received December 25-January 24)

DARIN & BROOKE ALDRIDGE
Mountain Home Recordings
MH12592 (compact disc)

ETTA BAKER
BANJO
Music Maker MMCD109 (compact disc)

BIG RIVER BLUEGRASS
No Label, No Number (compact disc)

DEEP FRYED ACOUSTIBLASTERS
No Label, DEEP001 (compact disc)

BILL EMERSON AND SWEET DIXIE
SOUTHERN
Rural Rhythm Records RHY1053 (compact disc)

FLATPICKING GUITAR FOR THE COMPLETE IGNORAMUS!
BY WAYNE ERBSEN
Native Ground Books & Music 9781883206581 (book)

THE GRASS STAINS
STILL STAINED
No Label, GMG 11409 (compact disc)

MIKE JACKSON
WHEN WE GOIN’ BACK
Red Oak, 0901 (compact disc)

RANDY KOHRS
QUICKSAND
Rural Rhythm Records RHY1052 (compact disc)

LAURIE LEWIS
BLOSSOMS
Spruce And Maple Music SMM 2005 (compact disc)

LOUISIANA BLUEGRASS: THE EARLY YEARS
BY RON YULE
Fiddle Country Publishing 9780978735852 (book)

ROBERT MONTGOMERY AND JEREMY STEPHENS
SING THE OLD SONGS
No Label, MSM 001 (compact disc)

THE DEL McCOURY BAND
FAMILY CIRCLE
McCoury Music MCM0014 (compact disc)

NO ONE YOU KNOW
SHE WAITS
No Label, No Number (compact disc)

PATUXENT PARTNERS
SEVEN OR ELEVEN
Patuxent Records CD185 (compact disc)

LARRY STEPHENSON
20th ANNIVERSARY
Pinecastle Records PRC 1172 (compact disc)

LEE WATSON
NORTHERN TRACK
No Label, LWM001 (compact disc)

JOSH WILLIAMS
DOWN HOME
Pinecastle Records PRC1173 (compact disc)

THOMAS WYWROT
EVERY TIME I WALK THIS ROAD
Right Good Records RGR0001 (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

CARL TOWNS & THE REMNANT
SONGS FROM MY CHILDHOOD, VOLUME ONE
DivinEx Entertainment DE01-CT010508.

Carl Towns is a talented singer and instrumentalist from northwest Georgia, and from the title of this all-gospel collection, it is the first of a series of future releases. Carl handles the bulk of the vocals and instrumental parts with occasional assistance from guest musicians. The ten selections are mostly gospel standards—“Rock Of Ages,” “Are You Washed In The Blood?” and “Amazing Grace.” One noted exception is Carl’s own “Seek Ye First,” co-written with Polly Towns. “Songs From My Childhood’ is a well-constructed recording. It will be interesting to see what Carl has in mind for future productions. (Carl Towns, P.O. Box 547, Trenton GA 30752, www.carltowns.com.)

GRANDPA BANANA
I’LL DO ANYTHING FOR YOU
Grandpa Raccoon Records GR9683.

Banana (aka Lowell Levinger) has been a part of the Americana music scene for a number of years. He was a co-founder of the 1960s folk-rock band the Youngbloods and later produced a pair of albums for the bluegrass band High Country. Now in his mid-sixties, “Grandpa” Banana (banjo, guitar, mandola, and vocals) has created a collection of musical treasures taken from diverse sources ranging from Bill Monroe (“Used To Be” and “Memories Of Mother And Dad”) and the Stanley Brothers (“Loving You Too Well” and “Next Sunday Darling Is My Birthday”) to Bob Dylan (“Down Along The Cove”) and even Ray Charles (“I’ll Do Anything But Work”). The result is a relaxed style of acoustic music with distinctive bluegrass overtones. Two particular highlights are the Larry Cordle/Jim Rushing collaboration “The Bigger The Fool” and Kate Wolf’s “Across The Great Divide. “I’ll Do Anything For You” is a captivating production that should find an instant audience with anyone familiar with the music of Grandpa Banana. (Grandpa Raccoon Records, P.O. Box 445, Inverness, CA 94937, www.grandpabanana.com.)

TRIPLE L BAND
CROWN HIM KING
No Label, No Number.

This all-gospel production from New Mexico’s Triple L Band is probably the group’s most successful recording to date (see BU, Dec. ’07, Dec. ’08). The group includes members of the Miller family including Levi (mandolin and vocals), Lance (guitar and vocals), Landon (banjo and vocals), Len (resonator guitar and vocals), and Amy (bass). The dozen tracks come from diverse sources including Mosie Lister (“I’m Feeling Fine” and ”Where No One Stands Alone”) and Flatt & Scruggs (“God Loves His Children”). Of special note are their a cappella performances of the title song and “So High.” “Crown Him King” is bluegrass gospel at it’s finest and certain to win new converts to the music of the Triple L Band. (Triple L Band, P.O. Box 883, Portales, NM 88130, www.triplelband.com.)

IAN MAIRS
GREEN EYED WOMAN
No Label, No Number.

“Green Eyed Woman” is the third solo project for Scotland’s Ian Mairs, a musician who has been an integral part of several local bands including Old Hickory, Banjo Cocktail, and the Moonshiners. This 12-song lineup is all original material with such titles as “Is There Rest In The Grave?,” “Snakes And Ladders Of Love,” and “You Gotta Be Strong.” Ian is on guitar and lead vocals, assisted by Harvey Allan (banjo, guitar and harmony vocals), John Allan (bass), Donald Beveridge (mandolin), and Alan Mairs (fiddle). “Green Eyed Woman” is primarily of regional interest, but could easily attract attention in markets outside of Scotland. (Ian Mairs, 76 Durward Ave., Shawlands, Glasgow, G41 3UE, www.myspace.com/ianmairssolo.)

STEVE WOOD AND THE JOHNSON CREEK DRIFTERS
A SHORT LIFE & ITS TROUBLES
Shock NZ 051.

“A Short Life & Its Troubles” is the debut project for Steve Wood and the Johnson Creek Drifters. The 11 selections are Steve Wood compositions combined with standards such as “Cash On The Barrelhead,” “Stone Walls & Steel Bars,” and “How Mountain Girls Can Love.” Some of the more intriguing original selections include “Mr. Moonshiner,” “Highway Evangelist,” and the swing tune “Big Top Boogie.” “A Short Life & Its Troubles” is an excellent production of contemporary bluegrass and a significant milestone in the career of Steve Wood and the Johnson Creek Drifters. (Steve Wood, 9 Cliff Dr., Katoomba NSW, Australia 2780, www.myspace.com/johnsoncreekdrifters.)

JAKE WORKMAN
ROCKY MOUNTAIN HIDEAWAY
No Label, No Number.

“Rocky Mountain Hideaway” is the latest project from Jake Workman (guitar, banjo, mandolin, and lead vocals). Eight of the twelve selections are Workman originals including the title song, “I Won’t Be Over You,” and the instrumentals “Great Basin Rag,” “Lucky Streak,” and “Manassas.” Also featured are flawless renditions of “Come Back Darling,” the Bill Monroe instrumental “Wheel Hoss,” and the country music classic “Fraulein.” “Rocky Mountain Hideaway” is dynamic; proof that bluegrass music is alive and doing well in the Beehive State. (Jake Workman, 12737 Whisper Grove Cir., Draper, UT 84020, www.myspace.com/jakeworkman11.)

HAND-PICKED BLUEGRASS
SWEET VIRGINIA
Bluegrass Lake Recordings BLR 2.

Hand-Picked Bluegrass is a trio consisting of Joe and Sue Cronick and Robin Mileham, and “Sweet Virginia” is their latest release. On the 14 tracks, they are assisted by guest pickers including Alan Munde (banjo), Jeremy Garrett (fiddle), and Andy Hall (resonator guitar). Most of the selections are written by Joe, including “Cold Hard Winter,” “Take Me Down To The Water’ and the instrumental “Five Finger Discount.” Also featured is the Ron Spears instrumental “Billsville” and the Delmore Brothers’ “Blues Stay Away From Me.” “Sweet Virginia” is a fine offering of contemporary bluegrass highlighted by vibrant vocals and creative instrumentation. Hopefully, there will be many future projects from Hand-Picked Bluegrass. (Joe Cronick, N12002 Rice Rd., Tomahawk, WI 54487, <www.handpickedbluegrass.net>.)

RUNAWAY FREIGHT
HILLBILLY BAILOUT, THE RECESSION TAPES
Switch Track Records CAT. #RF8100.

Compared to their previous recording (BU, Sept. ’08), “Hillbilly Bailout” is a minor disappointment. The band obviously has a wealth of talent, but the performances on this project are often substandard and marred by frantic tempos and vocals that never fully congeal. This is most apparent on “Nine Pound Hammer,” “John Hardy” “Ole Slewfoot,” and “Rock Island Line.” The band fares better on a pair of original pieces, “Auction” and “No Room.” While “Hillbilly Bailout” certainly has its disruptions, there may still be enough substance to attract fans of Runaway Freight. (Matt Ford, P.O. Box 293, College Grove, TN 37046, www.runawayfreight.com.)

BOOKS

THE FIDDLE HANDBOOK
BY CHRIS HAIGH
Backbeat Books 978-0-87930-978-7.
(Backbeat Books, 7777 W. Bluemound Rd., Milwaukee, WI 53213, www.backbeatbooks.com.)

The Fiddle Handbook is a massive undertaking that covers the role of the fiddle in various musical genres ranging from jazz and western swing to klezmer and rock music. The section on bluegrass features a brief history along with biographies of Bill Monroe and fiddlers who were members of his Blue Grass Boys. Also featured are examples of bluegrass fiddling. The section covering old-time fiddling includes examples of traditional tunes such as “Old Joe Clark,” “Fisher’s Hornpipe,” ”Greenback Dollar,” and “Granny Will Your Dog Bite?” Audio examples are also featured on a pair of CDs included with the book. The Fiddle Handbook is a valuable source of information covering just about every aspect of fiddle music—a must acquisition for any serious music library.

BACKUP TECHNIQUES ON THE FIVE-STRING BANJO, BLUEGRASS BANJO METHOD BOOK THREE
BY JACK HATFIELD
Hatfield Music 978-1-892531-07-0.
(Hatfield Music, 325 Laurelwood Dr., Pigeon Forge, TN 37863, www.hatfieldmusic.com.)

This instruction book compiled by musician Jack Hatfield is the third in a series regarding the five-string banjo. Included in this 231-page publication are discussions on such subjects as vamping, fill-in licks, playing in different keys, and how the banjo relates to other instruments in a bluegrass format. There is also an extensive section devoted to music theory along with a pair of play-along CDs. Also included are practice lessons of many favorite bluegrass numbers including “Salty Dog Blues,” “Cumberland Gap,” and “Cripple Creek.” Backup Techniques For The Five-String Banjo is a comprehensive music course and should prove to be a valuable resource for any serious student of the five-string.

MEL BAY PRESENTS:  A GUIDE TO NON-JAZZ IMPROVISATION (GUITAR EDITION)
BY DICK WEISSMAN & DAN FOX
Mel Bay MB20827BCD. (Mel Bay Publications, Inc., #4 Industrial Dr., Pacific, MO 63069, www.melbay.com.)

This instruction book from Mel Bay Publications is designed to teach improvisation techniques as they apply to the guitar. Prepared by musicians Dick Weissman and Dan Fox, this 134-page book is divided into two sections. The first deals with basic techniques such as modes, scales, chord positions and a crash course involving musical theory. Part two consists of a series of practice tunes arranged and tabbed for various guitar stylings including bluegrass, Cajun, ragtime, and other genres. Accompanying the book is a CD with examples of all the lessons. A Guide To Non-Jazz Improvisation is designed for intermediate guitar students with some knowledge of tablature and should be a valuable reference source for enhancing one’s own guitar picking ability.

COMPILATIONS AND REISSUES

CARL TIPTON
ECHOES OF THE CARL TIPTON SHOW
Gusto GT7-2153-2.

Fourteen songs including “Death Is Only A Dream,” “White Dove,” “Banjo Special,” and “When I’m Gone.” (Gusto Records, 1900 Elm Hill Pike, Nashville, TN 37210, www.bluegrassusa.com.)

COUNTRY GENTLEMEN
HIGH LONESOME, THE COMPLETE STARDAY RECORDINGS
Gusto GT7-0958-2.

Two-CD set, fifty-one songs, twenty-page booklet by Gary Reid. Songs include “Two Little Boys,” “Willie Roy, The Crippled Boy,” “These Men Of God,” and “New Freedom Bell.” Musicians include Charlie Waller, Eddie Adcock, John Duffey, Tom Gray, Pete Kuykendall, and Bill Emerson. (Gusto Records, 1900 Elm Hill Pike, Nashville, TN 37210,  www.countrymusicusa.com.)

BILL HARRELL WITH SPECIAL GUEST DON RENO
20 BLUEGRASS GREATS
Gusto GT7-2121-2.

Eight songs by Bill Harrell include “One Track Mind,” and “Top Hat Ramble.” Twelve by Reno and Harrell include “Mister Bottle,” “Just A Phone Call Will Do,” and “Peacock Rag.” (Gusto Records, 1900 Elm Hill Pike, Nashville, TN 37210, www.bluegrassusa.com.)

LONESOME PINE FIDDLERS
BLUEGRASS COLLECTION
Gusto GT7-2131-2.

The 14 songs include “Eatin’ Out Of Your Hand,” “I’m All Alone In This World,” and “Lonesome Pine.” Musicians include Curly and Ezra Cline and Melvin and Ray Goins. (Gusto Records, 1900 Elm Hill Pike, Nashville, TN 37210, www.bluegrassusa.com.)

LONESOME PINE FIDDLERS
STARDAY COLLECTION
Gusto GT7-2130-2.

The 14 songs include “Coal Dust Blues,” “Road Hog Red,” “Hobo Blues,” and “Y’all Come.” Musicians include Curly and Ezra Cline and Melvin and Ray Goins. (Gusto Records, 1900 Elm Hill Pike, Nashville, TN 37210, www.bluegrassusa.com.)

RENO & SMILEY
EARLY YEARS 1951-1959
Gusto GT7-0959-2.

Four CD set, 109 songs, 32-page booklet by Gary Reid. What a treasure! These original King recordings include “Reno Ride,” “Limehouse Blues,” “I’m Using My Bible For A Roadmap,” “Tally-ho,” and “Barefoot Nellie.” Musicians include Ronnie  Reno, Mack Magaha, John Palmer, Benny Williams, and Smiley Hobbs. (Gusto Records, 1900 Elm Hill Pike, Nashville, TN 37210, www.bluegrassusa.com.)

THE STEWART FAMILY
ORIGINAL COUNTRY GOSPEL
Gusto GT7-0964-2.

The 11 songs include “Softly And Tenderly,” “I’ll Meet You In The Morning,” “Little Community Church,” and “Will The Circle Be Unbroken.” (Gusto Records, 1900 Elm Hill Pike, Nashville, TN 37210, www.gospelmusicusa.com.)

VARIOUS ARTISTS
ESSENTIAL BLUEGRASS: 16 CLASSICS
Gusto GT7-2143-2.

Includes songs from the Stonemans, Stringbean, the Country Gentlemen, Blue Sky Boys, and New Grass Revival. Numbers include “Reno Bound,” “Knoxville Girl,” “Barbara Allen,” and “In The Pines.” (Gusto Records, 1900 Elm Hill Pike, Nashville, TN 37210, www.bluegrassusa.com.)

VARIOUS ARTISTS
16 BLAZIN’ BLUEGRASS
Gusto GR7-2140-2.

Artists include Larry Sparks, Ralph Stanley, Benny Martin, Buzz Busby, and Raymond Fairchild. Songs include “Long Journey Home,” “Mandolin Tango,” “Ida Red,” and “Turn Me Loose.” (Gusto Records, 1900 Elm Hill Pike, Nashville, TN 37210, www.bluegrassusa.com.)

BOOKS

COME AND GO, MOLLY SNOW
BY MARY ANN TAYLOR-HALL
University Press of Kentucky 9780813192161.

Originally published in 1995, this 2009 version is a 269-page paperback. The book tells the fictional story of fiddle player Carrie Mullins from Lexington, Ky., and her numerous bluegrass adventures. But, side by side, is the story of her losing her young daughter, Molly, and the healing power of music. Well-written with good bluegrass details. A welcome reprint! (University Press of Kentucky, 663 S. Limestone St., Lexington, KY 40508, www.kentuckypress.com.)

EDLY’S MUSIC THEORY FOR PRACTICAL PEOPLE
BY ED ROSEMAN
Musical Edventures 9780966161601.

Revised and expanded third edition with 192 pages. Includes some forty pages of advanced new chapters. The original chapters include information on major keys, minor keys, I, IV, V and the twelve bar blues, the circle of fifths, and intervals for ear training. (Musical EdVentures, 5 Morning Star Dr., Hadley, MA 01035, www.edly.com.)

NEW RELEASES
(Received January 25-February 24)

.357 STRING BAND
LIGHTNING FROM THE NORTH
Pistols Beat Aces Music, No Number (compact disc)

ALBEMARLE RAMBLERS
GENTLEMEN FROM VIRGINIA
Merriweather Records M05AR (compact disc)

BOBBY ATKINS & THE COUNTRYMEN
MEMORIES OF LESTER FLATT & EARL SCRUGGS OF THE 1950s
Thunderbolt Records TB1923 (compact disc)

BLUEGRASS TO THE BONE
A DEEPER SHADE OF BLUE
TTB Records, No Number (compact disc)

BRAND NEW STRINGS
NO STRINGS ATTACHED
Rural Rhythm Records RHY 1057 (compact disc)

CANA RAMBLERS
NO EXPECTATIONS
Cana Mania Records CR09 (compact disc)

CANUCKY BLUEGRASS BOYS
STANDIN’ UP!
No Label, No Number (compact disc)

CHAPMANS
GROWN UP (A REVISIONIST HISTORY)
Compass Records 745322 (compact disc)

COAL PORTERS
DURANGO
Prima Records SID 023 (compact disc)

DAILEY & VINCENT
SING THE STATLER BROTHERS
Rounder Records 1166106402 (compact disc)

DIAMOND HEAD MOUNTAIN
THE STAINED GLASS IMAGE
No Label, No Number (compact disc)

DIRTY RIVER
GRAVEYARD TRAIN
Dirty River Publishing, No Number (compact disc)

BENTON FLIPPEN
270 HAYSTACK RD
Music Maker Recordings, No Number (compact disc)

BUDDY GREENE
A FEW MORE YEARS
Rufus Music RMCD 195315 (compact disc)

HAINTS OLD TIME STRINGBAND
SHOUT MONAH
No Label, HJM003MRR (compact disc)

ALEX HARGREAVES
PRELUDE
Adventure Music AMA1056 2 (compact disc)

HONEY DEWDROPS
IF THE SUN WILL SHINE
No Label, No Number (compact disc)

DEREK KROGH
BANJONATOR
Mighty Tobar Productions, No Number (compact disc)

JIM LLOYD AND THE SKYLINERS
SONGS FROM MY ATTIC
Mountain Roads Recordings MMR1008 (compact disc)

MAW
ADVICE FOR THE YOUNG AND FOOLISH
Bluegill Records BG005 (compact disc)

MEL BAY PRESENTS: MY FIRST BLUEGRASS GUITAR PICKING SONGS
BY STEVE KAUFMAN
Mel Bay MB20193BCD (book/compact disc)

MEL BAY PRESENTS: RAWHIDE AND OTHER BLISTERING BANJO FAVORITES
BY MURPHY HENRY
Mel Bay MB22047DVD (DVD)

MICHAEL MARTIN MURPHEY
BUCKAROO BLUE GRASS II: RIDING SONG
Rural Rhythm Records RHY 1056 (compact disc)

SCOTT NAPIER
ALL OUT FRONT
No Label, No Number (compact disc)

NOTORIOUS
ELKINS
Black Socks Press CD27 (compact disc)

BUDDY PENDLETON & FRIENDS
GEMS FROM A MASTER FIDDLER
Summer Sky Productions, No Number (compact disc)

BECKY SCHLEGEL
DANDELION
Lilly Ray Records LRR 901 (compact disc)

STEVE SMITH, CHRIS SANDERS & HARD ROAD
SIGNS ALONG THE ROAD
Desert Night Music DN 747 (compact disc)

TADCASTERS
No Label, No Number (compact disc)

TOMORROW’S NEWS
BECKY & BILLY
No Label, TN002 (compact disc)

WHITETOP MOUNTAINEERS
GO AWAY WITH ME
High Country Recordings HCR001 (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

VARIOUS ARTISTS
FRANCE BLUEGRASS, VOL. 2
No Label, No Number.

“France Bluegrass, Vol. 2” is a two-CD set featuring no less than thirty French bluegrass artists/bands including Thierry Massoubre (“Louisville Breakdown”), Moonshine (“I Wish You Knew”), Blue Quitach (“Blues Stay Away From Me”), and many others. Although the performances are well structured, the liner notes are written in French, so it’s difficult to glean any meaningful information about the various performers. Still, “France Bluegrass, Vol. 2” should be of interest to anyone familiar with the French bluegrass music scene. (Christian Labonne, 2 rue Louis-Auguste Blanqui, 69600 Oullins, France, www.france-bluegrass.org.)

THE PEACH MOUNTAIN BOYS
35 YEARS
No Label, No Number

THE PEACH MOUNTAIN BOYS
SOUNDS FROM PEACH MOUNTAIN
No Label, No Number

The Peach Mountain Boys have been an active bluegrass band since 1974. I had the pleasure of reviewing their debut album many years ago (BU, Aug. ’81). In celebration of their 35th anniversary, the band has released a pair of discs. “35 Years” is a two-CD package containing 34 selections, several of which are reissues from earlier projects. While most of the selections are adequate, the recording quality varies from track to track. Also, the limited liner notes provide little information as to the time frame in which the recordings were made. The second production, “Sounds From Peach Mountain,” is a 12-song of mostly familiar pieces such as “Rock Salt & Nails” and “Cash On The Barrelhead,” among others. There is an interesting interpretation of Bobbi Gentry’s “Ode To Billie Joe.” Primarily of regional interest, these productions should be welcomed by anyone who has followed the Peach Mountain Boys throughout their longevity. (Peach Mountain Boys, 3247 Vigo Rd., Chilicothe, OH 45601, www.thepeachmountainboys.com.)

BOBBY HORTON
HOMESPUN: SONGS OF STEPHEN FOSTER
No Label, No Number

Stephen Foster was one of the first American artists to earn a living as a composer of popular music. Most of his songs were published between 1848 and 1860, many of which are now a part of the bluegrass repertoire. In his latest release, folk artist Bobby Horton has recreated 18 Stephen Foster numbers performed in the style that they might have been done by the mid-nineteenth century string bands. Featured are the familiar melodies “My Old Kentucky Home,” “Camptown Races,” “Angelina Baker,” and others. Also included are lesser-known pieces such as “Sweet Emerald Isle,” “Nothing But A Plain Old Soldier,” and “If You’ve Only Got A Mustache.” Those who appreciate the musical legacy of Stephen Foster will certainly find much to savor in this latest Bobby Horton project. (Bobby Horton, 3430 Sagebrook Ln., Birmingham, AL 35243, www.bobbyhorton.com.)

PHILLIP STEINMETZ & HIS SUNNY TENNESSEANS
LIVE FROM DIXIELAND MUSIC PARK, WALDO, FLORIDA
No Label, No Number

Phillip Steinmetz (banjo, guitar, and vocals) learned to play banjo clawhammer-style from his great uncle, Grandpa Jones. His latest project is from a live performance at Dixieland Music Park in Waldo, Fla., and includes 14 old-time traditional numbers such as “Late Last Night,” “Rocky Island,” and “Soldier’s Joy.” Some of the performances have a Grandpa Jones influence, apparent on “Rattler’s Pup” and “Mountain Dew.” One special treat is an arrangement of “Dueling Banjos” featuring Phillip picking clawhammer-style banjo and bandmember Jeremy Stephens playing Scruggs-style banjo. While the overall recording quality is uneven in spots, the performances are still entertaining. It’s encouraging to know there are artists like Steinmetz & His Sunny Tennesseans carrying on the tradition of legendary icons like Uncle Dave Macon and Grandpa Jones. (Phillip Steinmetz, Sr., 274 Tatum Ln., Waverly, TN 37185, e-mail: phillipsteinmetz@yahoo.com.)

THE MANHATTAN VALLEY RAMBLERS
BALLADS AND BARNBURNERS
Crusty Scone Records, CSR100

The Manhattan Valley Ramblers are the New York City-based duo of Bill Christophersen (fiddle, guitar, and vocals) and John Saroyan (banjo, mandolin, guitar, and vocals). Their latest venture is a blend of bluegrass and old-time tunes such as “The Fields Have Turned Brown,” “Forked Deer,” “Midnight On The Stormy Deep,” and the Arthur Smith instrumental “Florida Blues.” Of special interest is an obscure Hutchison Brothers lamentation, “A Year Ago Today.” Also present is a trio of Louvin Brothers favorites, “Childish Love,” “My Baby’s Gone,” and “You’ll Forget.” “Ballads And Barnburners” is a charming collection of bluegrass and old-time melodies and instrumentals from the Manhattan Valley Ramblers. (Bill Christophersen, 414 W. 121st., #58, New York, NY 10027, e-mail: bchris1008@aol.com.)

LOCUST MOUNTAIN BOYS
LONG DUSTY ROAD
No Label, No Number.

This latest creation from Virginia’s Locust Mountain Boys is similar in scope to the band’s other projects (BU, Jan. ’04 and May ’05). The dozen selections are mostly standard pieces like “Boogie Grass Band,” “Doin My Time,” “Ginseng Sullivan,” and others. Also featured are renderings of the George Jones classic “Where The Corn Don’t Grow” and the title song penned by J.C. Poff. “Long Dusty Road” is a pleasurable offering of mainstream bluegrass and a significant milestone for the Locust Mountain Boys. (Steve Carper, Jr., 22281 Cumberland Gap Rd., New Castle, VA 24127, www.locustmountainboys.com.)

ALLEGHENY BLUE
GREENBRIER RIVER
Studios Alive MBG-5550.

Allegheny Blue is an engaging bluegrass quartet comprised of brothers Daniel (guitar) and Darren Howdyshell (banjo), along with Caleb Bailey (guitar) and Brandon Kyle (bass). The 12 selections here are mostly originals. “Slave Ship” recounts the tale of an early nineteenth century maritime disaster and “Rollin’ Hills Of Virginia” decries the creeping urbanization into rural America. Also featured are familiar titles such as “Nine Pound Hammer” and “How Mountain Girls Can Love.” “Greenbrier River” proves to be an impressive production that establishes Allegheny Blue as a significant voice for bluegrass music in the Old Dominion. (Allegheny Blue, 826 Horsehead Rd., Grottos, VA 24441, www.alleghenyblue.com.)

ON THE EDGE

LYDIA, EMILY & CLAUDE MARTIN
TEN THOUSAND MILES
Patuxent Music CD-198

Lydia (banjo, guitar, piano, pennywhistle, and vocals), Emily (mandolin, dulcimer, tenor banjo, and vocals), and Claude Martin (fiddle and vocals) are a young family band based in Maryland. Produced by Alan Jabbour, the 15 tracks consist largely of traditional instrumentals, “Molly Put The Kettle On,” “Poor Little Liza Jane,” “Ducks On The Pond,” and others. The most notable vocal effort is their rendition of Walt Auldridge’s “Ain’t No Ash Will Burn.” “Ten Thousand Miles” is an impressive assortment of old-time music and hopefully there will be many other projects like this one from the Martin clan in the future. (Patuxent Music, P.O. Box 572, Rockville, MD 20848, www.pxrec.com.)

TENNESSEE STUD
WHAT IF…
No Label, No Number

Tennessee Stud is an acoustic band based in Lyon, France, and while their music has definite bluegrass overtones, it’s difficult to place it into one particular musical genre. The majority of the selections were writtten by various bandmembers, including “Hopi Land,” “Funny Way,” and “What if You Were Mine.” Also featured are Alecia Nugent’s “Muddy River” and the Merle Travis stalwart, “Nine Pound Hammer.” While the album is primarily directed toward Tennessee Stud’s fan base, it has the potential to attract audiences who like to explore other musical territories. (Hatfield Music, 325 Laurelwood Dr., Pigeon Forge, TN 37863, www.tennesseestud.com.)

BOOK

MEL BAY PRESENTS: A GUIDE TO NON-JAZZ IMPROVISATION (BANJO EDITION)
BY DICK WEISSMAN AND DAN FOX
Mel Bay MB20832BCD

This instruction book from Mel Bay is designed to teach improvisation techniques for the five-string banjo. Similar to another publication structured for the guitar, this was compiled by musicians Dick Weissman and Dan Fox and organized into two parts. The first covers basic techniques of improvisation and scales, modes, and a brief overview of musical theory. Part two consists of a series of practice lessons arranged and tabbed for various musical genres including bluegrass, Cajun, ragtime, and others. The area of interest to most readers will be the bluegrass section that covers both Scruggs and clawhammer banjo. Accompanying the book is the standard CD containing examples of the lessons. A Guide To Non-Jazz Improvisation is designed for intermediate banjo students with some knowledge of tablature and could be a valuable reference source for enhancing one’s picking skills. (Mel Bay Publications, #4 Industrial Dr., Pacific, MO 63069, www.melbay.com.)

NEW RELEASES
(Received February 25-March 24)

BATTEN FAMILY
2010
No Label, No Number (compact disc)

BIBB CITY RAMBLERS
No Label, 2010 (compact disc)

KATHY BOYD & PHOENIX RISING
WALK HUMBLY
No Label, No Number (compact disc)

CALIFORNIA RAMBLERS
LOOKING BACK
No Label, TCR 0012010 (compact disc)

LILLY DRUMEVA
LOVIN’ YOU
No Label, MK No 54604 (compact disc)

CHAD FADELY
IMANDO
No Label, No Number (compact disc)

FIDDLE: ONE WOMAN, FOUR STRINGS, AND 8,000 MILES OF MUSIC
BY VIVIAN WAGNER
Citadel Press 9780806531229 (book)

DAVID GRINDSTAFF
HERE & NOW
No Label, No Number (compact disc)

HAMMER & STRING
THE GIRL WHO BROKE MY HEART
No Label, No Number (compact disc)

SIERRA HULL
SECRETS SONGS & TUNES
AcuTab Videos (DVD)

INFAMOUS STRINGDUSTERS
THINGS THAT FLY
Sugar Hill SUGCD4059 (compact disc)

MARK JOHNSON & EMORY LESTER
ACOUSTIC VISION
Bangtown Records BANG CD 005 (compact disc)

KENTUCKY’S BLUEGRASS MUSIC
BY JAMES C. CLAYPOOL
Arcadia Publishing 9780738585611 (book)

DOYLE LAWSON & QUICKSILVER
LIGHT ON MY FEET, READY TO FLY
Horizon Records HR12762 (compact disc)

MEL BAY PRESENTS: FLATPICKING UP THE NECK
BY JEFF TROXEL
Mel Bay MB21818BCD (book/compact disc)

MEL BAY PRESENTS: THE MANDOLIN PICKER’S GUIDE TO BLUEGRASS IMPROVISATION
BY JESPER RUBNER-PETERSEN
Mel Bay MB22086BCD (book/compact disc)

RED MOLLY
JAMES
No Label, No Number (compact disc)

SNYDER FAMILY BAND
COMIN’ ON STRONG
Mountain Roads MRR1009 (compact disc)

STEEL WHEELS
RED WING
No Label, No Number (compact disc)

SUMMERTOWN ROAD
Rounder Records 1166106462 (compact disc)

GEORGE THOMAS
HEAVEN ON MY MIND
No Label, No Number (compact disc)

TWILITE BROADCASTERS
EVENING SHADE
No Label, No Number (compact disc)

VARIOUS ARTISTS
JUBILEE: A CELEBRATION OF AMERICAN MUSIC (BEST OF RENFRO VALLEY BLUEGRASS FESTIVAL)
Kentucky Educational Television (DVD)

ADDITIONAL RELEASES
By Les McIntyre

JIMMY COX & FRIENDS
BACK HOME MEMORIES
No Label, No Number.

There is little information accompanying this all instrumental presentation of gospel tunes. While the performances are adequate, the recording quality is not up to the standards expected in a credible bluegrass recording. The song list presents no real surprises and includes familiar titles such as “Old Time Religion,” “How Great Thou Art,” “The Old Rugged Cross,” and “Little White Church.” In addition, no composer credits are provided. As a result, Back Home Memories is an amateurish production with regional interest. (5-String Music Studio, 4 Garden Ln., Topsham, ME 04086.)

WONDER
No Label, No Number.

Wonder is a quartet of musicians in Rockbridge County, Virginia, who have been playing acoustic music for several years. Although their instrumentation is mostly standard bluegrass (along with the occasional harmonica), their vocal harmonies are more akin to another Virginia group, the Statler Brothers. In fact, the song lineup of this latest disc includes a pair of Statler Brothers favorites, “Do You Know You Are My Sunshine” and “More Than A Name On The Wall.” The other 12 entries are an eclectic mix of gospel numbers and pop genre oldies including “Do Your Know Where You’re Bound,” “Medals For Mothers,” The Temptations’ “My Girl,” “Softly & Tenderly,” Sonny James’ “Young Love,” The Platters’ “The Great Pretender,” and “Nearer My God To Thee.” Wonder has amassed a strange assortment of melodies that should find an audience with those who follow the group’s music. (Wonder, 667 S. Lee Hwy., Lexington, VA 24450, www.wondergospelgroup.com.)

THE SUGGINS BROTHERS
NUMBER SEVEN
No Label, No Number.

Number Seven is an appropriately titled project in that it’s the seventh release from Georgia’s Suggins Brothers. Ironically, no one in the quartet is named Suggins. They are Mike Gibbs (guitar), Jim Major (mandolin), Ken Clark (banjo) and Ronnie Davis (bass). The 14 selections are well-executed renditions of bluegrass stalwarts such as “Fox On The Run,” “Gonna Paint The Town,” “Sing Me Back Home,” and others. Of special note are the band’s treatment of John Fogerty’s “Looking Out My Back Door” and the Bill Monroe instrumental “Come Hither To Go Yonder.” Anyone who has heard other recordings by the Suggins Brothers should find something to peak their curiosity in their latest recording. (Suggins Brothers, P.O. Box 4481, Macon, GA 31208, www.sugginsbrothers.com.)

BOOK

LOUISIANA BLUEGRASS: THE EARLY YEARS
BY RON YULE
Fiddle Country Publishing 9780978735852. (Fiddle Country Publishing, P.O. Box 819, DeRidder, LA 70634, www.ronyule.com.)

LOUISIANA FIDDLERS
BY RON YULE
Univ. Press Of Mississippi 9781604732955. (University Press of Miss., 3825 Ridgewood Rd., Jackson, MS 29211, www.upress.state.ms.us.)

Ron Yule is an accomplished fiddler, festival promoter, and author who has penned several books on Louisiana fiddling. These most recent works prove to be treasure troves about bluegrass music and fiddlers of the Pelican State. Louisiana Bluegrass The Early Years is a 217-page hardbound book chronicling the history of Louisiana bluegrass from the 1930s through the mid-’80s. Profiled are a vast number of bands and individual musicians including Buzz Busby, the Cox Family, the Whitstein Brothers, the Louisiana Honeydrippers, and many others. Extra features include a 25-page section of photographs along with a discography of bluegrass recordings. Louisiana Fiddlers is an overview of 62 fiddlers from various genres including bluegrass, country, western swing, Cajun, and Zydeco. Profiled are artists Harry Choates, Dewey Balfa, Doug Kershaw, Douglas “Dobber” Johnson, Michael Doucet, and many others. Both publications are well-written and offer a wealth of information concerning the origins of Louisiana bluegrass and the many fiddlers who have dominated the region.

NEW RELEASES
(Received March 25-April 24)

DARREN BEACHLEY & LEGENDS OF THE POTOMAC
TAKE OFF
Patuxent Music PXCD210 (compact disc)

AUDIE BLAYLOCK & REDLINE
CRYIN’ HEART BLUES
Rural Rhythm Records RHY1060 (compact disc)

CADILLAC SKY
LETTERS IN THE DEEP
Dualtone 80302010720 (compact disc)

CAROLINA NATIVE SONS
RANK OL’ BLUEGRASS
Patuxent Music CD190 (compact disc)

CHERRYHOLMES IV
COMMON THREADS
Skaggs Family 6989020212 (compact disc)

CHRIS COOLE AND IVAN ROSENBERG
FAREWELL TRION
VoleOTone Records VOT 2139 (compact disc)

JOHN COWAN
THE MASSENBURG SESSIONS
E1 Music E1ECD2304 (compact disc)

FAREWELL DRIFTERS
YELLOW TAG MONDAYS
Heart Squeeze Records HS2K101 (compact disc)

GRASCALS
THE FAMOUS LEFTY FLYNN’S
Rounder Records 1166106412 (compact disc)

NATE GROWER
NATE GROWER
Patuxent Music CD193 (compact disc)

HARD LUCK BLUES: ROOTS MUSIC PHOTOGRAPHS FROM THE GREAT DEPRESSION—
BY RICH REMSBERG
University Of Illinois Press 9780252077098 (book)

JOHN HARTFORD STRING BAND
MEMORIES OF JOHN
Red Clay Records 7 4539 2 (compact disc)

HIGH 48s
UP NORTH
No Label, No Number (compact disc)

STEVEN EARL HOWARD AND THE BLUE DRIFTERS
EASY TO GET LOST IN THE WORLD
Root Bass Records, No Number (compact disc)

MEL BAY PRESENTS: CHAMPIONSHIP CONTEST FIDDLING
EDITED BY NATE OLSON
Mel Bay MB21400BCD (book/compact disc)

NUBLU
NIGHTS
No Label, RS0002 (compact disc)

OLD TIME BAND
DOWN BY THE BRAZOS
Hen Cackle Records HC506 (compact disc)

STATEMENT
AROUND THE CORNER
Mountain Fever Records MFR100201 (compact disc)

NORA JEAN STRUTHERS
NORA JEAN STRUTHERS
Blue Pig Music BPM1111 (compact disc)

SWEET POTATO PIE
JOURNEY CALLED LIFE
Mountain Fever Music MFR 100330 (compact disc)

DONNA ULISSE
HOLY WATERS
Hadley Music Group HMG1005 (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

DIAMOND HEAD MOUNTAIN
THE STAINED GLASS IMAGE
No Label, No Number.

Diamond Head Mountain is a five-piece band consisting of Daniel Patrick (banjo), Ralph Martin (guitar and vocals) Gene Dobbs (bass and vocals), Larry Baker (guitar and vocals) and Chris Turner (mandolin). The Stained Glass Image is the group’s debut recording—a gospel collection of original material, most written by bandmember Gene Dobbs. The band’s vocals reflect a kinship to southern gospel groups. The 11 selections were inspired by personal experiences, such as “Rose, The Piano Player” that concerns a lady from the church the bandmembers attend. Other numbers include “When You Hear The Devil Knockin’,” “Don’t Tempt Jesus,” and “God Came Today For Mother.” For their first effort, Diamond Head Mountain has created an inspirational collage of gospel music that should earn widespread attention. (Gene Dobbs, 3362 Dobbs Ln., California, KY 41007, www.dhmbluegrass.com.)

TOMORROW’S NEWS
BECKY & BILLY
No Label, TN002.

Becky & Billy is the second release from the Florida group Tomorrow’s News. The 12 tracks include the familiar tunes “Matterhorn,” “Clinch Mountain Backstep,” “Those Memories Of You,” and “Oh Atlanta.” Two exceptions are bandmember Kalyn Hall’s “Good Things” and the title song written by family friend Samuel Kistner. Highlights include the lead vocals and soaring harmonies of Victor and Kalyn Hall. Becky & Billy is contemporary bluegrass at its finest and certain to win new fans for Tomorrow’s News. (Darlene Bass, P.O. Box 1777, Okeechobee, FL 34973, www.tomorrowsnewsband.com.)

THE WHITETOP MOUNTAINEERS
GO AWAY WITH ME, MUSIC FROM VIRGINIA’S HILLS AND HOLLERS
High Country Recordings HCR-001.

Martha Spencer (banjo, fiddle, guitar, dulcimer, and vocals) and Jackson Cunningham (guitar, mandolin, banjo, and vocals) are members of Southwest Virginia’s Whitetop Mountain Band (BU, July ’09). They also perform as the White Top Mountaineers as featured in this collection of 15 old-time melodies drawn from sources such as Estil Ball (“Trials, Troubles, Tribulations”), Byrd Moore (“When The Snowflakes Fall Again”), Ola Belle Reed (“You Don’t Tell Me That You Love Me Anymore”), and John Carson (“Honest Farmer”). Other entries include “Poor Sinner Fare Ye Well,” Martha’s own “Home Is Where The Fiddle Rings,” and a Wilburn Brothers country classic “Go Away With Me.” Martha Spencer and Jackson Cunningham have here a magnificent collection of duets and must listening for anyone who treasures traditional values. (Whitetop Mountaineers, 6586 Highlands Pkwy., Mouth of Wilson, VA 24363, www.whitetopmountaineers.com.)

MAW
ADVICE FOR THE YOUNG AND FOOLISH
Bluegill BG005.

On their Web site, Maw describes themselves as “…a group of women who like to sing and play cheery little songs, mostly about death and destruction.” Their latest release blends old-time favorites such as “Little Glass Of Wine,” “Cluck Old Hen,” “What’ll I Do With The Baby-O?,” along with several original tunes. Tracy Floreani (guitar and vocals) contributed the title song, along with “The Dowry Mule” and “Factory Boy,” while Jeanie Wells (banjo, guitar, and vocals) offers “Venus Eyes” and “Laundry Song.” Other performances include Ola Belle Reed’s “You Led Me To The Wrong” and the traditional “Starry Crown.” Advice To The Young And Foolish is old-time music with a touch of originality that teems with enthusiasm and mirth. Hopefully, there will be other similar productions from the fertile minds of the members of Maw. (Maw, 1621 Rhode Island, Lawrence, KS 66044, www.listentoyourmaw.com.)

THE TADCASTERS
No Label, No Number.

The Tadcasters is a trio acoustic group that performs regularly in and around Covington, Ky., and Cincinnati, Ohio. The group consists of Bill Littleford (guitar, bass guitar, percussion, and vocals), Nick Laboffe (mandolin and vocals), and Matt Wiesenhahn (banjo, harmonica, and vocals). This self-titled disc is their debut and features seven original numbers including “Out Of Frets,” “Baggy Bones,” and “Jesse’s War.” While their style isn’t strictly bluegrass, it does contain bluegrass overtones. This abbreviated (seven tracks) production should be appreciated by those already familiar with the music of the Tadcasters. (Bill Littleford, 3905 Lewis Cir., Erlanger, KY 41018, www.thetadcasters.com.)

.357 STRING BAND
LIGHTNING FROM THE NORTH
No Label, No Number.

Lightning From The North is the third release from Wisconsin’s .357 String Band and, with the exception of “Milwaukee Here I Come,” all the tunes are original and include “Half Tank Of Gas, Full Tank Of Lies,” “Head Under My Heel,” “Dust Devil” and “Darkness In My Soul.” The group’s style is acoustic music in hyperdrive. With few exceptions, the songs are performed at a frantic pace. While this might be okay in front of a live audience, it quickly becomes monotonous in recorded format. Also, the sound effects closing out the final track are downright annoying. Lightning From The North should be most appreciated by those hearty souls who have witnessed .357 String Band in person. (Derek Dunn, 2935 N. Weil St. #3, Milwaukee, WI 53212, www.357stringband.com.)

THE COAL PORTERS
DURANGO
Prima Records SID 023.

The latest from the Coal Porters is similar to their previous endeavor (BU, Jul ’08). Most of the 13 selections were written by bandmembers Sid Griffin, Dick Smith, and Neil Herd. Also featured are guest musicians Tim O’Brien (mandolin on “Roadkill Breakdown) and Peter Rowan (guitar and vocals on “Moonlight Midnight”). The band is at their finest on “No More Chains,” “The Squeaky Wheel Gets The Oil,” and “Like A Hurricane.” Also featured are the traditional standards “Pretty Polly” and “Sail Away, Ladies!” “Durango” is another significant milestone for the Coal Porters, proving why they are one of Europe’s most prolific contemporary bluegrass bands. (Prima Records, P.O. Box 2539, London, England NW3 6DF, U.K., www.myspace.com/thecoalporters.)

BOBBY ATKINS & THE COUNTRYMEN
MEMORIES OF LESTER FLATT & EARL SCRUGGS OF THE 1950s
Thunderbolt Records TB-1923.

The title of this recording from Bobby Atkins and the Countrymen is somewhat misleading in that only four of the twelve tracks are associated with Lester Flatt and Earl Scruggs (“Head Over Heels In Love With You,” “Cabin In Caroline,” “Down The Road,” and “Someday We’ll Meet Again Sweetheart”). The remaining selections include John Denver’s “Country Roads,” the Kitty Wells heart song “How Far Is Heaven,” and the Jim & Jesse instrumental “Border Ride.” Still, the performances are well-executed and should be eagerly welcomed by fans of Bobby Atkins and the Countrymen. (Thunderbolt Records, 1109 Cleburne St., Greensboro, NC 27408, e-mail: thunderboltrecords@aol.com.)

ON THE EDGE

DEREK KROGH
BANJONATOR
No Label, No Number.

Derek Krogh is a banjo picker from the San Francisco Bay Area. Although this latest project has some bluegrass content, it may not appeal to many bluegrass purists. Derek is featured on both the acoustic and electric banjo often accompanied by saxophone, organ, drums or cello. Several tracks including “Cripple Creek,” “Livewire,” and “Down East” utilize basic bluegrass instrumentation. However, most other tracks are heavily electrified. Banjonator is certainly an interesting project, but will probably appeal more to those not afraid to explore the unusual. (Mighty Tobar Prod., PO Box 277, La Honda, CA 94020, e-mail: banjomatic@earthlink.com.)

NOTORIOUS
ELKINS
Black Socks CD27.

This CD challenges the boundaries of bluegrass and old-time music. Notorious is a quartet consisting of Larry Unger (guitar, banjo, and bass), Eden MacAdam-Somer (fiddle and vocals), Sam Bartlett (mandolin and Jew’s harp), Mark Hellensberg (banjo, ukulele, and percussion). Elkins features a total of 16 tracks from a variety of sources. Jay and Eden wrote “Sarah Jane,” “Jolly Jack’s Polka,” and “Rodeo Clown Rag.” One of the more haunting melodies is “River Falls,” inspired by a lodge in South Carolina. Also included are the traditional pieces “All Night Long” and “Henry Reed’s Breakdown.” Also included are several selections from Romanian and Yiddish sources. Elkins is an engaging collection that offers something for those who appreciate traditional folk music regardless of the source. (Black Socks Press, P.O. Box 6322, Lincoln, MA 01773, www.notoriousfolk.com.)

BOOK

MY FIRST BLUEGRASS GUITAR PICKING SONGS
BY STEVE KAUFMAN
Mel Bay MB20793BCD.
(Mel Bay Publications, #4 Industrial Dr., Pacific, MO 63069, www.melbay.com.)

In this 36-page book, Steve Kaufman teaches the basics of guitar picking including learning chords, reading tablature, strumming techniques and others subjects. Other lessons include several songs to learn including “Old Joe Clark,” “Cripple Creek,” “Flop-Eared Mule,” and “Golden Slippers” among others. Accompanying the book is a CD containing samples of all the lessons. My First Bluegrass Guitar Picking Songs is designed to teach the basic techniques of guitar picking from one of the most respected musicians in bluegrass music.

DVD

MEL BAY PRESENTS: THE MURPHY METHOD, RAWHIDE AND OTHER BLISTERING BANJO FAVORITES
TAUGHT BY MURPHY HENRY
Mel Bay MB22047DVD.
One DVD, two hours, $29.99. (Mel Bay Publications, #4 Industrial Dr., Pacific, MO 63069, www.murphymethod.com.)

You can’t beat experience, especially when it comes to teaching. Murphy Henry is everything I like in a teacher: knowledgeable, thorough, patient, but most of all experienced. She’s confronted just about every problem and question a student might have, and she puts that experience to use in this addition to her extensive DVD banjo instruction series.

The Blistering Banjo Favorites that Murphy teaches on this twohour DVD are “Rawhide,” “Bluegrass Breakdown,” “Theme Time,” and “Hazel Creek.” All are accessible from several levels of easily navigable menus.

Much has been made of the fact that Murphy doesn’t use tablature, preferring to teach by sight and ear. Proponents and opponents of this method can sometimes overstate their cases. What’s important is the end product and many people have learned banjo (and learned it well) by using The Murphy Method. The benefit of not using tablature is that the lesson goes straight into the cerebellum and you don’t have to wean yourself away from the written page. Frankly, the only downside I see is that you can’t quickly refer to measures on a page and might have to watch the DVD to isolate a particular passage. In the age of instant digital access, this is not a problem.

Murphy is one of the cleanest, most straightforward players around. She teaches more than notes and chords here; she teaches tone, timing, and touch. Each lesson is divided into an uptempo version of the song, a sloweddown version, followed by a patient teaching of each measure through the song, and then a version played with guitar so the student can get used to following a rhythm instrument. This is an often overlooked aspect of banjo playing that Murphy rightly emphasizes. Recommended for anyone in need of adding some highoctane barnburners to their banjo repertoire. CVS

NEW RELEASES
(Received April 25-May 24)

BILL AND MAGGIE ANDERSON
THE MASTER’S GARDEN
No Label, VAM08 (compact disc)

BOBBY ATKINS & THE COUNTRYMEN
I’D RATHER HAVE JESUS
Thunderbolt Records TB15005 (compact disc)

RONNIE BOWMAN
BLUEGRASS BARITONE SINGING FEATURING RONNIE BOWMAN
Dark Shadow Records, No Number (compact disc)

RUSSELL MOORE
BLUEGRASS TENOR SINGING FEATURING RUSSELL MOORE
Dark Shadow Records, No Number (compact disc)

GREG BROOKS
HEROS AND FRIENDS
No Label, No Number (compact disc)

COALTOWN DIXIE
HOTTER THAN A COAL BURNIN’ FIRE
No Label, No Number (compact disc)

EARL BROTHERS
No Label, No Number (compact disc)

IF TROUBLE DON’T KILL ME
BY RALPH BERRIER, JR.
Crown Group 9780307463067 (book)

JENI & BILLY
LONGING FOR HEAVEN
Jewell Ridge Records 005 (compact disc)

KELLER & THE KEELS
THIEF
SCI Fidelity SCIFI 1139 (compact disc)

LEIPER’S FORK BLUEGRASS
RISE AND WALK
No Label, LFBG1004 (compact disc)

LEIPER’S FORK BLUEGRASS
SIGN OF THE TIMES
No Label, LFBG1003 (compact disc)

MAKE UP YOUR OWN BANJO SOLOS
BY PETE WERNICK
Homespun DVDWER5022 (DVD)

JUNIOR SISK AND RAMBLERS CHOICE
HEARTACHES AND DREAMS
Rebel Records REBCD1837 (compact disc)

SPECIAL CONSENSUS
35
Compass Records 745412 (compact disc)

JODY STECHER & KATE BRISLIN
RETURN
No Label, No Number (compact disc)

THEA WESCOTT
CROMWELL…AND OTHER ROADS
No Label, BWP113009CD (compact disc)

PAUL WILLIAMS & THE VICTORY TRIO
JUST A LITTLE CLOSER HOME
Rebel Records REBCD1835 (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

DIAMOND HEAD MOUNTAIN
THE STAINED GLASS IMAGE
No Label, No Number.

Diamond Head Mountain is a five-piece band consisting of Daniel Patrick (banjo), Ralph Martin (guitar and vocals) Gene Dobbs (bass and vocals), Larry Baker (guitar and vocals) and Chris Turner (mandolin). The Stained Glass Image is the group’s debut recording—a gospel collection of original material, most written by bandmember Gene Dobbs. The band’s vocals reflect a kinship to southern gospel groups. The 11 selections were inspired by personal experiences, such as “Rose, The Piano Player” that concerns a lady from the church the bandmembers attend. Other numbers include “When You Hear The Devil Knockin’,” “Don’t Tempt Jesus,” and “God Came Today For Mother.” For their first effort, Diamond Head Mountain has created an inspirational collage of gospel music that should earn widespread attention. (Gene Dobbs, 3362 Dobbs Ln., California, KY 41007, <www.dhmbluegrass.com>.)

TOMORROW’S NEWS
BECKY & BILLY
No Label, TN002.

Becky & Billy is the second release from the Florida group Tomorrow’s News. The 12 tracks include the familiar tunes “Matterhorn,” “Clinch Mountain Backstep,” “Those Memories Of You,” and “Oh Atlanta.” Two exceptions are bandmember Kalyn Hall’s “Good Things” and the title song written by family friend Samuel Kistner. Highlights include the lead vocals and soaring harmonies of Victor and Kalyn Hall. Becky & Billy is contemporary bluegrass at its finest and certain to win new fans for Tomorrow’s News. (Darlene Bass, P.O. Box 1777, Okeechobee, FL 34973, <www.tomorrowsnewsband.com>.)

THE WHITETOP MOUNTAINEERS
GO AWAY WITH ME, MUSIC FROM VIRGINIA’S HILLS AND HOLLERS
High Country Recordings HCR-001.

Martha Spencer (banjo, fiddle, guitar, dulcimer, and vocals) and Jackson Cunningham (guitar, mandolin, banjo, and vocals) are members of Southwest Virginia’s Whitetop Mountain Band (BU, July ’09). They also perform as the White Top Mountaineers as featured in this collection of 15 old-time melodies drawn from sources such as Estil Ball (“Trials, Troubles, Tribulations”), Byrd Moore (“When The Snowflakes Fall Again”), Ola Belle Reed (“You Don’t Tell Me That You Love Me Anymore”), and John Carson (“Honest Farmer”). Other entries include “Poor Sinner Fare Ye Well,” Martha’s own “Home Is Where The Fiddle Rings,” and a Wilburn Brothers country classic “Go Away With Me.” Martha Spencer and Jackson Cunningham have here a magnificent collection of duets and must listening for anyone who treasures traditional values. (Whitetop Mountaineers, 6586 Highlands Pkwy., Mouth of Wilson, VA 24363, www.whitetopmountaineers.com.)

MAW
ADVICE FOR THE YOUNG AND FOOLISH
Bluegill BG005.

On their Web site, Maw describes themselves as “…a group of women who like to sing and play cheery little songs, mostly about death and destruction.” Their latest release blends old-time favorites such as “Little Glass Of Wine,” “Cluck Old Hen,” “What’ll I Do With The Baby-O?,” along with several original tunes. Tracy Floreani (guitar and vocals) contributed the title song, along with “The Dowry Mule” and “Factory Boy,” while Jeanie Wells (banjo, guitar, and vocals) offers “Venus Eyes” and “Laundry Song.” Other performances include Ola Belle Reed’s “You Led Me To The Wrong” and the traditional “Starry Crown.” Advice To The Young And Foolish is old-time music with a touch of originality that teems with enthusiasm and mirth. Hopefully, there will be other similar productions from the fertile minds of the members of Maw. (Maw, 1621 Rhode Island, Lawrence, KS 66044, www.listentoyourmaw.com.)

THE TADCASTERS
No Label, No Number.

The Tadcasters is a trio acoustic group that performs regularly in and around Covington, Ky., and Cincinnati, Ohio. The group consists of Bill Littleford (guitar, bass guitar, percussion, and vocals), Nick Laboffe (mandolin and vocals), and Matt Wiesenhahn (banjo, harmonica, and vocals). This self-titled disc is their debut and features seven original numbers including “Out Of Frets,” “Baggy Bones,” and “Jesse’s War.” While their style isn’t strictly bluegrass, it does contain bluegrass overtones. This abbreviated (seven tracks) production should be appreciated by those already familiar with the music of the Tadcasters. (Bill Littleford, 3905 Lewis Cir., Erlanger, KY 41018, www.thetadcasters.com.)

.357 STRING BAND
LIGHTNING FROM THE NORTH
No Label, No Number.

Lightning From The North is the third release from Wisconsin’s .357 String Band and, with the exception of “Milwaukee Here I Come,” all the tunes are original and include “Half Tank Of Gas, Full Tank Of Lies,” “Head Under My Heel,” “Dust Devil” and “Darkness In My Soul.” The group’s style is acoustic music in hyperdrive. With few exceptions, the songs are performed at a frantic pace. While this might be okay in front of a live audience, it quickly becomes monotonous in recorded format. Also, the sound effects closing out the final track are downright annoying. Lightning From The North should be most appreciated by those hearty souls who have witnessed .357 String Band in person. (Derek Dunn, 2935 N. Weil St. #3, Milwaukee, WI 53212, www.357stringband.com.)

THE COAL PORTERS
DURANGO
Prima Records SID 023.

The latest from the Coal Porters is similar to their previous endeavor (BU, Jul ’08). Most of the 13 selections were written by bandmembers Sid Griffin, Dick Smith, and Neil Herd. Also featured are guest musicians Tim O’Brien (mandolin on “Roadkill Breakdown) and Peter Rowan (guitar and vocals on “Moonlight Midnight”). The band is at their finest on “No More Chains,” “The Squeaky Wheel Gets The Oil,” and “Like A Hurricane.” Also featured are the traditional standards “Pretty Polly” and “Sail Away, Ladies!” “Durango” is another significant milestone for the Coal Porters, proving why they are one of Europe’s most prolific contemporary bluegrass bands. (Prima Records, P.O. Box 2539, London, England NW3 6DF, U.K., www.myspace.com/thecoalporters.)

BOBBY ATKINS & THE COUNTRYMEN
MEMORIES OF LESTER FLATT & EARL SCRUGGS OF THE 1950s
Thunderbolt Records TB-1923.

The title of this recording from Bobby Atkins and the Countrymen is somewhat misleading in that only four of the twelve tracks are associated with Lester Flatt and Earl Scruggs (“Head Over Heels In Love With You,” “Cabin In Caroline,” “Down The Road,” and “Someday We’ll Meet Again Sweetheart”). The remaining selections include John Denver’s “Country Roads,” the Kitty Wells heart song “How Far Is Heaven,” and the Jim & Jesse instrumental “Border Ride.” Still, the performances are well-executed and should be eagerly welcomed by fans of Bobby Atkins and the Countrymen. (Thunderbolt Records, 1109 Cleburne St., Greensboro, NC 27408, e-mail: thunderboltrecords@aol.com.)

ON THE EDGE

DEREK KROGH
BANJONATOR
No Label, No Number.

Derek Krogh is a banjo picker from the San Francisco Bay Area. Although this latest project has some bluegrass content, it may not appeal to many bluegrass purists. Derek is featured on both the acoustic and electric banjo often accompanied by saxophone, organ, drums or cello. Several tracks including “Cripple Creek,” “Livewire,” and “Down East” utilize basic bluegrass instrumentation. However, most other tracks are heavily electrified. Banjonator is certainly an interesting project, but will probably appeal more to those not afraid to explore the unusual. (Mighty Tobar Prod., PO Box 277, La Honda, CA 94020, e-mail: banjomatic@earthlink.com.)

NOTORIOUS
ELKINS
Black Socks CD27.

This CD challenges the boundaries of bluegrass and old-time music. Notorious is a quartet consisting of Larry Unger (guitar, banjo, and bass), Eden MacAdam-Somer (fiddle and vocals), Sam Bartlett (mandolin and Jew’s harp), Mark Hellensberg (banjo, ukulele, and percussion). Elkins features a total of 16 tracks from a variety of sources. Jay and Eden wrote “Sarah Jane,” “Jolly Jack’s Polka,” and “Rodeo Clown Rag.” One of the more haunting melodies is “River Falls,” inspired by a lodge in South Carolina. Also included are the traditional pieces “All Night Long” and “Henry Reed’s Breakdown.” Also included are several selections from Romanian and Yiddish sources. Elkins is an engaging collection that offers something for those who appreciate traditional folk music regardless of the source. (Black Socks Press, P.O. Box 6322, Lincoln, MA 01773, www.notoriousfolk.com.)

BOOK

MY FIRST BLUEGRASS GUITAR PICKING SONGS
BY STEVE KAUFMAN
Mel Bay MB20793BCD. (Mel Bay Publications, #4 Industrial Dr., Pacific, MO 63069, www.melbay.com.)

In this 36-page book, Steve Kaufman teaches the basics of guitar picking including learning chords, reading tablature, strumming techniques and others subjects. Other lessons include several songs to learn including “Old Joe Clark,” “Cripple Creek,” “Flop-Eared Mule,” and “Golden Slippers” among others. Accompanying the book is a CD containing samples of all the lessons. My First Bluegrass Guitar Picking Songs is designed to teach the basic techniques of guitar picking from one of the most respected musicians in bluegrass music.

COMPILATIONS AND REISSUES
By Murphy Hicks Henry

ROLAND WHITE
I WASN’T BORN TO ROCK AND ROLL
Tompkins Square TSQ2400.

Thirteen songs, originally released in 1976 on Ridge Runner. Musicians include Alan Munde, Roger Bush, Kenny Wertz, Dave Ferguson, and Slim Richey. Songs include “Kansas City Railroad Blues,” “Texas Gales,” “Live And Let Live,” and “The Prisoner’s Song.” (Tompkins Square, 66 Allen St. No. 3F, New York, NY 10002, www.tompkinsquare.com.)

VARIOUS ARTISTS
DARK AS A DUNGEON: SONGS OF THE MINES
Rebel Records REB-CD-7510.

Fourteen songs by various artists. Songs included “Paradise,” “Dark As A Dungeon,” “Dream Of A Miner’s Child,” and “Call The Captain.” Artists include Valerie Smith, Larry Sparks, Blue Highway, Perfect Strangers, and the Steep Canyon Rangers. (Rebel Records, P.O. Box 7405, Charlottesville, VA 22906, www.rebelrecords.com.)

NEW RELEASES
(Received May 25-June 24)

BARRY BALES
A SOLID FOUNDATION TO ACOUSTIC BASS
AcuTab Video, DBB1 (DVD)

DIERKS BENTLEY
UP ON THE RIDGE
Capitol Records 509996 85410 2 6 (compact disc)

BJ BLUE WITH BRITTANY ALLYN
THE PLATINUM DUETS UNPLUGGED
Cosmopolitan Country CCR1023091 (compact disc)

BLUEGRASS BROTHERS
SO LONG
No Label, BGB006 (compact disc)

CROWE LAWSON WILLIAMS
OLD FRIENDS GET TOGETHER
Mountain Home Records MH12922 (compact disc)

CUSTOM MADE BLUEGRASS
BIG BARN ROAD
No Label, No Number (compact disc)

FAIRVIEW AVENUE
No Label, No Number (compact disc)

TYLER GRANT
FLATPICKING UP THE NECK
Grant Central Records GCR001 (compact disc)

RICHARD D. HENRY
A LONG WAY FROM HOME
No Label, No Number (compact disc)

HILLBENDERS
DOWN TO MY LAST DOLLAR
No Label, No Number (compact disc)

JETT’S CREEK
GUILTY
No Label, No Number (compact disc)

BLAINE JOHNSON
THE OLD CROW ROAD
No Label, No Number (compact disc)

KATHY KALLICK BAND
BETWEEN THE HOLLOW AND THE HIGHRISE
Live Oak Records Live Oak 540 (compact disc)

ADAM LARKEY BAND
Lonesome Records CD089 (compact disc)

LONESOME TRAVELER
LOOKING FOR A WAY
No Label, No Number (compact disc)

TIM MARTIN
BLUEGRASS FIDDLE
Patuxent Music CD208 (compact disc)

MONOGRAM
HIT THE ROAD
No Label, No Number (compact disc)

NEW OUTLOOK
PREPARE TO BELIEVE
No Label, No Number (compact disc)

TIM O’BRIEN
CHICKEN & EGG
Howdy Skies Records HSCD1005 (compact disc)

OLD TIME BLUEGRASS SINGERS
PLASTIC HEART
Open Road Records OR017 (compact disc)

REMINGTON RYDE
GRANDPA WAS MY GUIDE
Green Valley Recording G167V0210 (compact disc)

SOUTHPAW BLUEGRASS BAND
PLACE BACK HOME
No Label, SPBB002 (compact disc)

STILL INSIDE: THE TONY RICE STORY
BY TIM STAFFORD & CAROLINE WRIGHT
Word Of Mouth Press 9780578051130 (book)

TRUMAN RIDGE
LONG WAY HOME
No Label, No Number (compact disc)

ANDREW & NOAH VanNORSTRAND
ALL THE GOOD SUMMERS
Great Bear Records GBR CD005 (compact disc)

WILL WHITE
RISE ABOVE
Whippoorwill Music WM1001 (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

KATHY BOYD & PHOENIX RISING
WALK HUMBLY
No Label, No Number.

The latest release from Kathy Boyd & Phoenix Rising is an all gospel collection featuring 12 original numbers composed by various members of the band. Each of the musicians takes a turn on lead vocals, imparting a sense of variety to the proceedings. Featured are such titles as “Cast The First Stone,” “Faith, Hope, Bluegrass Music,” “Thanksgiving,” and “My Little Brother.” Walk Humbly is an inspirational offering of original bluegrass gospel music sure to be welcomed by aficionados of the band. (Kathy Boyd, P.O. Box 3747, Tualatin, OR 97062, www.phoenixrisingband.com.)

THE BATTEN FAMILY
2010
No Label, No Number.

The Batten Family has been playing music in one form or another since the early 1960s. This latest release consists of 17 adeptly performed selections including “Homestead On The Farm,” “Ready For The Times To Get Better,” “Footprints In The Snow,” and “I Wonder Where You Are Tonight.” Of special note, are performances of the relatively obscure Dolly Parton number, “Longer Than Always” and the Easter Brothers’ “Thank You Lord (For Your Blessings On Me).” The Batten Family has created a nice and balanced selection of bluegrass music that should perk the ears of their friends and followers. (Kevin Batten, 5415 8th St, Lubbock, TX 79416, www.thebattenfamily.com.)

THE CALIFORNIA RAMBLERS
LOOKING BACK
No Label, TCR 0012010.

The California Ramblers get their name from the town of California, Maryland. Looking Back is the band’s latest recording and consists of bluegrass favorites such as “Hello City Limits,” “When The Golden Leaves Begin To Fall,” “Live And Let Live,” Hazel Dickens’ “My Better Years,” and a few original pieces written by banjo picker Joey Tippett including “One More Chance” and the title track. Also included are the band’s arrangements of Red Allen’s “Don’t Lie To Me” and bandmember Trampas Goldsmith’s “Heart Aches Of Life.” Looking Back is a skillfull collection of dynamic bluegrass music that showcases the talents of the California Ramblers. (Joey Tippett, 45941 Clarks Rd., California, MD 20619, www.californiaramblers.com.)

GEORGE THOMAS
HEAVEN ON MY MIND
No Label, GT50 002.

George Thomas is a member of the bluegrass band Code Blue. This latest endeavor is an all gospel project featuring material from Tom T. and Dixie Hall, Jerry Sally, Ron Block, and others. The 12 selections include “Thank You God,” “The Lighthouse,” “Three Rusty Nails,” and the Bill Monroe instrumental “Methodist Preacher.” George performs all the lead vocals from a roster of guest pickers that includes Tim Newcomb (banjo), Paul Anderson (fiddle), and others. Heaven On My Mind is bluegrass gospel at the finest and will certainly earn new followers for George Thomas. (George Thomas, 3210 Jefferson Woods Ct., Powhatan, VA 23139, georgethomas790@comcast.net.)

THE TWILIGHT BROADCASTERS
EVENING SHADE
No Label, No Number.

The Twilight Broadcasters are the duo of Mark Jackson (guitar and vocals) and Adam Tanner (mandolin, fiddle, guitar, and vocals). The 15 selections are mostly recognizable pieces—“Southern Moon,” “Louisiana Man,” “Stormy Horizons,” and “Midnight Special.” Also featured are performances of the almost forgotten James O’Gwynn country tearjerker “Talk To Me Lonesome Heart,” the Everly Brothers’ “Long Time Gone,” and the Adam Tanner instrumental “Twilite Schottische.” Evening Shade is an engaging assortment of vocal duets reminiscent of the Blue Sky Boys, the Monroe Brothers, and many others. (Adam Tanner, 350 Sheppard Branch Rd., Weaverville, NC 28787, www.twilitebroadcasters.com.)

ON THE EDGE

BIBB CITY RAMBLERS
No Label, 2010.

The Bibb City Ramblers are a unique string band based in Columbus, Ga., and their music is a type of new age acoustic music with jazz, ragtime, and bluegrass influences. This latest release consists mostly of original material with catchy titles such as “Lonesome On The Road,” “Whistle High, Whistle Low,” “Weathervane,” “Six Indians,” and others. The proceedings conclude with a rousing rendition of “Soldier’s Joy.” While the Bibb City Ramblers are essentially a regional group, their distinctive brand of music would certainly appeal to anyone who enjoys exploring musical genres that venture from the mainstream. (Bibb City Ramblers, 4519 Marci Dr., Columbus, GA 31907, e-mail: bibbcityramblers@yahoo.com.)

COMPILATIONS AND REISSUES

ALLEN SHELTON
AT HIS BEST: BENDING THE STRINGS
Gusto GT721512.

Ten tunes from a “world-class player” as it says on the CD box. Includes “Log Cabin In The Lane,” “Round Town Gals” (which is really “Buffalo Gals”), “Under The Double Eagle,” and “Wildwood Flower.” No notes to songs. (Gusto/King Records, 1900 Elm Hill Pike, Nashville, TN 37210, www.countrymusicusa.com.)

VARIOUS ARTISTS
HEE HAW’S FAVORITE ARTISTS
Gusto GT721442.

Twelve numbers from Buck Owens, Grandpa Jones, Stringbean, Minnie Pearl, Archie Campbell, and Lynn Anderson. Includes “Are You From Dixie?”, “Sweethearts In Heaven,” and “Love Of The Common People.” (Gusto/King Records, 1900 Elm Hill Pike, Nashville, TN 37210, www.countrymusicusa.com.)

NEW RELEASES
(Received June 25-July 24)

BLUE CANYON BOYS
MOUNTAIN BOUND
No Label, BCBCD004 (compact disc)

BLUEGRASS REGULATORS
No Label, No Number (compact disc)

BOBBY AND THE BLUE RIDGE TRADITION
I LIVE FOR HIM
No Label, No Number (compact disc)

NED CRISP AND BOTTOMLINE
TAKING THE BACK ROADS HOME
Blue Circle Records BCR025 (compact disc)

DALTON MOUNTAIN GANG
No Label, No Number (compact disc)

TIM DAVIS AND MATT HISER
FLYING HIGH
No Label, No Number (compact disc)

EXCEPTION TO THE RULE
No Label, No Number (compact disc)

GREENSKY BLUEGRASS
FIVE INTERSTATES
Big Blue Zoo Records, No Number (compact disc)

HONAKERS
I’LL BE WAITING
No Label, No Number (compact disc)

LORRAINE JORDAN & CAROLINA ROAD
CAROLINA HURRICANE
Rural Rhythm Records RHY1062 (compact disc)

RONNIE KING
FREE OF GUILT
Kindred Records KR47397 (compact disc)

TIM LOVELL
FIREFLIES
No Label, No Number (compact disc)

OLA BELLE REED
RISING SUN MELODIES
Smithsonian Folkways SFW CD 40202 (compact disc)

RICH IN TRADITION
BLACK MOUNTAIN SPECIAL
Mountain Roads Recordings MRR1010 (compact disc)

LISSA SCHNECKENBURGER
DANCE
Footprint Records FR2010 (compact disc)

KEN SCOGGINS & MILLER’S CREEK
ONCE IN A LIFETIME THING
Old Homestead Records OHCD90223 (compact disc)

FRANK SOLIVAN & DIRTY KITCHEN
Fiddlemon Music 13003 (compact disc)

THUNDER CREEK
SAY YOU WILL
No Label, 2010 (compact disc)

VARIOUS ARTISTS
GET LOW
Rounder Records 1166191002 (compact disc)

VARIOUS ARTISTS
GOLDEN BOY OF THE BLUE RIDGE
Great White Wax GWW201001 (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

CAROLINA NATIVE SONS
RANK OL’ BLUEGRASS
Patuxent Music CD190.

Carolina Native Sons is a group of friends and musicians from western North Carolina consisting of Clarence Greene (guitar and vocals), Joseph Scott (mandolin and vocals), Donald Scott (resonator guitar and vocals), and Nate Leath (fiddle). They are supplemented by guest pickers Mark Delaney (banjo) and Neil Knicely (bass). This undertaking takes on special meaning in that Clarence Greene passed away December 11, 2009 (BU, Feb. ’10), and these are some of his last recording efforts. Featured are several originals including Clarence’s “Shiverin’ In The Cold” and “Another Lonesome Day” along with Donnie Scott’s instrumental “Scarlet Rising Sun.” Also included are sterling performances of classic numbers including Johnny Bond’s “I Wonder Where You Are Tonight,” Molly O’Day’s “Snow Covered Mound,” and Red Allen’s “Don’t Lie To Me.” Rank Ol’ Bluegrass is bluegrass at its best and a befitting tribute to the memory of Clarence H. Greene. (Patuxent Music, P.O. Box 572, Rockville, MD 20848, www.pxrec.com.)

STEVEN EARL HOWARD AND THE BLUE DRIFTERS
EASY TO GET LOST IN THE WORLD
Root Bass Records, No Number.

Steven Earl Howard and the Blue Drifters play a unique style of music that infuses elements of bluegrass along with bits of country and western, jazz, and ragtime influences. While the performances are somewhat erratic, especially on the bluegrass numbers “Will You Be Loving Another Man,” “Mr. Engineer,” and “Wheel Hoss,” the most effective track is their a cappella arrangement of “Sweet Chariot Swing Low.” Other performances include the Bill Trader country standard “A Fool Such As I,” “The Road Is A Lover,” and the pop classic “Cherokee.” Easy To Get Lost In The World is a pleasant collage of down-home music and should find an eager market among those familiar with the music of Howard and the Blue Drifters. (Steven Earl Howard, 1427 Jersey Ave. S., St. Louis Park, MN 55426, www.bluedrifters.com.)

BOOK

CHAMPIONSHIP CONTEST FIDDLING
BY NATE OLSON
Mel Bay MB21400BCD. (Mel Bay Publications, #4 Industrial Dr., Pacific, MO 63069, www.melbay.com.)

This latest instruction book from Mel Bay was transcribed and edited by fiddler Nate Olson and is devoted to the ins and outs of preparing to compete in fiddle contests. Featured is 44 fiddle tunes performed by championship fiddlers including Bethany Dick, John Francis, Sherry McKenzie, along with 10 others. Also featured are short bios of each fiddler along with helpful hints about how they prepare to compete in fiddling contests. Sample tunes include fiddle favorites “Billy In The Low Ground,” “Cotton Patch Rag,” and “Little Rock Getaway.” The accompanying CD contains a sample of each tune, allowing the aspiring fiddle student to follow along at home. What is unique about the disc is that it features live performances recorded at various fiddle contests. It should be noted that this instruction program is designed for fiddlers who already have some basic skills and can read music. Championship Contest Fiddling would be an important asset to any fiddler striving to advance their skills.

COMPILATIONS AND REISSUES

U.S. SENATOR ROBERT BYRD
MOUNTAIN FIDDLER
County Records CD2743.

Fourteen fiddle tunes originally released in 1977. With Doyle Lawson on guitar, James Bailey on banjo, and Spider Gilliam on bass. Liner notes by Barry Poss. Includes “Turkey In The Straw,” “Cripple Creek,” “Forked Deer,” and “Old Joe Clark.” (County Records, P.O. Box 7405, Charlottesville, VA 22906, www.countysales.com.)

VARIOUS ARTISTS
BLUEGRASS BANDS, HELPING HANDS, VOLUME TWO: THROUGH THE EYES OF A CHILD
Bluegrass Bands Helping Hands, No number.

Twenty-two tracks, donated by various artists including Pam Gadd and Jeanette Williams, Steel String Session, Gold Heart, and the Muellers. Numbers include “Farewell Wagon Master,” “Woodsong,” “Until She Makes It Home,” and “Sound Of A Lonesome Fiddle.” (Bluegrass Bands and Helps Hands, LLC, P.O. Box 6714, Dalton, GA 30720, www.bluegrassbandshelpinghands.com.)

NEW RELEASES
(Received July 25-August 24)

3 PENNY ACRE
HIGHWAY 71
Second String Records 001 (compact disc)

BANJO ON THE MOUNTAIN: WADE MAINER’S FIRST HUNDRED YEARS
BY DICK SPOTTSWOOD WITH ESSAY BY STEPHEN WADE
University Press of Mississippi 9781604734980 (book)

BLIND BUT NOW I SEE: BIOGRAPHY OF MUSIC LEGEND DOC WATSON
BY KENT GUSTAVON
Blooming Twig Books 9781933918433 (book)

BLUEGRASS JAMMING ESSENTIALS: PLAYING WITH THE PROS, POWER PICKIN’ VOL 5
BILL EVANS & MEGAN LYNCH
AcuTab Video D-PP-5 (DVD)

SUSAN BROWN AND FRIENDS
No Label, SBAF0001 (compact disc)

CARPENTER AND MAY
Violin Shop Records VSR003 (compact disc)

COMMON STRINGS
SOMEWHERE IN GLORY
Rural Rhythm RHYC2002 (compact disc)

DEAD MEN’S HOLLOW
ANGEL’S SHARE
Acoustic Americana AA1004 (compact disc)

FITZMAURICE
No Label, No Number (compact disc)

STEVE GULLEY AND TIM STAFFORD
DOGWOOD WINTER
Rural Rhythm RHY1066 (compact disc)

GYPSY WIND
DIFFERENT ROADS
No Label, No Number (compact disc)

HIGH 48s
THE GOSPEL ALBUM
No Label, No Number (compact disc)

HIGH RISE LONESOME
ONE WAY STREET
No Label, HRL2010 (compact disc)

MARO KAWABATA
SUNSET DRIVE
FMG Records, No Number (compact disc)

SKIP KELLEY & ED DODSON
HOPPED THAT TRAIN AND…GONE
Granite Records GPI6160 (compact disc)

KENTUCKY 31
I SHOULD HAVE BEEN SHOT
No Label, No Number (compact disc)

LONESOME RIVER BAND
STILL LEARNING
Rural Rhythm RHY1065 (compact disc)

LYKENS VALLEY BLUEGRASS BAND
NAILS & GLUE
Green Valley Recording G170V0610 (compact disc)

OLY MOUNTAIN BOYS
No Label, No Number (compact disc)

RED WHITE & BLUEGRASS
EXIT HERE
No Label, No Number (compact disc)

ROCKIN’ ACOUSTIC CIRCUS
LONESTAR LULLABYE
Flying Weasel Records, No Number (compact disc)

PETER ROWAN BLUEGRASS BAND
LEGACY
Compass Records 745432 (compact disc)

SIDETRACK
ROWDY TO REVERENT
No Label, No Number (compact disc)

BILL TRIPP
NON FICTION
Main Tripp Records MTR8092 (compact disc)

VARIOUS ARTISTS
LOOK TO THE LIGHT: SONGS OF FAITH FROM THE PEN OF RICK LANG
Rural Rhythm RHYC2004 (compact disc)

DARRELL WEBB BAND
BLOODLINE
Rural Rhythm RHY1064 (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

COALTOWN DIXIE
HOTTER THAN A COAL BURNIN’ FIRE
No Label, No Number.

Coaltown Dixie is all-female bluegrass band from eastern Kentucky consisting of Kris Preston (mandolin), Melanie Turner (banjo), Kalyn Bradford (guitar), and Stephanie Rose (bass). Hotter Than A Coal Burnin’ Fire is the group’s debut recording project and features 14 selections that include established numbers and band compositions. Of special note are several original selections including the title song, “Moonshine Blues,” “Boardin’ House,” and “How I Know.” Also included are arrangements of “Little Mountain Church House,” Bob Dylan’s “Wagon Wheel,” and the Flatt & Scruggs instrumental “Shuckin’ The Corn.” While the performances are somewhat well-executed, they tend to be erratic in places—most apparent on the a cappella “How I Know.” Shortcomings are expected of a first-time endeavor and should be corrected as the band continues to gain experience. It’ll be interesting to follow Coaltown Dixie’s career as they take on future recordings. (Coaltown Dixie, 106 Walnut St., Pikeville, KY 41501, www.coaltowndixie.com.)

BOBBY ATKINS & THE COUNTRYMEN
I’D RATHER HAVE JESUS
Thunderbolt Records TB 15005.

This all gospel project from Bobby Atkins & The Countrymen is similar to his many previous projects. Most of the participating musicians are family members including granddaughter Hannah Atkins McBride (lead vocals on “Lord You Have Been So Good”) and grandson Ben Atkins (guitar on “I’d Rather Have Jesus” and the instrumental rendition of “Sweet Hour Of Prayer”). Other selections include “In God’s Eyes,” “I’ll Fly Away,” and “It Is No Secret.” While the performances are acceptable, the vocal harmonies are uneven is spots, particularly on a rendition of “Going Up.” Regardless, I’d Rather Have Jesus should be a welcomed addition to any collection of Bobby Atkins recordings. (Jolene Claudill, 1109 Cleburne St., Greensboro, NC 27408, e-mail: thunderbrecords@aol.com.)

BILL AND MAGGIE ANDERSON
THE MASTER’S GARDEN
No Label, VAM 08.

This collection from Bill (guitar and vocals) and Maggie Anderson (resonator guitar and vocals) is an all-gospel project of 14 performances, including “Tramp On The Street,” “Long Black Train,” Chet O’Keefe’s popular “Ring The Bell,” and Becky Buller’s “The Master’s Garden.” Of special note, is their treatment of the Gram Parsons/Chris Hillman collaboration “Sin City.” Anyone familiar with the music of Bill and Maggie Anderson would certainly do well to pick up on their latest collection of heartfelt gospel music. (Bill & Maggie Anderson, 2715 Millstone Rd., Woodlawn, VA 24381, www.vintageacoustic.cc.)

LEIPER’S FORK BLUEGRASS
SIGN OF THE TIMES
No Label, LFBG1003

LEIPER’S FORK BLUEGRASS
RISE AND WALK
No Label, LFBG1004.

Here is a pair of recordings from middle Tennessee’s Leiper’s Fork Bluegrass, the band’s third and fourth releases to date. Rise And Walk is all-gospel, and features “Go Rest High,” “The Last Suit,” “The Wicked Path Of Sin,” and nine others. Sign Of The Times consists of a dozen selections including a pair of Merle Haggard favorites, “Shelly’s Winter Love” and “Fightin Side Of Me.” Other pieces include “We Live In Two Different Worlds,” “Amie,” and the instrumental “Flowers From Heaven Waltz.” Several of the selections on both releases are originals penned by bandmember Lance Work including “Traveling,” “Rise And Walk,” “Astounded,” and “The Farmer Song.” While Leiper’s Fork Bluegrass is a regional band, they perform an interesting style of bluegrass. Both albums should be popular commodities at the band’s personal appearances. (Buddy Jones, 100 West Hardin Dr., Columbia, TN 38401, www.leipersforkbluegrassgroup.com.)

NEW RELEASES
(Received August 25-September 24)

49 SPECIAL—No Label, No Number (compact disc)

BOYS FROM CAROLINA
COUNTY LINE
No Label, No Number (compact disc)

ASHLEIGH CAUDILL
FRUIT OF THE VINE
No Label, AC0002 (compact disc)

TOMMY CONNOR
GOOD ’N COUNTRY II
No Label, No Number (compact disc)

DR. ELMO
BLUEGRASS CHRISTMAS
Time-Life 25894D (compact disc)

JANE GERMAIN & IAN SIMPSON
LONESOME ROAD
Squeaky Wheel Music 001 (compact disc)

HONEY DEWDROPS
THESE OLD ROOTS
No Label, No Number (compact disc)

HUNT FAMILY BLUEGRASS
OKLAHOMA WIND
Rock Springs Records RSR 004 (compact disc)

DALE JETT & HELLO STRANGER
GOING DOWN THE VALLEY
Wampiland Music, No Number (compact disc)

LONESOME MEADOW
CARRY ME AWAY
No Label, No Number (compact disc)

THIERRY MASSOUBRE & JEFFERSON LOUVAT
A WALK WITH YOU
Acoustic Music Records 319.1448.2 (compact disc)

KEN MELLONS
RURAL ROUTE
No Label, No Number (compact disc)

BOBBY MILLER AND THE VIRGINIA DAREDEVILS
BROTHER, ADIEU
No Label, No Number (compact disc)

JESSE McREYNOLDS & FRIENDS
SONGS OF THE GRATEFUL DEAD
Woodstock Records WR33 (compact disc)

NEW COUNTY GRASS
START THE WHOLE THING OVER
Old Homestead Records OHCD90224 (compact disc)

NO ONE YOU KNOW
CALM BEFORE THE STORM
Mountain Fever Records MFR100831 (compact disc)

THOMAS PORTER
No Label, TKP1V0001 (compact disc)

RIVER BOY
ACOUSTIC BLUEGRASS MUSIC
River Boy Music, No Number (compact disc)

RUBBER KNIFE GANG
DRIVIN’ ON
No Label, No Number (compact disc)

IAN SIMPSON & JOHN KANE
THE BANJO
ABC Music 2744644 (compact disc)

STEELDRIVERS
RECKLESS
Rounder Records 1166106242 (compact disc)

STONEY CREEK BLUEGRASS BAND
HOT OFF THE PRESS
No Label, SC101 (compact disc)

SWANSON FAMILY
TWO IN THE MORNING
No Label, No Number (compact disc)

RHONDA VINCENT
TAKEN
Upper Mgmt. Music UM 001 (compact disc)

VOLUME FIVE
DOWN IN A CELL
Mountain Fever Records MFR100817 (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

LONESOME TRAVELER
LOOKING FOR A WAY
No Label, LTBB1007.

Looking For A Way is the third project from Colorado’s Lonesome Traveler. Produced by Gene Libbea, it features 11 numbers mostly composed by various band-members including “Chasin’ A Dream,” “Howlin’ Harlan Wind,” and the peppery instrumental “Camp Daddy Reel.” Of special note is the band’s interpretation of Gretchen Peters’s “If Wishes Were Horses.” Looking For A Way is basic bluegrass at its finest and sure to be instantly popular with those familiar with the music of Lonesome Traveler. (Jodi Boyce, 1125 W. Broadmoor Dr., Loveland, CO 80527, www.lonesometravelerband.com.)

RICHARD D. HENRY
A LONG WAY FROM HOME
No Label, No Number.

Some may be familiar with Richard D. Henry through his association with the band Bluegrass Solution. For this latest recording project, Richard has gathered a host of top pickers including Scott Vestal (banjo), Dennis Crouch (bass), and others to help record a dozen of his own songs. He proves to be both an effective songwriter and lead singer as he glides through “Help Me Drive The Blues Away,” “Mountain Melody,” “My Heart’s On The Run,” and “That Glory Bound Express.” This is bluegrass with a strong dose of originality. Listeners should find much to savor with A Long Way From Home. (Richard Henry, 11018 Cedarview Dr., Houston, TX 77041, www.thebluegrasssolution.com.)

FAIRVIEW AVENUE
No Label, No Number.

Fairview Avenue is a contemporary bluegrass band based in Albany, N.Y. Members include Elizabeth Hopkins (bass and vocals), Scott Hopkins (banjo and vocals), Morrie Safford (guitar and vocals), and Tony Califano (mandolin and vocals). With the exception of “Are You Tired Of Me My Darling” and a George Jones tune “You’re Still On My Mind,” the remaining ten tracks are originals written by various bandmembers including “Blue Mountain Whiskey,” “Hudson Valley Train,” an excellent gospel rendering “Walking On The Water,” and the instrumental “Plankton.” Each bandmember takes a turn on lead vocals, lending a degree of variety to the project. Fairview Avenue demonstrates that they have the potential to reach audiences far beyond their New York base. (Scott Hopkins, P.O. Box 107, Altamont, NY 12009, www.fairviewavenuebluegrass.com.)

THE ADAM LARKEY BAND
Lonesome Records CD089.

Although only ten years old, fiddler and vocalist Adam Larkey is an accomplished musician, readily apparent upon listening to this album. Produced by Adam Steffey, this 12-song collection should not be overlooked. Other members include dad Eric (guitar and vocals), Joe Honeycutt (mandolin and vocals), Josh Doss (guitar), Josh Hamm (banjo), and others. Adam is lead vocalist on five selections including “Blue Virginia Blues,” “Some Old Day,” and “You Don’t Know My Mind.” Eric is lead vocal on “Cold Sheets Of Rain” and “Love Of The Mountains.” Instrumental selections include “Nashville Skyline Rag,” “Ragtime Annie,” and Adam’s own “Unicoi County. This production highlights the fine talents of Adam Larkey, a young man who certainly has a bright future in front of him. (Lonesome Records, 219 Wood Ave. E., Big Stone Gap, VA 24219, www.adamlarkeyband.com.)

TRUMAN’S RIDGE
LONG WAY HOME
No Label, No Number.

Truman’s Ridge is a four-piece bluegrass quartet from Sycamore, Ill. Their second release combines the originals “I Cry Alone,” “The Girl I Dreamed Of,” and the instrumental “Pruschnya,” along with familiar titles “Long Black Veil,” “Walls Of Time,” and “Nine Pound Hammer.” Instrumentally, the group is fairly solid throughout the 17 selections. However, the vocal harmonies falter in places, most apparent on the group’s tepid rendition of “Old Flames.” Regardless of any glitches, Long Way Home should find favor among the fans and followers of Truman’s Ridge. (Truman’s Ridge, 1580 John St., Sycamore, IL 60178, www.trumansridge.com.)

SOUTHPAW BLUEGRASS BAND
PLACE BACK HOME
No Label, SPBB002.

This latest offering from Nebraska’s Southpaw Bluegrass Band is similar in scope to their previous effort (BU, Jan. ’09). This 22-track collaboration consists entirely of band originals. Titles include “Two Story Outhouse,” “Saddest Man In Town,” “Nine In The Mine,” and the instrumental “Trail Ridge.” The Southpaw Bluegrass Band has once again come out with a collection of regional bluegrass that should prove to be a popular commodity at the band’s record table. (David Fleming, 13571 Walnut St., Omaha, NE 68144, www.southpawbluegrassband.com.)

CUSTOM MADE BLUEGRASS
BIG BARN ROAD
No Label, No Number.

Custom Made Bluegrass consists of Joe Young (fiddle), Steve Maynard (banjo, resonator guitar, and vocals), Van Ramey (guitar and vocals), Ron Bowling (mandolin and vocals), and Jeff Blackburn (bass and vocals). Big Barn Road is the band’s latest project of 13 songs written by Bowling, Ramey and Maynard. Several of the selections including “Soldier’s Wish” and “Old Soldier” follow an obvious patriotic theme. Other titles include “Lonesome Kentucky Bluegrass Blues,” “Mama’s Wildwood Flower,” “Aunt Ollie,” and the instrumental “Full Stride.” Dean Osborne’s liner notes add luster to this nicely arranged production. (Ronald Bowling, 400 Security Trust Bldg., 271 W. Short St., Lexington, KY 40507, www.custommadebluegrass.com.)

ON THE EDGE

B.J. BLUE WITH BRITTANY ALLYN
THE PLATINUM DUETS UNPLUGGED
Cosmopolitan Country Records CCR1023091.

Although this latest release from the duo of B.J. Blue and Brittany Allyn features a host of top bluegrass pickers (Scott Vestal, Randy Kohrs, Josh Williams, to name a few), the results are more mainstream country and western music rather than bluegrass. But, good music is good music, regardless of style. B.J. and Brittany have selected oldies from the past and dressed them up as brand new vocal duets. The myriad of sources include Jim Stafford (“Spiders And Snakes”), “Let It Be Me” (the Everly Brothers), The Shirelles’ (“Will You Still Love Me Tomorrow”), Waylon Jennings and Willie Nelson “Good Hearted Woman”), and eight others. While The Platinum Duets Unplugged is a first-class production, its greatest appeal should be with those already familiar with B.J. Blue and Brittany Allyn. (Cosmopolitan Country Records, P.O. Box 150208, Nashville, TN 37215, www.ccrrecords.net.)

WILL WHITE
RISE ABOVE
Whippoorwill Music, No Number.

Raised in the Southwest, Will White’s music style has a whirlwind of influences including bluegrass, oldtime Delta blues, gospel, and others. Rise Above is a 16-song collection, all written by White. Accompanying himself on guitar and banjo, he’s assisted by several other musicians including Byron Myhre (fiddle, guitar, and mandolin) and Dale Ulan (bass). “Fredericksburg 1862” is a haunting Civil War tale, while “I’ll Never Do Time Again” was inspired by the recent economic crisis. Stylistically, there is a world of difference from song to song. For example “Wild Flower” and “Climbin’” are performed in a distinctive bluegrass style, while “Firelight Waltz” have an old-time edge. Other noted selections include “Run Chicken Run,” “I Wanna Meet Jesus,” and “Baby You Put The Hurt On Me.” Rise Above is acoustic music with a hint of bluegrass that could be of interest to those looking for something just a little different. Will White, 2204 9th Ave. NW, Calgary, AB, Canada, TN2 1E6, (www.willwhitemusic.com.)

COMPILATIONS AND REISSUES

THE HOTMUD FAMILY—THE COMPLETE VETCO RECORDINGS—No label, No Number. A lovely and complete replication of all four of the Hotmud Family’s Vetco LPs on two CDs. Fifty-five songs. Musicians include Suzanne Thomas, Dave Edmundson, Rick Good, Van Kidwell, Peach Hampton, and Tom Harley Campbell. Liner notes by Jon Hartley Fox. Songs include “If You Don’t Love Your Neighbor,” “I’m Looking For The Stone,” “The Singer,” and “Rock Salt And Nails.” Reissued by Tom Harley Campbell and Rick Good. (Harley Campbell, 5650 Fitzgerald Rd., Trumansburg, NY 14886, www.hotmudfamily.com.)

LITTLE ROY LEWIS AND THE LEWIS FAMILY—GOSPEL TRAIN—Gusto GT721612. Ten songs, eight instrumentals, and two vocals. Vocals include “Rank Strangers To Me” and “Brighten The Corner Where You Are.” Instrumentals included “Battle Hymn Of The Republic” and “What A Friend We Have In Jesus.” (Gusto Records, 1900 Elm Hill Pike, Nashville, TN 37210, www.gospelusa.com.)

BILL MONROE—BILL MONROE & FRIENDS AND STARS OF THE BLUEGRASS HALL OF FAME—Raven Records RVCD327. Twenty songs from the above MCA albums plus three bonus tracks from the MCA album Bluegrass ’87. The first pairs Monroe with country stars such as Willie Nelson and Barbara Mandrell; the second pairs him with bluegrass greats Jim & Jesse, Ralph Stanley, and the Seldom Scene, among others. Songs include “Blue Moon Of Kentucky,” “Mighty Dark To Travel,” and “True Life Blues.” (Raven Records, P.O. Box 2027, East Ivanhoe, Vic 3079, Australia.)

STONES RIVER RANCH BOYS —FIDDLIN’ AROUND—Gusto GT721602
STONES RIVER RANCH BOYS —GOSPEL FAVORITES—Gusto GT721602.

Two separate projects. The first features 18 instrumentals such as “Arkansas Traveler, “Westphalia Waltz,” and “Black Mountain Rag.” The second features 15 gospel songs including “Farther Along,” “Angel Band,” and “Holy, Holy, Holy.” (Gusto Records, 1900 Elm Hill Pike, Nashville, TN 37210, www.countrymusicusa.com.)

NEW RELEASES
(Received September 25-October 24)

159 ORIGINAL GEORGIA FIDDLE TUNES
COMPOSED BY FRANK MALOY
Patuxent Music (book)

ALL ABOUT LEAD MANDOLIN
BY SAM BUSH
Homespun Videos (DVD)

ALL ABOUT RHYTHM MANDOLIN
BY SAM BUSH
Homespun Videos (DVD)

BALSAM RANGE
TRAINS I MISSED
Mountain Home Records MH12952 (compact disc)

BIG COUNTRY BLUEGRASS
THE BOYS IN HATS & TIES
Rebel Records REB-CD-1838 (compact disc)

BLUE MAGGIE
RADIO BLUE
No Label, No Number (compact disc)

BOXCARS
Mountain Home Records MH13092 (compact disc)

CATS & THE FIDDLER
COME BACK TO ME
No Label, No Number (compact disc)

DEHLIA LOW
LIVE
No Label, No Number (compact disc)

RODNEY DILLARD & THE DILLARD BAND
I WISH LIFE WAS LIKE MAYBERRY
Rural Rhythm Records RUR-1068 (compact disc)

FOGGY HOGTOWN BOYS
SCOTCH & SOFA
No Label, FOGHOG-005 (compact disc)

JIM & VALERIE GABEHART
IT’S MY TURN
No Label, JVG-8952 (compact disc)

GONE TO THE COUNTRY: THE NEW LOST CITY RAMBLERS & THE FOLK MUSIC REVIVAL
BY RAY ALLEN
University of Illinois Press (book)

BULL HARMAN & BULL’S EYE
AIMING TO PLEASE
Bull’s Eye Records BER-0426 (compact disc)

HATFIELDS & FRIENDS
THERE’S TWO SIDES TO EVERY COIN
No Label, No Number (compact disc)

CHRIS HILLMAN & HERB PEDERSEN
AT EDWARDS BARN
Rounder Records 11661-0652-2 (compact disc)

HUDSON RIDGE
ON THE RIGHT TRACK
No Label, No Number (compact disc)

DONNA HUGHES
HELLOS GOODBYES & BUTTERFLIES
Rounder Records 11661-0639-2 (compact disc)

MAC MARTIN & ED BROZI WITH BOB ARTIS
THE SHADYSIDE SESSIONS: SUN RACER & OTHER TRAGIC BALLADS
Patuxent Records CD-207 (compact disc)

RAIN CHECK
FOLLY TIME
No Label, No Number (compact disc)

LOU REID & CAROLINA
SOUNDS LIKE HEAVEN TO ME
Rural Rhythm RCH-2006 (compact disc)

LOUIE SETZER AND APPALACHIAN MOUNTAIN BOYS
WISH I WERE THERE
Ampersand Records, No Number (compact disc)

WAYNE TAYLOR AND APPALOOSA
OUT IN THE MIDDLE OF NOWHERE
No Label, No Number (compact disc)

THE MANDOLIN CASE
BY DR. TOM BIBEY
Ford, Falcon & McNeil Publishers (book)

GEORGE THOMAS
THERE’S ROOM FOR HIM TONIGHT: BLUEGRASS CHRISTMAS
No Label, No Number (compact disc)

TOY HEARTS
FEMME FATALE
Woodville Music WVR 003 (compact disc)

VARIOUS ARTISTS
OLD-TIME SMOKY MOUNTAIN MUSIC, RECORDED IN THE GREAT SMOKY MOUNTAINS BY JOSEPH S. HALL
Great Smoky Mountain Assoc., No Number (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

KEN SCOGGINS & MILLER’S CREEK
ONCE IN A LIFETIME THING
Old Homestead Records OHCD-90223

Once In A Lifetime Thing is the latest project from Ken Scoggins (guitar and lead vocals). Assisting Ken is an impressive assemblage of musicians including Owen Saunders (fiddle), Scott Vestal (banjo), Alecia Nugent (harmony vocals), and others. Composer Newell Angel contributes the title song and “I’ll Miss You For A Long, Long Time” while “Man On The Side Of The Road” and “Bean Blossom Bird” are from the pens of Tom T. and Dixie Hall. Other entries include Ken’s own “Call On Me,” the instrumental “Katie’s Last Waltz,” and “Forgotten In Time” co-written by Ken and Doug Rankin. Once In A Lifetime Thing is mainstream bluegrass at its finest and should find instant favor with those familiar with the music of Ken Scoggins. (Old Homestead Records, P.O. Box 100, Brighton, MI 48116, www.oldhomesteadrecords.com.)

THE BLUE CANYON BOYS
MOUNTAIN BOUND
No Label, BCBCD-004.

Mountain Bound is the latest from Colorado’s Blue Canyon Boys and is similar in content to previous releases. Six of the 14 selections were composed by bandmembers Gary Dark (mandolin), Jason Hicks (guitar) and include “No Worries In My Pocket,” “Rocky Mountain Bound,” “Lonesome Hammer,” and “That Lonesome Bluebird Call.” Other entries include Alton Delmore’s “She Left Me Standing On The Mountain,” “When I Stop Dreaming,” and the Bill Monroe instrumental “Kentucky Mandolin.” Mountain Bound is another fine collection of bluegrass music from the Blue Canyon Boys and is ample proof that these musicians are winners. (Blue Canyon Boys, P.O. Box 528, Eastlake, CO 80614, www.bluecanyonboys.com.)

TIM LOVELL
FIREFLIES
No Label, No Number.

Fireflies is the first bluegrass recording project from Dove Award nominee and songwriter Tim Lovell, and features 14 original gospel tunes. Also featured are some noted East Tennessee pickers including Adam Steffey. The project has been dedicated to Tim’s father who was apparently active in the East Tennessee bluegrass scene for a number of years. Titles include “Heaven’s Honor Roll,” “The River Sin,” “Eclipse Of The Soul,” “Measure Of A Man,” and ten others. For those searching for inspirational gospel material for an upcoming recording project, the compositions of Tim Lovell could prove to be a valuable resource. (Timothy Lovell, 1570 Caldwell St., Kingsport, TN 37665, www.timlovell.net.)

THE DALTON MOUNTAIN GANG
No Label, No Number.

The Dalton Mountain Gang is a five-member bluegrass band from Fresno, Cal., that has garnered a number of awards over the past few years. With this self-titled production, the band has created a unique brand of bluegrass with some old-time overtones. With the exception of the traditional “Wild Bill Jones,” the remaining ten selections are originals from bandmembers Yoseff Tucker (guitar and vocals), Tom Naiman (banjo and vocals), and Paul Chesterton (bass). Highlights include “Jericho,” “Heartbreak Train,” and “Lookin For Trouble.” In essence, the Dalton Mountain Gang has created an exciting collection of bluegrass with a healthy dose of originality. (Dalton Mountain Gang, 4123 N. Wishom Ave., Fresno, CA 93704, www.daltonmountaingang.com.)

THUNDER CREEK
SAY YOU WILL
No Label, No Number.

Say You Will is the third CD from Virginia’s Thunder Creek. A departure from their previous all-gospel project, this disc is a blend of secular and gospel bluegrass featuring “I’m Gonna Settle Down,” “Dark Hollow,” and “On My Mind.” The group’s brand of bluegrass proves to be rock-solid, especially effective on “Carolina In The Pines,” “California Cotton Fields,” and the Jim & Jesse instrumental “Dixie Hoedown.” Thunder Creek has demonstrated they could find eager audiences far beyond their Virginia homebase. (Thunder Creek, 8411 Main St., Ivor, VA 23866, www.thundercreek.com.)

BOBBY AND BLUE RIDGE TRADITION
I LIVE FOR HIM
Regal Media Group, No Number.

I Live For Him is the fourth recording from Bobby and the Blue Ridge Tradition. Bobby is Bobby Anderson (banjo and vocals). Other group members are Jim Turpin (mandolin and vocals), Gene Burns (guitar and vocals), Marjorie Hill (fiddle), and Phil Preston (bass and vocals). For this all-gospel release, the group is joined by guest vocalists Lynda Davis on “Will The Circle Be Unbroken,” and Will Buchanan on his own “Don’t Be Ashamed To Claim The Savior.” Other performances include “Man In The Middle,” “Take Your Shoes Off Moses,” and the a cappella “Jesus Made The Wine.” Live For Him is inspirational music from musicians who know what being creative is all about. (Bobby Anderson, 828 Hendersonville Rd., Asheville, NC 28803, www.blueridgetradition.com.)

EXCEPTION TO THE RULE
No Label, No Number.

Exception To The Rule is a young progressive band from Georgia consisting of the Ray siblings: Sara (guitar, mandolin, and vocals); Laura (banjo, guitar, and vocals); Jason (bass and vocals); and Kayla (fiddle, mandolin, and vocals.) Their latest project of 12 tunes blends original material with established pieces such as “House Of The Rising Sun,” “Orange Blossom Special,” and Steve Young’s “Seven Bridges Road.” The band’s sound has a contemporary edge on the original pieces “Sixty Years,” “Not Giving Up On Love,” and the instrumental “Derailed.” While some tracks feature the piano work of Mark Ray, it is tastefully utilized and manages to blend in with the overall direction of the album. Exception To The Rule is a group that bears close observation in its future endeavors. (Exception To The Rule, 2296 Dove Drake Rd., Royston, GA 30662, www.exceptiontotheruleband.com.)

NEW RELEASES
Received (October 25-November 24)

VARIOUS
ALLSTAR JAM: LIVE AT GRAVES MOUNTAIN
Rural Rhythm Records RUR1073 (compact disc)

CALIFORNIA RAMBLERS
GOODBYE TO AN ANGEL
No Label, No Number (compact disc)

CLOVER POINT DRIFTERS
#2 UNPLUGGED
No Label, No Number (compact disc)

BOYD DEERING
BRIDGES: THE MUSIC OF BOYD DEERING WITH JIM & INGE WOOD
Marma Music MM 6841 (compact disc)

DELLA MAE
ACOUSTIC E.P.
No Label, No Number (compact disc)

JOE DIFFIE
HOMECOMING
Rounder Records 1166106492 (compact disc)

JIMMY GAUDREAU
PIECES AND BITS
Goose Creek Music, No Number (compact disc)

RICHARD D. HENRY
I HAD A LITTLE TALK WITH JESUS
No Label, No Number (compact disc)

ROSCOE HOLCOMB
THE LEGACY OF ROSCOE HOLCOMB
Shanachie Entertainment SH 621 (DVD)

LAWS
TRY LOVE
JML Music JML 0006 (compact disc)

MEL BAY PRESENTS: KYLE CREED CLAWHAMMER BANJO MASTER
BY BOB CARLIN & DAN LEVENSON
Mel Bay MB22137BCD (book/compact disc)

NOTORIOUS
THE ROAD TO DAMASCUS
Black Socks Press CD 28 (compact disc)

KARL SHIFLETT AND BIG COUNRTY SHOW
JUNE BUG & VINTAGE KARL
Cumberland Highlanders Prod., No Number (DVD)

TARNATION
BITTER SWEET
No Label, No Number (compact disc)

JOEY TIPPETT AND THE CALIFORNIA RAMBLERS
YARD SALE
No Label, TCR 0012010 (compact disc)

WILDFIRE
CRASH COURSE IN THE BLUES
Lonesome Day Records LDR 034 (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

THE HONAKERS
I’LL BE WAITIN’
No Label, No Number.

The Honakers are a Virginia-based group consisting of Poncho (mandolin and vocals), Sherry (guitars and vocals), T.J. (banjo and guitar), Ryan Holder (bass) and Christy Cahill (guitar and harmony vocals). I’ll Be Waitin’ is a gospel-oriented project featuring Sherry on the majority of the lead vocals. Some may remember Sherry from her solo project several years ago (BU, June ’07). In fact, she is accredited as the composer on many of the selections featured here including “Next Train To Virginia,” “Love Will See Us Through,” “Blessed Is He” and others. T.J. contributes the instrumental, “Pinebrook Breakdown” and Poncho turns in a memorable vocal performance on “American Dream.” In summation, The Honakers have created an impressive collection of bluegrass music and I’ll Be Waitin’ is certain to win many new fans to their exciting brand of entertainment. (Poncho Honaker, 3909 Pinebrook Ct., Partlow, VA 22534, www.thehonakers.com.)

KENTUCKY 31
I SHOULD HAVE BEEN SHOT
No Label, No Number.

Despite their name, this unpretentious four-piece bluegrass group is actually based in Hamilton, Ohio. This ten-track offering consists entirely of numbers composed by various bandmembers. There are songs about love gone wrong (i.e., the title song, “Goodbye I Don’t Love You” and “You’ve Got A Gold Digger’s Heart”) along with others like “Gypsy Hollar” and the semipatriotic “Please Save America.” While the performances occasionally display an uneven quality, there is still enough fundamental bluegrass that should find favor with the friends of Kentucky 31. (Kentucky 31, c/o Bruce Clark, 3080 Nichols Rd., Hamilton, OH 45013, email: bac0929@gmail.com.)

LYKENS VALLEY BLUEGRASS BAND
NAILS & GLUE
Green Valley Recording G170V0610.

Lykens Valley Bluegrass has been active in the central Pennsylvania area for over thirty years. Their current lineup includes Ron Etzweiler (mandolin and vocals), Jason Etzweiler (guitar and vocals), Eric Troutman (bass and vocals), Steve Shelhamer (banjo) and Laura Orshaw (fiddle and vocals). Some may remember Laura from her two solo albums several years ago (BU, Nov. ’03 and June ’05). Nails & Glue is an adeptly-crafted 14-song package presenting a blend of material extracted from various sources. Ron is the group’s prime songwriter having contributed such numbers as “A Mother’s Only Son,” “And I’ll Get Over You” and “Lykens Valley.” Other entries include “The Leaves Mustn’t Fall,” Peter Rowan’s “Wild Geese Fly Again” and the Don Reno banjo instrumental, “Tennessee Cut-up Breakdown.” Various members of the group take turns on the lead vocals thereby imparting a strong sense of variety to the proceedings. Nails & Glue is outstanding regional bluegrass at its finest and is an excellent opportunity to become acquainted with the music of Lykens Valley Bluegrass. (Ron Etzweiler, 427 Miller Rd., Millersburg, PA 17061, www.lvbb.com.)

BILL TRIPP
NON FICTON
Main Tripp Records, No Number.

This latest collection from North Carolina’s Bill Tripp is an all-gospel collection featuring ten selections from a myriad of sources. Assisting Bill are Teresa Hatley Love (harmony vocals) and Greg Luck (various instruments and vocals). Bill contributes a pair of his own compositions, “Find Yourself A Rock” and “Rest Awaiting Me.” Other selections include “Cradle, To Cross, To Crown,” “Little Mountain Church House” and Dee Gaskin’s “I Couldn’t Make It Without Him.” Non Fiction is dynamic down home gospel music that should find favor with those who enjoy the music of Bill Tripp. (Main Tripp Records, Inc., 1250 S. Carbonton Rd., Sanford, NC 27330, email: maintripp@centurylink.net.)

SKIP KELLEY & ED DODSON
HOPPED THAT TRAIN AND…GONE
Granite Productions GPI6160.

Hopped That Train And…Gone is the third recording project from longtime picking buddies Skip Kelley (mandolin and vocals) and Ed Dodson (guitar and vocals). Some may be familiar with Ed as a member of the bluegrass band Wood and Steel (BU, July ’07). The 15 selections are a pleasant blending of traditional favorites and adeptly-crafted originals including the title song, “Wrong So Long” and “Saved By His Grace.” Also featured are well thought out renditions of “Mother’s Only Sleeping,” “Colleen Malone” and the pop music standard “Charmaine.” Instrumentally, the duo excels on “Bluegrass Stomp,” “Saint Anne’s Reel” and “Red Wing.” Skip Kelley and Ed Dodson have created a first-rate collection of vocal duets and instrumentals that imparts a burning desire to hear more from this dynamic duo. (Doggone Good Bluegrass, 8211 Hunting Cog Rd., Oak Ridge, NC 27310, www.woodandsteelband.com.)

HIGHRISE LONESOME
ONE WAY STREET
No Label, No Number.

Highrise Lonesome is a contemporary-flavored bluegrass band from Vancouver, BC, and One Way Street is their latest compact disc comprised mostly of nicely-constructed original numbers like “Dragonfly,” “Use It Or Lose It,” “Big Black Eye”, “The Salish Sea” and the gospel piece “Walk On, Brother.” Also featured is Sue Malcom’s treatment of Bill Monroe’s “Rocky Road Blues” along with the Cowboy Jack Clement country classic “Just Someone I Used To Know.” Highrise Lonesome has been described as a group of city dwellers steeped in the classic sounds of bluegrass, and the contents of One Way Street certainly bears this out. (Paul Norton, 314 1422 E. 3 Ave., Vancouver, BC, V5N 5R5, Canada, www.highriselonesome.com.)

RED WHITE & BLUEGRASS
EXIT HERE
No Label, No Number.

Red White & Bluegrass is a family-oriented band based in Conway, S.C., that has been playing a unique brand of down-home bluegrass for a number of years. Currently, the group consists of Red White, Jr., (mandolin and vocals), Gwen White (guitar and vocals), Barbara White (bass and vocals), Chris Holmes (resonator guitar and vocals) and Randy Smith (banjo and vocals). For this latest allgospel project, they are joined by several guest pickers including Greg Luck (fiddle, guitar and bass vocals), Frank Poindexter (resonator guitar), Alan Perdue (mandolin), and Billy Gee (bass). The 12 songs are mostly gospel standards like “Are You Afraid To Die,” “He Said If I Be Lifted Up” and an instrumental version of “Swing Low Sweet Chariot.” Other notable entries include “You Take One Step (He’ll Take Two)” and “White Knuckles.” Exit Here is bluegrass gospel music at its finest and should be welcomed by anyone who enjoys hard-charging bluegrass music. (Red White & Bluegrass, 3565 Hwy. 378, Conway, SC 29527, www.redwhitebluegrass.com.)

SIDETRACK
ROWDY TO REVERENT
No Label, No Number.

Rowdy To Reverent is the debut recording of a group of distinctive North Carolina musicians including LeRoy Savage (guitar and vocals), Gene Knight (banjo), Joe Newberry (guitar and vocals), Bobb Head (bass and vocals), Mike Aldridge (mandolin and vocals) and Dewey Brown (fiddle and vocals). Also featured is Mike Craver performing the lead vocals on “Will You Miss Me.” LeRoy and Gene are former members of the New Deal String Band while the other musicians have been associated with various North Carolina bands like the Bass Mountain Boys, Al Batten and others. The 15 selections are a blending of bluegrass and country standards, the lone exception being Joe Newberry’s “I Know Whose Tears.” Other noted performances include “Friend Of The Devil,” the Bill Monroe instrumental “Shenandoah Breakdown” And Stonewall Jackson’s “Don’t Be Angry.” Rowdy To Reverent is a superbly-crafted collection of mainstream bluegrass with a contemporary edge, and anyone who has followed these pickers over the years will find much to savor in its contents. (Gene Knight. 1513 Old Lawyers Rd., Marshville, NC 28103, www.bluegrasswidowmusic.com.)

THE HIGH 48s
THE GOSPEL ALBUM
No Label, No Number.

This latest compact disc from Minnesota’s The High 48s is a somewhat laid-back gospel consisting mostly of renderings of favorite gospel numbers like “Take Me In Your Lifeboat,” “Why Me Lord?” and an instrumental version of “Amazing Grace.” Other highlights include renditions of “Gospel Plow,” Townes Van Zandt’s “Two Hands” and the Hazel Dickens classic “Won’t You Come And Sing For Me?.” The Gospel Album is inspirational gospel bluegrass and another landmark in the musical journey of The High 48s. (High 48s, 701 Randolph Ave., St. Paul, MN 55102, www.thehigh48s.com.)

ON THE EDGE

GYPSY WIND
DIFFERENT ROADS
No Label, No Number.

Gypsy Wind is known as “Florida’s premiere acoustic newgrass, swing and gypsy grass ensemble,” and the contents of this latest compact disc certainly bear this out. The ten selections include three band originals, “Still Need You,” “Hawk Has No Home” and the instrumental “Spike’s Blues.” Other selections span the musical gamut from the traditional (“Nine Pound Hammer” and “Children Go Where I Send Thee”) to the contemporary (“Morning Sky” and George Gershwin’s immortal “Lady Be Good.” One particular highlight is the band’s version of the late Kate Wolf’s “The Great Divide.” While the presence of a flute on some tracks places the performances into the “On The Edge” category, “Different Roads” still offers a wide range of contemporary music transporting the listener all the way from the hills of Kentucky to the gypsy sounds of Django Reinhardt. (Rob Williams, e-mail: gypsywindband@gmail.com, www.gypsywindband.com.)

COMPILATIONS AND REISSUES

DAVID HOLT WITH DOC & MERLE WATSON FEATURING JERRY DOUGLAS
REEL & ROCK
High Windy Audio HW1253.

Twelve songs originally released in 1985. This was Merle Watson’s last recording. Songs include “Sail Away,” “Forked Deer,” “Preacher And The Bear,” and “The Coo Coo.” (High Windy Audio, P.O. Box 553, Fairview, NC 28730, www.davidholt.com.)

JIM AND VALERIE GABEHART
No Label, JVG8597.

Eleven songs originally released in 1985. Guests include Jerry Douglas, Blaine Sprouse, and Rick Allred. Songs include “Waiting For A Train,” “Walkin’ After Midnight,” and “Roses In The Snow.” (James Gabehart, 292 Trace Creek Rd., Hamlin, WV 25523, www.jimandvaleriegabehart.com.)

LOST AND FOUND
DOWN ON SAWMILL ROAD
Rebel REBCD7524.

Fourteen songs taken from various Rebel Records albums from 1985-2009. Musicians include Allen Mills, Gene Parker, Dempsey Young, Scottie Sparks, and Steve Wilson. Songs include “If Today Was The Last Day,” “A Daisy A Day,” and “Sun’s Gonna Shine In My Back Door Some Day.” (Rebel Records, P.O. Box 7405, Charlottesville, VA 22906, www.rebelrecords.com.)

VARIOUS ARTISTS
BLUEGRASS NUMBER ONE HITS
Rounder 1166106532.

Twelve songs from Rounder artists which reached number one on the bluegrass radio charts. Includes “Kentucky Borderline” by Rhonda Vincent, “Train Long Gone” by Claire Lynch, and “Me and John and Paul” by the Grascals. Also songs by Alison Krauss, J.D. Crowe, and Dailey & Vincent. (Concord Music Group, 100 N. Crescent Dr., Beverly Hills, CA 90210, www.rounder.com.)

NEW RELEASES
(Received November 25-December 24)

NORMAN BLAKE
GREEN LIGHT ON THE SOUTHERN
Western Jubilee Recording 824761428121 (compact disc)

TRAVIS CHANDLER & AVERY COUNTY
STATE OF DEPRESSION
Patuxent Music CD212 (compact disc)

CHESHAM CREEK BAND
HIGHWAY OF BROKEN DREAMS
No Label, No Number (compact disc)

TIM FINCH AND SAVANNAH WITH THE EASTMAN STRINGBAND
No Label, No Number (compact disc)

GLENN GIBSON
WHEN TIMES ARE HARD
No Label, No Number (compact disc)

KNUCKLE KNOCKERS
No Label, No Number (compact disc)

MILFORD STATION BLUEGRASS BAND
FIELDS OF CAROLINE
No Label, No Number (compact disc)

CRAIG MORRIS
BANJOLOGY
No Label, No Number (compact disc)

JOE MULLINS & THE RADIO RAMBLERS
HYMNS FROM THE HILLS
Rebel Records REBCD1839 (compact disc)

NEW NORTH CAROLINA RAMBLERS
FOUR AND A HALF
Old Blue Records OBCD704 (compact disc)

NEW NORTH CAROLINA RAMBLERS
LIVE & LIVELY
Old Blue Records OBCD706 (compact disc)

BOBBY OSBORNE & THE ROCKYTOP XPRESS
MEMORIES
Rural Rhythm Records RUR1072 (compact disc)

PARKER & BOND
A STREAM OF TALES, VOLUME 1
No Label, No Number (compact disc)

PATENT PENDING
NOT A DAY GOES BY
Tuscarora Records, No Number (compact disc)

PICKIN’ STICK: BUILDING A STRINGED INSTRUMENT
BY JOHN RESSLER
Schiffer Publishing 9780764335716 (book)

RUNAWAY STRING BAND
DOWN THE RIVER I GO
No Label, RSB002 (compact disc)

KIRK SUTPHIN & RILEY BAUGUS
LONGTIME PIEDMONT PALS
Old Blue Records OB705 (compact disc)

TAYLORS GROVE
KEEP ON THE SUNNY SIDE
Fishtraks Records FT1880 (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

DALE JETT & HELLO STRANGER
GOING DOWN THE VALLEY
No Label, No Number.

Dale Jett (guitar, autoharp and vocals) is the Grandson of A.P. and Sara Carter and has been carrying on the musical tradition of the Carter Family for a number of years. In this latest recording effort, Going Down The Valley, he is joined by his wife Teresa (bass and vocals) and longtime musical partner, Oscar Harris (guitar, autoharp, mandolin, and vocals). Also appearing are several guest musicians including the legendary Bill Clifton (vocals on the title track) and guitarist Wayne Henderson. The 14 selections are songs associated with the Carter Family including “Will You Miss Me When I’m Gone,” “Cannon Ball Blues,” “The Cyclone Of Rye Cove,” “Little Black Train” and others. Dale Jett & Hello Stranger have created a pleasant collection of traditional music that pays an emotional tribute to the immortal Carter Family. (Oscar Harris, P.O. Box 171, Mendota, VA 24270, www.dalejett.com.)

LONESOME MEADOW
CARRY ME AWAY
No Label, No Number.

Lonesome Meadow is a family band from Westerville, Ohio, consisting of Ann Marie (fiddle, mandolin and vocals), John (guitar and vocals), Gary (banjo and vocals) and dad Mark Jackson (bass). They have been dubbed “the best kept secret in Central Ohio,” and they certainly prove it in this latest collection which is a blending of established pieces and well thought out original numbers. The Jackson’s especially stand out on their own compositions including “Steam Train,” “Carry Me Away” and “South Fork Dam” which recounts the story of the Johnstown Flood. Also featured are effective renditions of “Carolina In The Pines.” Johnny Williams and Tom T. Hall’s “Papa Loved Ringing That Bell” and Gary Jackson’s instrumental “Midnight Moon.” Carry Me Away is the fourth compact disc from Lonesome Meadow and certain to win many new followers for this talented family band. (Julie Jackson, P.O Box 1632, Westerville, OH 43086, www.lonesomemeadow.com.)

HUNT FAMILY BLUEGRASS
OKLAHOMA WIND
Rock Springs Records RSR004.

Hunt Family Bluegrass is an Oklahoma band consisting of Terry (guitar and vocals), Leanne (bass and vocals), Andrew (fiddle, mandolin and vocals) and Jonathan Hunt (banjo, guitar and vocals). Oklahoma Wind is their latest recording and consists of 13 selections, six of which were composed by various bandmembers. One interesting recording is Jesse McReynolds’ “The Southbound Train” which Jim & Jesse recorded back in 1963, but apparently remained unissued until it was released on a Bear Family box set several years ago. Original numbers include the title song, “Ozark Mountain State Of Mind” and the fiddle tune “Old Traveler.” Other noted performances include the Carter Family’s “Coal Miner’s Blues,” “Love Of The Mountains” and the close-out number, “Sunny Side Of The Mountain.” Oklahoma Wind is an imaginative collection of bluegrass that amply demonstrates the tremendous potential of Hunt Family Bluegrass.

(Terry Hunt, 30025 CR 100, Orlando, OK 73073, www.huntfamilybluegrass.com.)

DR. ELMO
BLUEGRASS CHRISTMAS
Time Life Records 25894D.

Dr. Elmo is indeed the Elmo of Patsy who created that hilarious holiday ditty “Grandma Got Run Over By A Reindeer.” In reality Dr. Elmo is a licensed veterinarian, competitive runner and a banjo picker who fronts his own bluegrass band. In this latest bluegrass Christmas collection, Dr. Elmo and the gang perform a mixture of Christmas favorites along with original undertakings like “Come On Boys It’s Christmas,” “Here’s To The Lonely” and “Grandpa In The Santa Suit Show.” This particular project is actually more conservative than some of his previous holiday outings. Also featured are seasonal favorites “Greensleeves,” “Deck The Halls,” “We Wish You A Merry Christmas” and an instrumental version of “Grandma Got Run Over By A Reindeer.” While Bluegrass Christmas arrived a little too late for the recent holiday season, it would be well worth keeping this latest Dr. Elmo undertaking in mind when the yuletide season rolls around once again. (Laughing Stock Records, 2521, Laguna Vista Dr., Novato, CA 94945, www.drelmo.com.)

TOMMY CONNER
GOOD’N COUNTRY II
No Label, No Number.

This latest compact disc from Tommy Conner is the follow up project to his previous compact disc of several years ago (See BU, Sept. ’01). While the proceedings exude a definitive country flavor, the instrumentation and overall style is bluegrass. The ten selections come from a myriad of sources including Jimmie Rodgers (“My Rough & Rowdy Ways” and “No Body Knows”), The Beatles (“Yesterday”), Flatt & Scruggs (“No Mother Or Dad”) and others. Anyone who enjoys Tommy Conner’s Good ’N Country collection will certainly find much to savor in this followup release. (Thomas Conner, 613 Dark Run Rd., Elliston, VA 24087, email: tommyrotten53@yahoo.com.)

BOBBY MILLER AND THE VIRGINIA DAREDEVILS
BROTHER, ADIEU
No Label, No Number.

Bobby Miller and the Virginia Daredevils is a recently established bluegrass band based in western North Carolina. They apparently take their name from Virginia Dare whose name is associated with the famous Lost Colony of Roanoke Island, North Carolina. Brother Adieu is an interesting collection of material ranging from the traditional instrumental “Pretty Little Indian” to Lennon and McCartney’s “She Said, She Said” and Bobby’s own “Coleman’s Lullaby.” In between are such pieces as “Clayton Lunsford Died,” “Boots On Betsy” and the instrumental “El Cumbanchero.” Bobby Miller and the Virginia Daredevils have created a style of acoustic music that is truly innovative yet maintains stalwart traditional values. Look for great things to come from this truly talented group of pickers. (Bobby Miller, 129 Choctaw St., Asheville, NC 28801, email: virginiadaredevils@gmail.com.)

BOYS FROM CAROLINA
COUNTY LINE
No Label, No Number.

The Boys From Carolina are a five-man group based in Raleigh, N.C., and consist of Chuck Schutte (guitar, resonator guitar and vocals), Wright Young (mandolin, fiddle, guitar and vocals), Bob Wilkerson (banjo), Larry Nunnery (guitar and vocals) and Lester Duquay (bass and vocals). In their latest release, the Boys are featured on 13 tracks including “Old Train,” “All I Ever Loved Was You,” “Pass Me Not” and the Bill Emerson instrumental “Welcome To New York.” Also featured are performances of Chuck Schutte’s “County Line,” Dance Little Jean” and Dee Gaskins gospel number “You Bore Me Up.” While the performances tend to be uneven in spots, County Line still offers plenty of basic bluegrass with a contemporary air that should be welcomed by anyone familiar with the music of the Boys From Carolina. (Charles Schutte, 232 Competition Dr., Raleigh, NC 27603, www.boysfromcarolina.com.)

STONEY CREEK BLUEGRASS BAND
HOT OFF THE PRESS
No Label, No Number.

The Stoney Creek Bluegrass Band is a West Virginia foursome consisting of noted banjo picker Darrell Sanders, Brett Smeltzer (mandolin and vocals), Ed Barney (mandolin and vocals) and Libby Files (bass and vocals). Hot Off The Press is the group’s latest recording venture and has apparently drawn praises from a myriad of sources. The dozen selections are an interesting assembly of bluegrass standards including “Steel Rails,” “Sweetheart You Done Me Wrong,” “Erase The Miles,” “Long Gone” and the classic Pete Wernick instrumental “Armadillo Breakdown.” Hot Off The Press is mainstream bluegrass at its best and another significant milestone in the musical journey of the Stoney Creek Bluegrass Band. (Stoney Creek, 284 Calvary Hill Rd., Hedgesville, WV 25427, www.stoneycreekbluegrass.net.)

49 SPECIAL
No Label, No Number.

49 Special is a contemporary bluegrass band based in San Francisco that is causing quite a stir on the West Coast. In fact, they were the 2009 winners of the prestigious Rockygrass band competition. This foursome includes Tyson Alteri (guitar and vocals), Danny Booth (bass and vocals), Alisa Rose (fiddle and vocals), Jim Chayka (banjo and vocals), and Michael Carroll (drums). Coproduced with Jim Nunally, this self-titled offering features 13 titles composed by various bandmembers. Their instrumentation is precise and dynamic and complemented by soaring vocals. The many highlights include performances of “Crossroads,” “Cold Mountain Blues,” “The Call Of A Lonesome Road,” “Blue’s Not Your Color” and “Highway 1.” 49 Special has created a magnificent body of contemporary bluegrass that still bears a healthy respect to tradition. Hopefully this band will be a moving force on the bluegrass scene for many years to come. (Jim Chayka, 1234 35th Ave., San Francisco, CA 94122, www.fortyninespecial.com.)

NEW RELEASES
(Received December 25-January 24)

BRANDON ADAMS
HARDEST KIND OF MEMORIES
No Label, No Number (compact disc)

BAREFOOT NELLIE & CO.
SOUTH RIVER
No Label, No Number (compact disc)

BLUE MOON RISING
STRANGE NEW WORLD
Rural Rhythm RUR-1070 (compact disc)

MARK COSGROVE
UNENCUMBERED
FGM Records FGM 131 (compact disc)

BEN FREED
AMERICAN IDLE
No Label, No Number (compact disc)

GRASCALS & FRIENDS
COUNTRY CLASSICS WITH A BLUEGRASS SPIN
BluGrascal Records BGR-CD-1002 (compact disc)

STEVE KAUFMAN & MARK COSGROVE
GOODNIGHT WALTZ
Sleeping Bear Recordings SBR-1232010 (compact disc)

ROSS NICKERSON
LET’S KICK IT
Bones Records BR-3181 (compact disc)

POTTER’S CLAY
LIVE AT EVERETT MUSIC BARN
No Label, No Number (compact disc)

GARY RULEY AND MULE TRAIN
THE SOUTHERN INN AND OUT: LIVE
No Label, No Number (compact disc)

VALERIE SMITH
BLAME IT ON THE BLUEGRASS
Bell Buckle Records, No Number (compact disc)

NATHAN STANLEY
MY KIND OF COUNTRY
No Label, No Number (compact disc)

STRAY GRASS
WRITTEN IN THE STARS
Stray Grass LLC, No Number (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

THE HATFIELDS & FRIENDS
THERE’S TWO SIDES OF EVERY COIN
No Label, No Number.

Randy Hatfield (guitar and vocals) is a retired coal miner who has been dabbling with bluegrass for several years. Now with family members and fellow pickers from Pike County, Ky., Randy has created an interesting assortment of original bluegrass. In fact, 12 of the 13 titles were penned by Randy’s son Keith (bass guitar) who proves to be creative composer. Noted performances include “One More Time For Mama,” “Innocent Young Lady,” “Jesus Didn’t Deserve To Die,” and a tribute to Merle Haggard, “Merle And The Strangers.” There’s Two Sides Of Every Coin is original bluegrass performed with style and grace. Hopefully the bluegrass world will be hearing more from The Hatfield’s & Friends in the very near future. (Randy Hatfield, 365 Cane Fork Rd., Kimper, KY 41539, e-mail: jollyjuggler@hotmail.com.)

HUDSON RIDGE
ON THE RIGHT TRACK
No Label, No Number.

Hudson Ridge is an acoustic group that blends bluegrass and Americana music with emphasis on crisp instrumentation and soaring vocals harmonies. On The Right Track is their latest compact disc featuring a dozen tracks with acoustic arrangements of such numbers as “The Boxer,” “If I Needed You,” and “Forever And For Always.” Other highlights include renditions of the Louvin Brothers’ “If I Could Only Win Your Love,” Louisa Branscomb’s “Steel Rails,” and “Train Long Gone.” On The Right Track is acoustic music at its finest and certain to bring to the forefront the musical talents of Hudson Ridge. (Mary Luther, 91403 Kellogg Ln., #24, Coos Bay, OR, 97420, e-mail: mluther@gmail.com.)

GEORGE THOMAS
THERE’S ROOM FOR HIM TONIGHT
No Label, No Number.

Here is a pleasant little yuletide offering from George Thomas (guitar, mandolin, banjo, and vocals). George is also assisted by Ron Stewart (banjo and fiddle). The ten selections are mostly lesser-known Christmas songs with titles like “Thought About Christmas,” “Old Brown Paper Wrappers,” and Tom T. and Dixie Hall’s “Christmas On The Farm.” There’s Room For Him Tonight is a nicely done seasonal treat with the potential of becoming a seasonal favorite in years to come. (George Thomas, 3210 Jefferson Woods Ct., Powhatan, VA 23139, e-mail: georgethomas790@comcast.net.)

RAIN CHECK
FOLLY TIME
No Label, No Number.

Rain Check is a five-person contemporary bluegrass group from a small community just west of Winston-Salem, N.C. Their latest recording project is a 14-piece collection that blends original material with arrangements of popular standards like Van Morrison’s “Tupelo Honey,” Jackson Browne’s “Doctor My Eyes” and Gordon Lightfoot’s “You Are What I Am.” The original titles include “Cold Night In New Hampshire,” “Little Brick Church,” and the instrumental “Flash’s Reel.” Folly Time is adeptly executed bluegrass that should prove popular with the fans and followers of Rain Check. (Rain Check, 1045 Greenky Dr., Pfafftown, NC 27040, e-mail: raincheck@triad.rr.com.)

MAC MARTIN & ED BROZI
SUN RACER & OTHER TRAGIC BALLADS
Patuxent Music CD 207.

Mac Martin (guitar and vocals) and the Dixie Travelers are longtime bluegrass legends in and around their home base of Pittsburgh, Pa. Early in his career, Mac met and performed with fellow picker Ed Brozi (guitar and vocals). In 1970 and again in 1972, the duo recorded a series of numbers that came to be known as the Shadyside Sessions. Mandolin player Bob Artis also appears on several tracks. In all, a total of 63 songs were committed to tape. Now Patuxent Music has released 21 selections from those sessions. The performances reflect a variety of influences including the Carter Family, the Blue Sky Boys, and the Bailes Brothers. The title song recounts the story of a tragic plane crash that occurred near Pittsburgh in 1936. Other numbers include “The East Bound Train,” Jimmie Rodgers’ “Moonlight And Skies,” “The Lover’s Return,” and others. Sun Racer And Other Tragic Ballads is old-time vocals at its best and will be eagerly welcomed by anyone who has followed the music careers of Mac Martin and Ed Brozi over the years. (Patuxent Music, P.O. Box 572, Rockville, MD 20848, www.pxrec.com.)

BLUE MAGGIE
RADIO BLUE
No Label, No Number.

This latest release from West Virginia’s Blue Maggie proves to be a mixed bag of tricks. There is no doubt that they are a talented trio with potential, especially considering Cheryl Patrick’s vocals and songwriting talents. In fact, she contributes seven of the twelve titles. The downside lies with the performances and overall production which does not rise to the level expected of an effective bluegrass album. For example, the vocals are ragged in places and the overall recording quality is as if the sessions took place in someone’s living room. On several selections, the endings are sloppily chopped off. The amateurish quality of the proceedings restricts overall interest to a narrow audience. It is hoped that future recording endeavors will place greater emphasis on the quality of the production. (Blue Maggie, 704 6th St., Charleston, WV 25302, www.bluemaggiebluegrass.com.)

LOUIE SETZER AND THE APPALACHIAN MOUNTAIN BOYS
WISH I WERE THERE
No Label, No Number.

Louie Setzer has often been dubbed the “man with the titanium tonsils” and with this latest release, it’s obvious that he is indeed one of the best-kept secrets in bluegrass music. The 16 selections are mostly recognized bluegrass standards, but performed in a vigorous style as no one else but Louie Setzer can do. Featured are “Mr. Engineer,” “Letter Edged In Black,” “It Rains Just The Same In Missouri,” and the instrumental “Route 6 Ramble.” Wish I Were There is exciting mainstream bluegrass at its best and certain to attract a host of new fans to the music of Louie Setzer. (AMB Music, 664 Homestead St., Simpson, PA 18407, www.louiesetzer.com.)

THE FOGGY HOGTOWN BOYS—SCOTCH & SOFA—FOGHOG-005. This latest project from Canada’s Foggy Hogtown Boys successfully blends bluegrass and old-time music into a cohesive production. The proceedings get off to a rousing start with the title song, an instrumental composed by bandmembers Chris Quinn and John Showman, and concludes 15 tracks later with “Hog Of The Forsaken.” In between are such musical treats as Brenda Lee’s “Coming On Strong,” “Little Sadie,” “Raleigh & Spencer,” “Crying Heart Blues,” “The Devil’s Train,” and others. Scotch & Sofa is a highly entertaining production and clearly illustrates why the Foggy Hogtown Boys are one of Canada’s most demonstrative musical aggregations. (Chris Coole, 37 Constance St., Toronto, ON, M6R 1S3, Canada, www.foggyhogtownboys.com.)

COMPILATIONS AND REISSUES

THE BAILES BROTHERS
THE BAILES BROTHERS 2010
Gusto GT7-2169-2.

Twenty songs from this popular brother group. Includes “Dust On The Bible,” “Sweeter Than The Flowers,” “Bull Frog Boogie,” and “Muddy Sea Of Sin.” (Gusto/King Records, 1900 Elm Hill Pike, Nashville, TN 37210, www.gospelusa.com.)

J.D. CROWE AND THE NEW SOUTH
HOLIDAY IN JAPAN
Right Cut Records NSM 0075.

Two discs, 23 songs. Liner notes include an interview with J.D. by Brian Fesler. Musicians include Tony Rice, Jerry Douglas, Ricky Skaggs, Bobby Sloane. Songs included “Sin City,” “Freeborn Man,” “God’s Own Singer,” and “Take This Hammer.” (Right Cut Records, P.O Box 41004, Nashville, TN 37204.)

VARIOUS ARTISTS
THE ROUNDER RECORDS STORY
Rounder 11661-3295-2.

Eighty-seven songs on four discs covering four decades 1970-2000. Extensive liner notes by Geoffrey Himes. Musicians include not only expected bluegrass artists such as Krauss, Crowe, and King, but also George Thorogood, Gatemouth Brown, Buckwheat Zydeco, and Rory Block. Songs include “The Crow,” “Me And John And Paul,” “Fluxology,” and “Mama’s Hand.” (Rounder Records, One Rounder Way, Burlington, MA 01803, www.rounder.com.)

NEW RELEASES
Received January 25-February 24)

JAY ARMSWORTHY
I COULDN’T MAKE IT WITHOUT HIM
Blue Circle Records BCR-027 (compact disc)

FLETCHER BRIGHT AND THE DISMEMBERED TENNESSEANS
BLACK TIE AND BLUEGRASS
No Label, No Number (compact disc)

THE BROMBIES
FROM THE PINEY HILLS (OF HOLLYWOOD)
Adina 1002 (compact disc)

RONNIE BROWN
HERE IT IS
No Label, No Number (compact disc)

CUMBERLAND GAP CONNECTION
A WHOLE LOTTA LONESOME
Kindred Records KR83721 (compact disc)

DELTA REIGN
HOME
No Label, No Number (compact disc)

THE EELPOUT STRINGERS
ROCKIN’ THE BOAT
No Label, No Number (compact disc)

GIBSON BROTHERS
HELP MY BROTHER
Compass Records 745492 (compact disc)

BEV KING & JOHNNY BELLAR
RESOPHONIC ROOTS
Country Heritage Prod., No Number (compact disc)

EDGAR LOUDERMILK
ROADS TRAVELLED
Mountain Fever Records MFR110111 (compact disc)

MARIE McGLONE
LISTEN TO MY HEART
No Label, No Number (compact disc)

NEW GRACE
JUST ANY DAY NOW
No Label, No Number (compact disc)

ROCKY NECK BLUEGRASS BAND
No Label, No Number (compact disc)

CHARLIE SIZEMORE
HEARTACHE LOOKING FOR A HOME
Rounder 11661-0657-2 (compact disc)

THE SOUTH CAROLINA BROADCASTERS
A THOUSAND MILES AWAY FROM HOME
No Label, No Number (compact disc)

ADDITIONAL RELEASES
By Les McIntyre

DELLA MAE
ACOUSTIC E.P.
No Label, No Number.

Della Mae is an all-female group based in Boston, Massachusetts. Bandmembers include Amanda Kowalski (bass), Grace Van’t Hof (banjo), Jenni Lyn Gardner (mandolin), Kimber Ludiker (fiddle), and Avril Smith (guitar). Their latest compact disc release is a brief selection of seven performances including a band original (“Blues Have Got Me Down”) along with others such as “In the Pines,” “Head Over Heels,” Reno & Smiley’s “Unwanted Love,” and a special rendition of Loretta Lynn’s classic “Fist City.” Acoustic E.P. is an entertaining production created by a group of ladies who are rapidly establishing themselves as an important voice in the world of bluegrass music. (McGuckin Entertainment, 500 Riverside Dr., Ste. 160, Austin, TX 78704, www.heyheydellamae.com.)

THE CALIFORNIA RAMBLERS
YARD SALE
TCR 0012010.

THE CALIFORNIA RAMBLERS
GOODBYE TO AN ANGEL
No Label, No Number.

Here is a pair of compact discs from Maryland’s California Ramblers. Yard Sale is a 14-piece collection consisting mostly of bluegrass standards like “Close By,” “Room At The Top Of The Stairs,” “Send Me Your Address From Heaven,” and Dudley Connell’s “God’s Not Dead.” Goodbye To An Angel is a gospel-related project that features three songs composed by bandmember Joey Tippett (“Still Missin’ You,” “Visit My Grave When I’m Gone” and “We’ll Pay The Price”). Other entries include “Crying Holy Unto The Lord,” “God Loves His Children,” and Hank Williams’ “Cold Grey Tomb Of Stone.” The personnel lineup is the same on both projects, and musicianship is solid throughout. The California Ramblers have created two heartfelt offerings of mainstream bluegrass music that should find instant favor with their many friends and followers. (Joey Tippett, 45941 Clarks Rd., California, MD 20619, www.californiaramblers.com.)

ON THE EDGE

THE LAWS
TRY LOVE
JML Music JML0006.

The Laws are a Canadian-based duo consisting of John (guitar and vocals) and Michele (electric bass and vocals). Their music is an amalgamation of styles, including folk and contemporary country combined with occasional bluegrass overtones. Try Love is The Law’s latest compact disc and consists mostly of original pieces. J.P. Cormier served as the project’s producer and also guests on multiple musical instruments. The music of The Laws reflects a positive outlook on life as is apparent on selections like the title song, “Love Again” and “With My Heart.” Gordon Lightfoot’s “Wherefore And Why” and the original instrumental “Beer Mountain Rag” are both done in a definitive bluegrass style. The music of John and Michele Law certainly encompasses elements of bluegrass, but extends far beyond its defined boundaries. Try Love should find favor with anyone who appreciates contemporary music with a healthy dose of creativity. (JML Music, P.O. Box 394, Wheatley, ON, Canada N0P 2P0, www.thelaws.ca.)